Product Description

Jerry Seinfeld is a working stand-up comic again. COMEDIAN is a candidly revealing, intimately observed, and often very funny look at what it takes to be a comedian. On-stage, Jerry delivers his hilarious brand of observational humor. Off-stage, he struggles with difficult material, confronts self-doubt, revels in small successes, and accepts help and support from friends and colleagues, including Colin Quinn, Ray Romano, Chris Rock, Garry Shandling, Jay Leno, and Bill Cosby. COMEDIAN also discovers the sharp wit of rising young comic Orny Adams -- outspoken, insecure, and fanatical about becoming the "next big thing." What emerge are two fascinating journeys by two contrasting personalities who have some surprising parallels.

Product Details

• Amazon Sales Rank: #8914 in DVD
• Brand: SEINFELD,JERRY
• Released on: 2003-05-13
• Rating: R (Restricted)
• Aspect ratio: 1.33:1
• Formats: Closed-captioned, Color, Dolby, DVD, NTSC
• Original language: English
• Number of discs: 1
• Running time: 82 minutes

Amazon.com
If you see Comedian expecting a concert film with Jerry Seinfeld, you'll be disappointed. But if you're looking for an incisive--almost surgical--examination of the psyche of a stand-up comedian, this is your movie. Comedian zigzags back and forth between the hugely successful Seinfeld, who's trying to get back to his stand-up roots by developing an entirely new act, and an unknown comic named Orny Adams, whose naked craving for success is almost painful to behold. Adams lays bare his ego to an embarrassing degree; Seinfeld is more subtle but just as revealing about the fears and anxieties that drive him to go back on stage. By following these two through comedy clubs, festivals, and spots on David Letterman's talk show, the documentary cunningly explores how jokes are put together, the in-the-trenches camaraderie (tinged with competition) of stand-ups, and the sheer existential terror of trying to make people laugh. --Bret Fetzer

From The New Yorker
Like a perverse child knocking over a sandcastle, Jerry Seinfeld takes apart his fame and tries to build it back up again. After the success of "Seinfeld," he returned to the comedy clubs to do standup, presented in this documentary as entertainment in its purest form: the man, the microphone, the audience. For Seinfeld, it's also a ritual of purification, a chance to rediscover his comic chops, like a boxer reëntering the ring. He even ups the ante by refusing to use his old material. A noble experiment, but a corrupt one, because Seinfeld's name is always out ahead of him, smoothing the way. (The compliments outnumber the punch lines.) The fascinating aspect of this film is its portrait of perfectionism, a curse not even celebrity can cure. By the end, you feel that if Seinfeld were to switch places with the young, unknown comedian he mentors, neither would be happy for more than four minutes. -Michael Agger
Copyright © 2006 The New Yorker

Customer Reviews

a sharp and stinging piece of business
"Comedian" chronicles Jerry Seinfeld's return to the comedy club circuit after dismantling his sitcom in 1998 and retiring his well-honed live routines in the HBO special "I'm Telling You For The Last Time."

And though the documentary has lots of stand-up comedy, as well as appearances by comics such as Chris Rock, Jay Leno, Garry Shandling, Robert Klein and Bill Cosby, this is not really a concert movie. It's actually a glimpse into the business of entertaining and the process behind making an audience laugh. "Comedian" is a funny movie, but it's really more about the humor of anxiety and self-doubt than punch lines.

Shot on digital video by Christian Charles (who directed Seinfeld's snappy American Express commercials) and crammed with excellent jazz and pop music, the movie follows Seinfeld and a young comic named Orny Adams as they hit the road, work on new material and perform on "Late Night With David Letterman." Adams -- keyed-up and hypersensitive -- doesn't fare as well as Jerry but given that he's sharing space in a movie with one of the most popular television personalities in history, he kind of has the deck stacked against him.

And yes, Seinfeld, after being out of the spotlight for a while, does remain an interesting personality, even more so when caught on a relatively candid camera (Jerry curses?). His backstage conversations with Leno, Cosby, Rock and Colin Quinn reveal a guarded camaraderie, and fans who spent a significant chunk of the '90s chuckling at the misadventures of Jerry, George, Kramer and Elaine will probably find it amusing that Seinfeld still actively worries he'll bomb in front of a crowd.

But for all Seinfeld's agonized fretting over writing jokes and winning the audience's approval, anybody who puts in 40-plus hours a week at an office probably won't find much sympathy for a guy who has been given hundreds of millions of dollars doing the very thing he loves to do.

Nevertheless, "Comedian" is a sharp, insightful, wry and occasionally stinging piece of business.

A great tool for a leadership conference
This ends up being less a documentary about comedy and more a character study of a mature and an immature craftsman. The craft here is comedy, but it really could be anything, especially any type of art. A friend and I watched this and afterwards talked about how well Jerry Seinfeld and Orny Adams illustrate the principles of leadership.

Jerry Seinfeld is the portrait of a mature craftsman.

1. He is able maintain a healthy separation between himself and his craft. When a bit is not funny, it doesn't mean he isn't funny, it means the bit needs work. So he reworks it. When a set doesn't go well, he accepts the responsibility (doesn't "blame it on the candles") and figures out how to make the next set go better.

