Product Description

Explores the early romance and tempestuous marriage of poet Sylvia Plath and her husband Ted Hughes.
Genre: Feature Film-Drama
Rating: R
Release Date: 24-AUG-2004
Media Type: DVD

Product Details

• Amazon Sales Rank: #30993 in DVD
• Brand: PALTROW,GWYNETH
• Released on: 2004-02-10
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: AC-3, Anamorphic, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: Spanish, French
• Number of discs: 1
• Running time: 110 minutes

Amazon.com
The biting poetry and sad life of poet Sylvia Plath form the story of Sylvia, starring Gwyneth Paltrow. This subtle but fascinating movie centers around Plath's relationship with poet Ted Hughes (Daniel Craig, Love Is the Devil), with whom she fell aggressively in love while a student at Cambridge. Their relationship proved passionate but rocky; many of Plath's fans blame the depression that eventually led her to suicide on Hughes's infidelity. Sylvia doesn't let Hughes off the hook, but it doesn't paint Plath as a helpless victim either. Paltrow's superb performance captures the poet's fierce jealousy and artistic ambition as much as her debilitating sorrow. The movie makes no big statements about Plath's poetry, letting the troubling details of her life tell their own compelling story. Also featuring Jared Harris, Blythe Danner, and Michael Gambon; the acting is outstanding all around. --Bret Fetzer

From The New Yorker
If Mel Brooks had got his hands on the story of Ted Hughes and Sylvia Plath, we could have been treated to a chorus line of suicidal poets, chanting "It's a Gas!" As it is, we must make do with this bleak account of intertwining lives. Plath (Gwyneth Paltrow) meets Ted Hughes (Daniel Craig) in 1956 and marries him shortly afterward, to the polite consternation of her mother (Blythe Danner). The action switches from a morose England to a bright and bracing America, then back again; the second half of the picture leads us through the plunging of Plath's moods, the publication of her poems, and her death, in 1963. The screenwriter, John Brownlow, and the director, Christine Jeffs, handle this material with patience and tact, and Paltrow is unafraid to show the sour and simmering side of her heroine. We come away convinced of the poets' shared intensity, and deeply relieved that we are able to observe it from a safe distance. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Excellent Performances But "Sylvia" Lacks Depth.
Director Christine Jeffs manages to strike an evenhanded tone in her biopic "Sylvia," which deals with the last few years in the life of poet Sylvia Plath. Jeffs doesn't place all the blame for Ms. Plath's suffering, deep depression and subsequent suicide on Ted Hughes, (which many Plath fans do), nor does she glorify the poet's pain. However, the complexities of Plath's psyche, illness, motivations and goals, the intricacies of her relationship and marriage to Hughes, and her roles as mother and poet, are short shrifted. I don't know if this flaw is due to the limitations of the medium or to problems with the screenwriting and direction. This is a film about a woman with a suicidal past who writes poetry, loves, marries, becomes depressed, insecure and jealous, has children, is "deceived," falls deeper into depression and turns on the gas - the main character just happens to be Sylvia Plath. I really would have liked to have seen more of an emphasis given to Plath's writing and love of literature. Ms. Plath also placed tremendous importance on parenting her children and often found much pleasure in being a mother and a wife, as well as a poet. This is not evident in the movie.

Sylvia Plath's story is a desperate and tragic one. However, the movie dwells on her depression to the extent that it appears the writer never had a happy moment after her honeymoon. Even the film's use of color reflects this unhappy mood. Plath dresses in warm colors up until her wedding, after which her clothes and the ambient colors become darker and darker. Her writer's block is clearly shown but her periods of extreme productivity, especially toward the end of her life, when, writing through the nights she poured poetry onto the page with almost manic energy, are not really portrayed. All the biographies I have read on Sylvia Plath discuss the joy she found in motherhood. Her exhaustion caring for two small children, taking care of her home and writing is evident throughout the movie, as it was in real life. But nowhere is Ms. Plath shown laughing and playing with her children, with the exception of a brief Christmas scene. Her small daughter is almost always shown toddling behind her mother, a bewildered, sad expression on her face. Nor does the movie show Ms. Plath's tremendous struggle to live, fighting against her overwhelming depression. The contrasts between happiness and deep sorrow, energy and listlessness, struggle for control over her demons and loss of control are strangely absent. The character of Sylvia Plath ultimately comes across as a relatively passive figure, at the mercy of her mental illness, whose moods are closely tied to her husband's demonstrations of affection and attention.

