Product Description

Based on the true story of a female serial killer.

Product Details

• Amazon Sales Rank: #17380 in DVD
• Brand: Sony
• Released on: 2004-06-01
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: AC-3, Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: Spanish
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 109 minutes

Amazon.com
Critics have universally praised Charlize Theron's performance in Monster, and the praise, for once, is astonishingly deserved. The gorgeous star of The Italian Job and The Cider House Rules vanishes into the character of Aileen Wuornos, a real-life serial killer and prostitute who murdered at least seven men in Florida. Monster traces her relationship with a young woman named Selby (Christina Ricci, The Ice Storm, Buffalo 66), which intertwines with Wuornos's murder spree. This remarkable movie finds compassion for Wuornos but unflinchingly faces her brutal crimes; Theron expresses this woman's horrific life history without softening her terrifying, dead-eyed stare. This is a gripping, devastating performance, a physical and psychological transformation comparable to Robert DeNiro's in Raging Bull. The movie's moral and emotional complexity wouldn't succeed without this searing performance--but succeed it does, and it will stick with you for some time afterward. --Bret Fetzer

DVD features
Director Patty Jenkins is prominent in Monster's two above-average 15-minute featurettes. "Based on a True Story: The Making of Monster" combines news broadcast; interviews with Jenkins, Charlize Theron, and others; a look at Theron's makeup; and signs of Aileen Wuornos's real-life world, including her best friend and the real Last Resort bar. Jenkins and composer BT discuss the score in the other featurette, including how "the score was conceived from the ground up in 5.1" (the DVD's sound is all-enveloping) as well as the use of the hurdy-gurdy and the contribution of Journey's Steve Perry (even this featurette is in DTS). There's also a film-mixing demo, in which the viewer can add or subtract (but not change the levels of) the dialogue, sound effects, and music in a two-minute segment of the Funworld scene. Surprisingly there's no cross-promotion of the simultaneously released interview disc, Aileen: Life and Death of a Serial Killer. --David Horiuchi

From The New Yorker
To play Aileen Wuornos, the real-life prostitute and serial killer who was executed in 2002, Charlize Theron put on thirty pounds and endured an hour and a half of attention each shooting day from the makeup artist Toni G. What's remarkable about the film is not just Theron's transformation into a half-mad, beaten-up prostitute, but the disciplined performance that she gives. The actress twitches and shrugs as if her tendons were directed by will alone. She's telling the world to kiss off, yet, inevitably, she's reduced to sticking out her thumb on the highway in search of a paying customer. When a scuzzy client abuses her, she snaps, empties a revolver into his chest, and lets out a war whoop of triumph. The moment is truly frightening. Theron's ferocity pushes the material over the top, but her tenderness-the flashes of gentleness and vulnerability-retrieves it from tabloid exploitation and camp horror. With Christina Ricci as the petulant lower-middle-class girl who becomes Wuornos's lover. Written and directed by Patty Jenkins and shot in that bedraggled kingdom of chaos, Central Florida. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Phenomenal!
I watched Monster without any expectations, save knowing that it was a movie about two women. At the end of the screening, i was totally blown away. One, Charlize Theron gives a spectacular performance as 'serial killer' Aileen Wuornos. Her facial expressions and bodily movements strongly resemble that of the actual person (based on what i read). Secondly, the 'human' aspect of Aileen was brought out in the film, and despite her brutal killings, one can symphatise with aspects of her life which brought her to this point of no return when she started killing her johns. Thirdly, although Monster is primarily about Aileen the killer, yet the viewer is treated to a love story between Aileen and her lesbian lover. This is in many aspects, the driving force of the film and which makes the film memorable. Some prison psychologists had diagnosed Aileen as having Borderline personality disorder, which explains her behaviour of wanting to keep Selby Wall, her girlfriend (in real life, the girl's name is Tyria Moore) at all costs, despite the fact that Selby was at times a selfish, immature person who ultimately betrayed Aileen. The final scene of the 'confession' phone call (which basically nailed it for Aileen) is heartbreaking. Aileen basically took the fall for everything and absolved Selby of any blame. Even though the audience may sense a taste of Hollywood drama here, one must remember that in real life, Aileen did take the blame for everything, and even went to the extent of sending Tyria money while she was on death row. Perhaps this is a glimpse into a rare aspect of her life (which traditional documentaries on her never cover), which shows us that at the end of the day, she is a human being like the rest of us and despite her heinous crimes, she too longed to be loved and feel love. The betrayal scene will stick in my mind for a long time to come. I welcome emails on this film as i am interested to know more about the film as well as Aileen and her lover.