2. He has a life outside of his work. We only see his family for a few seconds; this is a film about comedy, and that's his job, not his life.

3. He views other craftsmen in his field as resources and comrades, not as threats and enemies. It is clear Jerry has a warm relationship with other comics, most notably Colin Quinn, and is able to discuss the craft and refine material with them. He listens to their advice, airs his concerns, and hears their concerns. He learns more about the craft by discussing it with other craftsmen.

4. He is willing to take risks in order to make himself a better craftsman, and produce a better craft. The real story of Jerry Seinfeld here is that he is starting over -- all new material -- in order to sharpen himself, to challenge himself and stay on top of the game. It's a huge risk that makes him a better craftsman.

Orny Adams is the portrait of an immature craftsman.

1. He is unable to maintain a healthy separation between himself and the craft. When a set doesn't go well, Orny takes it personally. It's like the audience is attacking is worth, his value as a person. He believes that if he is not funny, he is worthless. As a defense mechanism, he gets angry. At different points in the movie, he rages at a bad audience, a bad club, and a bad time slot.

2. Apparently, he has no life outside his work. He calls his mom once, to tell her he has one a contest. But it's clear he's unhappy, and it's quite possible it's because all he has and does and is is comedy.

3. He views other craftsmen in his field as threats and enemies. It's pretty clear that other comics respect Orny Adams, but none are his friends. At one point in the movie, another comic tries to give him some advice -- primarily about what I noted in point #2, that he needs to have a life outside of his comedy -- but he gives it like he's giving it to a rattlesnake about to strike. He is constantly verbally backing away, disclaiming, trying to say what he has to say without being struck. And Orny receives it like a rattlesnake. He cannot hear what the man has to say, and instead tells him what he ought to be saying to him. At another point, he says he has respect for Jerry Seinfeld, but it looks more like envy to me. He wonders at one point, if Jerry's success is not simply the result of luck.
(That may be misquoted in the movie. I got a strong sense while watching it that Orny doesn't know when to keep his mouth shut, and that the documentary editors cut pieces of his dialogue from their context to make what he says sound worse than it actually is.)

4. The prospect of taking risks with his craft makes him anxious and miserable. He has to take a pretty minor risk when he goes on Letterman -- he has to change one key word in his set -- and it gives him fits. He rages against the show, and is clearly a nervous wreck afterwards. The sad thing is, the risk worked. The bit was still funny. But his inability to separate his craft from himself (back to #1) mean that this risk absolutely wrecked him.

Orny Adams is a very talented comedian, and in all fairness, if we went back and watched Jerry Seinfeld twenty years ago, he probably would have looked much the same. Here's hoping that he matures into a competent craftsman. My advice to him would be to take some time off -- spend a year away from the circuit, away from comedy, so that he can establish an identity that isn't the craft. Then come back. If not, I have to agree with George Shapiro's words: "Yeah, Orny, I think you'll be big. But I think you'll still be unhappy."

Interesting study of stand up comedians
The documentary "Comedian" provides a nuts-and-bolts, behind-the-scenes glimpse into the world of the stand-up comic. While it features a sea of familiar faces - Ray Romano, Gary Shandling, Chris Rock, Jay Leno, Bill Cosby - making what turn out to be little more than cameo appearances, the film focuses almost exclusively on two figures from the comedy nightclub scene: one well known, Jerry Seinfeld, and the other an up-and-coming, potential new star named Orny Adams. "Comedian" derives much of its meaning from the ironic juxtaposition of these two men. Seinfeld is a man who has managed to achieve what, for any comedian, would be the pinnacle of success - fame, fortune and international celebrity status - yet he still finds himself riddled with personal doubts and feelings of inadequacy every time he gets up to perform on stage. Adams, who has yet to get that "big break," somehow comes across as much more cocky, arrogant and self-assured than Seinfeld - although Adams, too, confesses that he may indeed be a harsher critic of his own performance than are the members of his audience.

"Comedian" was originally shot on video and transferred to 35 MM film, a fact that accounts for the dark, blurry, grainy quality of the picture. Most of the film's time is spent backstage with the comics as they air their views on their chosen profession, their colleagues, their personal idols, their various demons, their need to perform, their drive for perfection and their harsh, overly critical evaluation of their own skills and talents that often lead them into bouts of serious depression (Adams seems particularly prone to such reactions). These scenes are interspersed with brief snippets of some of their stand-up routines, which, surprisingly, seem rather devoid of laughs (Seinfeld has always struck me as more funny on his TV series than he ever has been on stage). One also notices that the world of the stand-up comic in this film is strictly an Old Boys Club. Perhaps, we will one day be treated to a sequel entitled "Comedienne" to give the distaff side of the profession its due.

"Comedian" is a very short film - it runs a mere 81 minutes - and, as a result, it feels a little superficial at times and even truncated at the end. We would like to see a bit more of the lives of these two men - Adams, in particular, seems to disappear from the film a bit prematurely - but it is a must-see for anyone interested in this unusual branch of the entertainment field. The film will make you view stand-up comedy in a whole new light.