Gwyneth Paltrow does a wonderful job, as always, given the material she had to work with. Her performance is sensitive and intense. The few times she recites poetry, including a wonderful scene where she does a small bit from Chaucer's "Wife of Bath" in Middle English, are extraordinary. Daniel Craig as Ted Hughes is excellent, capturing the magnetic charisma of the poet, his bewilderment as his relationship falls apart, and his careless indifference toward Sylvia's suffering and his children's vulnerability. Blythe Danner, Paltrow's mother in real life, is excellent in the role of Plath's mother and Michael Gambon does an extraordinary job as the sympathetic downstairs neighbor.

I have been a big fan of Sylvia Plath's poetry for many years and have read some excellent biographies on the poet as well as work by Ted Hughes. This is a difficult review for me to write because I want to be objective about the film, which does oversimplify Ms. Plath's life. We get the facts but not the depth. There is a tremendous lack of scope here. If one is not familiar with Plath and her work I am not sure that the movie would inform with more than a melodramatic overview of her life. As stated above, the acting is fine and the photography appropriately moody. For a more comprehensive experience I would suggest reading some of Ms. Plath's exceptional poetry, if you haven't already, before viewing the film.
JANA

A bit too circumspect
I have to give the folks behind this movie credit for not dwelling too much on the melodramatic aspects of Sylvia Plath's short life. But the fact is that her story really was very melodramatic throughout, and "Sylvia" tries too hard to look past that.

Too bad, because it's otherwise a great movie. All the essentials of Plath's relationship with Ted Hughes are presented, with just enough details of her early life filled in through dialogue to give even unfamiliar viewers an understanding of the troubled poet's story. The cinematography is great throughout, and the writers were surprisingly careful to avoid taking sides in the still ongoing did-Ted-drive-her-to-suicide debate. (Both are portrayed as passionate lovers but terrible spouses, which is probably the truth.) And yes, the producers were legally barred from using all but a few random lines of Plath's poetry in the script, but I didn't find that very harmful - anybody can recite poetry, and having Gwyneth Paltrow do so won't necessarily give you a better appreciation for its meaning anyway.

What is more troubling is the lack of any effort to illustrate what inspired Plath or how her work impacted the last few years of her life. Even "The Bell Jar" warrants only one mention, and that almost in passing. This is acceptable in the context of a story that seems far more focused on her relationship with her husband than anything else, but at the very least the movie's title probably should have reflected that.

Still, it's an interesting, if appropriately bleak, look at one of the more tragic marriages in literary history.

Great performances
Let's face it: if you're going to see "Sylvia", most likely you realize that it's not going to be a feel good movie. You won't leave the theater all warm and fuzzy.

And you don't. However, you do leave the theater with a lot to think about for the rest of the day. First and foremost, both Gwyneth Paltrow and Daniel Craig give bold, memorable performances as Sylvia Path and Ted Hughes, the doomed poet couple of the late 1950's and early 1960's. Patrow looks so much like photos of Plath that it's eerie. However, she does more than just look like her-she conveys the woman's neurotic brilliance, her desperate need to conform to her ideals of feminity, motherhood and wifehood while at the same time trying to produce world class poetry. Craig meanwhile (who also looks like photos of Hughes) illuminates both the magenetism of Hughes' presence--which drew sylvia and many other women to him--and his trying to meet the challenge of living with Sylvia. Hughes was brilliant too--but not mentally ill and that makes all the difference.
Strong supporting performances run through the movie; most notably, Blythe Danner as Plath's mother and Michael Gambon as a kindly though increasingly impatient neighbor.
I would recommend this movie to those who gravitate towards art house movies and literature lovers. If you're a Ted Hughes basher, this movie may be too balanced for you. Likewise, if you're a Plath basher. Yest it's a small movie in many ways--the score could have been better, the story fleshed out a bit more (hence the four stars)--but it is a very good small movie.