Traffik - Miniseries
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Average customer review:Product Details
- Amazon Sales Rank: #39214 in DVD
- Released on: 2001-06-26
- Rating: Unrated
- Aspect ratio: 1.33:1
- Formats: Box set, Color, DVD, NTSC
- Original language: English
- Number of discs: 2
- Running time: 315 minutes
Editorial Reviews
Amazon.com essential video
Like The Singing Detective, Alastair Reid's award-winning 1989 British miniseries (broadcast in the U.S. on Masterpiece Theatre) has taken on mythic status. The critical and box-office success of Steven Soderbergh's Oscar®-winning feature-film adaptation paved the way for Traffik's home-video release, and it's an even more gripping and devastating experience. This is understandable in that it unfolds over five riveting hours, allowing for richer characterization. Traffik also operates on a broader canvas, as the interlocking stories play out in such far-flung locales as London and Hamburg, Germany, as well as Pakistan, a reminder that the war on drugs--in this case, heroin--is a global one. Comparisons between the miniseries and the movie are inevitable, and in the role played by Michael Douglas, Bill Paterson (perhaps best known as the lovelorn disc jockey in Comfort and Joy) makes a more convincing bureaucratic Everyman trying to hash out a financial-aid agreement with Pakistan that would eradicate the impoverished farmers' precious poppy crop. His world is shattered when his own daughter (Julia Ormond in her heartbreaking screen debut) becomes an addict. Lindsay Duncan is even more chilling than Catherine Zeta-Jones as Helen, a "housewife" who takes over her husband's smuggling operation when he is arrested. Aware of his illicit activities, she vows, "I'm not going to let go of everything we fought for." In the Don Cheadle role is Fritz Müller-Scherz as Ulli, a crafty and relentless German detective on Helen's case. One tragic story line unique to the miniseries concerns Fazal (Jamal Shah), an impoverished Pakistani farmer who finds work with Tariq Butt (Tallat Hussain), a major drug trafficker. This is one of television's finest hours (or five), and it's impossible not to get caught up in it. --Donald Liebenson
Amazon.com
Though it's less stylish than Steven Soderbergh's big-screen version, the original miniseries Traffik displays more nuance and detail than the shorter, star-laden Oscar-winning remake. Writer Simon Moore's expansive script takes in more layers of the drug trade -- from the journalists who cover it and the dirt-poor farmers whose labor powers it to the street dealers who are far more prevalent than the preppie thrill-seekers of Soderbergh's version. Although the film is shot in a naturalistic palette, Traffik is not without a certain visual flair; the sequences set in Pakistan in particular introduce viewers forcefully to the mixture of beauty and squalor that serves as a backdrop to the genesis of narcotics production. Traffic does little to question the moral rightness of the American "war on drugs," but Traffik, by highlighting the economic and cultural realities of the developing world, paints a less cut-and-dry portrait of this international phenomenon. Bill Paterson's Jack Lithgow proves a less familiar, more human protagonist than Michael Douglas' grand standing drug czar, while Linda Bassett gets more to work with than Amy Irving does in the part of the government official's wife. All of the principals, in fact, acquit themselves admirably even when the writing reveals its television origins. It doesn't have the sparkle of a Hollywood showpiece, but in its place we get a script with a lot more gray areas, and a glimpse at the drug trade half a world away from our own backyard. In fact, the European and South Asian settings guarantee that Traffik will seem fresh even to rabid fans of the celebrated Traffic. ~ Brian J. Dillard, All Movie Guide
From the Back Cover
The acclaimed Masterpiece Theatre miniseries and the basis for the Academy Award winning film Traffic. A riveting thriller filmed on location in Pakistan, Hamburg and London, Traffik is and unflinching look at those who grow, sell and use drugs and the futility of efforts to stop them. Starring Bill Paterson (The Singing Detective), Lindsay Duncan (An Ideal Husband) and Julia Ormand (First Knight) in her extraordinary film debut. Three lives intersect explosively on the front lines of the drug war. Jack, a British government minister, thinks diplomacy will prevail until a fact-finding mission to Pakistan coincides with volcanic upheaval in his personal life. Helen, the British wife of a German businessman cough smuggling heroin, discovers her own steely determination to survive. And Fazal, a Pakistani Farmer forced out of his poppy fields, find a far more dangerous occupation.
Customer Reviews
Far outshines the film
Traffik is one of the most memorable viewing experiences I've ever had. Not only does it give a very clear view of the economic necessity that is the driving force in the lives of the people who cultivate the poppy fields, but it also gives sharply focused insights into how ill-informed politicians make hay on a hot-potato issue. It's only when the effects of drug abuse come home--to Bill Paterson, the splendid Scottish actor who plays a member of parliament whose daughter falls victim to addiction, and to Lindsay Duncan, the wife of the importer--that we see the lengths people will go to, for all sorts of reasons, to engage in the traffic, going one way or the other. Duncan is extraordinary in this series; her transformation from innocent wife to determined conspirator is stunning. This, the original Traffik, makes the film version look small and choppy and incoherent. Benicio Del Toro's performance in the film is, without doubt, a fine one. But when it takes a viewer at least half the movie to figure out who the good and bad guys are, you've wasted a lot of time. Traffik doesn't waste a single frame. It's a breathtaking ride from start to finish and leaves the film version in the dust.
If you saw the movie and thought it was okay, see the TV series and you'll see something great. Years after the fact, there are scenes in the mini-series that will come back to haunt you. This is a profoundly affecting, deeply compelling drama.
Traffik or Traffic
I am a Los Angeles writer and filmmaker that was eager to see the style and magnitude of Traffic when it was released. I found it tragic, powerful and well made with reservations toward the characterization of Michael Douglas and Julia Ormond. I was completely unaware of Traffik. Sometime later Traffik was released (or re-released) on PBS and I sat amazed at the identical plots and characters except I knew I was watching the original and so far superior I was astonished that Traffic dared show its face. On the night of the Academy awards all from Traffic received their awards lauding one another and not a mention of the creative source from which they had drawn...and quartered.
Region 1 release = 3 stars. Region 2 release = 5 stars.
Nothing much to add, apart from saying that the region 2 release has been superbly produced, so if you want to avoid the poor US market adaptation and have a multi region player, purchase the region 2 version from Amazon UK.
It was really dumb to change the original subtitling to dubbing.
If you can take it raw, watch Traffik. If you can't, watch the movie.