Extraordinary Acting And An Unusual Point Of View
Charlize Theron gives a five star+ performance as the executed serial killer Aileen Wuornos, the monster in "Monster." I would have rated the movie the same, except it is just too filled with pain, desperation and hopelessness for me to rank it that high. The script is not particularly strong. We only get a glimpse into the life and mind of this woman, and we never discover what made her kill. Many abused women hate men, but they don't become serial killers. There is also a lot of repetition, as Wuornos goes through her pattern of solicitation, violence and anguish over and over again. Without Ms. Theron's magnificent acting the film would be rather mediocre.

Director Patty Jenkins begins Wuornos' story in 1989-90, just before she was caught and imprisoned. She portrays Aileen more as a victim than as a victimizer. Through an initial monologue and various dialogues the viewer learns of Aileen's very troubled childhood in Michican. Her father, a convicted child-molester, committed suicide. Aileen was raped repeatedly by a family friend, and she began prostituting herself when she was thirteen. Her only job had been as a hooker. I think Ms. Theron portrays Aileen as a woman suffering from serious mental illness. Her moods swing from suicidal depression to euphoric overconfidence. She had delusional periods where she believed that all her dreams would come true and that she was invincible. She is a tough talking lady who drinks too much and barely holds her rage beneath the surface.

It is during this period that she meets Selby (Christina Ricci is superb in this role.), a shy, naive teen, in a bar. Selby is a lesbian who wants to come out of the closet against her family's wishes. She is a misfit, without friends. So is Aileen. At first the two are so thrilled that they like each other - that they are not alone anymore. Their desperate, mutual quest for affection culminates in this doomed relationship. To me the relationship is more about loneliness and emotional dependency than physical attraction. The honeymoon is short-lived, however. Selby had never been on her own before and for some reason, doesn't think to get a job. She expects Aileen to provide for them. She manipulates Aileen into continuing to work as a prostitute, even though she is aware of at least one murder. Jenkins suggests that as long as the money keeps coming in she will ask no questions. Wuornos tries to get work and go straight but has no job skills or experience. She winds up going back on the road as a prostitute again, and then, after a violent episode with a john, her rage takes over and the murders begin.

Charlize Theron does give an extraordinarily powerful performance as the serial killer. It is amazing how she was able to literally transform herself into a woman who looks exactly like the actual Aileen Wuornos, mannerisms and all. This transformation is not just make-up. She speaks like Wuornos, walks like her, with a masculine swagger, captures her intensity, and her eyes often hold a glint of madness.

The film is shot in a gritty style on the highway, streets, bars and motel rooms. The ambiance is pure sleaze, reflecting the true crime drama. Overall, the story is fascinating, as is the point of view. And, as I have said, the performances are simply excellent. Highly recommended!
JANA

Deserves More then 5 Stars!
I really wish I could give this movie more then 5 stars because it truly deserves 100,"Monster" is possibly the best films ever made. Charlize Theron's performance has the highly interesting Aileen Wuornos is phenomenal! Christina Rucci performance has the native Selby works so well in contrast with Theron's strong and independent character that two have incredibly chemistry. The directing, the story line, acting, and everything else in the movie is remarkable and it all helps to show the pain in Alieen Wournos' lonely life. After trying to leave their horrific pasts behind new friends Alieen and Shelby move away together, but when money gets low, Alieen is forced to go back to prostitute lifestyle. But one night after Alieen is rapped, she kills the man and knows she just can't go on hooking again. But being the only way she can make money, she decides instead of having sexual relations, she'll murder the men and take their money. This sad and true story left me amazed and even forgiving. Please watch this movie, I promise you won't regret it.