Product Description

FOR THIRTEEN EXTRAORDINARY DAYS IN OCTOBER 1962, THE WORLD STOOD ON THE BRINK OF AN UNTHINKABLE CATASTROPHE. AFTER THE DISCOVERY OF SOVIET WEAPONS IN CUBA, EVENTS AND TENSION ESCALATE BETWEEN TWO MILITARY SUPERPOWERS AND WITHIN THE WHITE HOUSE.

Product Details

• Amazon Sales Rank: #1942 in DVD
• Brand: Warner Brothers
• Released on: 2001-07-10
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC
• Original language: English
• Number of discs: 1
• Running time: 145 minutes

Amazon.com
When released in December 2000, Thirteen Days was pummeled for taking liberties with the facts of the Cuban missile crisis and smothering its compelling drama with phony Boston accents by its primary stars. More tolerant critics hailed it as one of the year's best films, and that's the opinion to believe for anyone who enjoys taut, intelligent political thrillers. For those too young to relate directly to the timeless urgency of the crisis that played out over 13 days in October 1962, Thirteen Days joins the classic TV treatment The Missiles of October (1973) as an intense and thought-provoking study of leadership under pressure.

The film (and costar-coproducer Kevin Costner) drew criticism for fictionally enhancing the White House role of presidential aide Kenneth O'Donnell, but while Costner's Boston accent may be grating, his fine performance as O'Donnell offers expert witness to the crisis, its nerve-wracking escalation, and the efforts of John F. Kennedy (Bruce Greenwood) and Robert F. Kennedy (Steven Culp) to negotiate a peaceful settlement with Russia. While Soviet missiles approach operational status in Cuba, director Roger Donaldson (who directed Costner in No Way Out) cuts to exciting U.S. Navy flights over the missile site, ramping up the tension that history itself provided. Donaldson's occasional use of black and white is self-consciously distracting, and he's further guilty of allowing a shrillness (along with repetitive, ominous shots of nuclear explosions) to invade the urgency of David Self's screenplay. Still, as Hollywood history lessons go, Thirteen Days is riveting stuff. You may find yourself wondering what might happen if reality presented a repeat scenario under less intelligent leadership. --Jeff Shannon

Additional features
The first DVD released with the "Infinifilm" label, Thirteen Days is the perfect vehicle for the extensive extras loaded on this single disc. If you enable the Infinifilm feature, a pop-up window will appear every few minutes during the film. Select one of the options and you're whisked away for a 30-second to three-minute feature on numerous topics relating to the onscreen action, including documentary footage of the actual events described in the film, cast and crew interviews, a making-of feature on the film, filmographies, deleted scenes, and historical biographies. (All the special features are also available in their entirety in the Special Features area of the disc.) Each segment is labeled with its length, and when the feature is done, you are automatically returned to the same point in the film. It's a nice way to take a second, more in-depth look at the movie. Historians, news broadcasters, and even Khrushchev's son lend their voices to one commentary track, which also includes historic speeches. The other commentary track includes key filmmakers and insights from producer-actor Kevin Costner. The short deconstruction of the jet-flyover special effects is superb, as is the subtitle option that offers historical text about the onscreen action that can be engaged with or without the Infinifilm mode. --Doug Thomas

Customer Reviews

fine political thriller
I saw this film in the theaters and was very disappointed that it was not a major hit; although I think I know why. This is definitely a character and dialogue-driven historical drama. Not your run-of-the-mill mind-blowing blockbuster type of film! I believe this film will play very nicely in DVD or video form where it's quiet drama will play itself better.

I was VERY disappointed that Bruce Greenwood was not nominated for an academy award (there were rumors this may happen) because I believe his performance was as good if not better than the men that were nominated. His JFK was, in my humble opinion, perfect. I found this film compelling, well written, and dramatic. I especially enjoyed the scenes where Kenny O'Donnell (K. Costner) went to church and went to see his son play ball. Can you just imagine what you would feel if you thought the end of the world may happen?

As I watched this movie, I thought it was a shame that the movie-going generation of today did not take the time to watch it. To them, this is history of long ago; to many others, it is a lesson worth watching and remembering.

This is also, quite frankly, a wonderful and entertaining piece of cinema. Give it the chance it deserves.

Gripping drama, even if not entirely accurate
I remember studying the Cuban Missile Crisis in college, in a class on group dynamics and groupthink. It is such a remarkably involving event, I was a bit apprehensive going into the film, as Hollywood often manages to suck the life out of inherently thrilling stories. Luckily, they get this one right. While it is not historically accurate, I didn't care, because the story this film tells preserves the essence of the event, the tension in the White House as two superpowers danced at the edge of World War III, and the type of individual heroism and leadership it probably took to save us from ourselves.

The story is told from the perspective of Kenny O'Donnell (Kevin Costner), given an inflated role as the advisor to President Kennedy and confidant of both John and Bobby. Telling the story from his perspective is a good one, as it allows us to view John and Bobby as the larger than life heroes they were. Costner's faux Bostonian accent is so lousy as to cause hysterical laughter from my friends and I as the film started, but thankfully Bruce Greenwood and Steven Culp outshine him with remarkably charismatic portrayals of John and Bobby. I wasn't alive when Kennedy was president, but after watching Greenwood's performance I can understand why so many look to Kennedy as our last great president. Surrounded by military chiefs of staff rabid to go to war with the Russians, the Kennedy's and O'Donnell find the courage to follow their better judgment and inspire enough decent men around them to steer both sides to a peaceful resolution. This is filmmaking about the clash of strong personalities in a group setting, like Twelve Angry Men, or Glengarry Glen Ross, or Fail Safe. I find the subject fascinating.

A few other minor quibbles: occasionally the film switches to black and white, ostensibly to heighten the sense of historical accuracy, but it just looked like we were watching a studio screener copy of the film to me. That could have been left out. Also, occasionally the director Roger Donaldson inserts scenes with O'Donnell hanging out with his family, brooding over their well-being, with head in hand and furrowed brow. They feel like attempts to conjure up some of the tension that common American families felt during the event, but Costner no longer has the dramatic presence to pull them off, and I would have preferred Donaldson narrow his focus to stay within the confines of the White House.

But those are minor quibbles. Dylan Baker plays Defense Secretary Robert McNamara wonderfully, and it's amazing how much Culp and Baker resemble Bobby Kennedy and McNamara. I left the film wishing that presidential candidates like George Bush or Al Gore had half the charisma of Greenwood's JFK. Ah, but isn't that always the case with presidents in the movies? If you find yourself fascinated by the Cuban Missile Crisis after watching the film, pick up the book from which some of the film's events were pulled, "The Kennedy Tapes: Inside the White House During the Cuban Missile Crisis." It provides a more historically accurate and just as compelling examination of the event.

Riveting Drama That Brings History To Life
Throughout the Twentieth Century, misjudgment-- the failure of one side to extrapolate the position of the other side-- has resulted in every major war from WWI to the Korean conflict. And no one was more aware of this than President John F. Kennedy, when in October of 1962, photographs taken by an American U-2 spy plane uncovered the existence of Russian surface-to-surface missiles being deployed in Cuba; missiles with a range that encompassed every major city in the U.S., with the exception of Seattle. "Thirteen Days," directed by Roger Donaldson, is a chronicle of two of the most intense, significant weeks in the history of America, as well as U.S./Soviet relations. Thirteen days that came down to a twelve to twenty-four hour period that could have changed the world as we know it today.

Working from an intelligent, well-researched and accurate screenplay by David Self, Donaldson takes you behind the closed doors of the White House and conference rooms in which the fate of the nation was ultimately decided. The outcome is, of course, a matter of history, but the process which led to the final conclusion is intense, riveting drama that in the end illuminates just how close the world was brought to the brink of nuclear war by the Cuban Missile Crisis.

Much of the tension in the film is derived and enhanced by the fact that it only gives the perspective of the Americans; but rather than making it a stilted, biased account, however, it becomes an objective, thoroughly engrossing presentation, and the fact that the viewer knows only what Kennedy knew puts you in the room with him, so to speak, and allows you to experience the process of assimilating the information, of extrapolating with Kennedy and ultimately making one of the most monumental decisions in history.

The story unfolds through the eyes of Kenny O'Donnell (Kevin Costner), special advisor to the President, long time friend of the family and a trusted member of the Kennedy inner-circle. The film accurately establishes O'Donnell's position without embellishing his role simply for dramatic effect; he serves as something of a "tour guide," through whom you gain access to the drama playing out behind the curtain. That he is a close friend of the Kennedys is reflected in many scenes in which O'Donnell, Jack and Bobby are alone together. And since the story is told from O'Donnell's point-of-view, naturally his is a significant role; the film very subtly goes to great lengths, however, to establish the fact that within the conference rooms or during the meetings in the Oval Office, O'Donnell is kept at arm's length and, though present, is not a direct participant.

Costner gives what is arguably one of the best performances of his career in this film, successfully capturing the essence of O'Donnell in an understated, subtle way that works extremely well and serves the story effectively. He's clearly the star of the picture, though much of what he does is on the sidelines, which keeps the focus on Kennedy and the magnitude of the situation at hand. Costner has drawn criticism in some quarters with regards to the distinctive New England accent he affects in the film, but the criticism is unwarranted; you have only to hear a tape of the real O'Donnell to realize how accurate Costner's portrayal is, up to and including the accent.

Donaldson and the producers of this film realized that for it to really have an impact, the roles of JFK and RFK, especially, had to be cast with great care; for the film to be believable and to maintain that focus on the story, the Kennedys had to be believable, otherwise the effect would be significant to the point of distraction. And their meticulous efforts and hard work paid off. Bruce Greenwood gives an excellent performance as John Kennedy, from the accent to the body language and mannerisms he affects that so defined him. And Steven Culp is perfect as Bobby, imbuing his performance with nuance and an eye for detail that convincingly brings him to life.

The outstanding supporting cast includes Dylan Baker (McNamara), Henry Strozier (Rusk), Frank Wood (Bundy), Len Cariou (Acheson), Bill Smitrovich (General Taylor), Kevin Conway (General LeMay) and Kelly Connell (Salinger). During the strife of the Civil War, the nation was preserved because the right man, Abraham Lincoln, was in the right place at the right time; and in retrospect, the same can be said of John F. Kennedy and the Cuban Missile Crisis. As Kennedy said, if we fail to comprehend the Soviets, and they don't understand us, the result will be tragic; and though the controversy of politics is inescapable, and there will always be two sides with opposing views, this film succinctly demonstrates that in this instance, it all came down to the decision of one man who proved he had the vision and the determination to do the right thing. And anyone who disputes it need only be reminded that, in fact, that is the Sun you see shining through your own window every morning.