Track Listing

1. Romeo
2. Breakaway
3. SFM
4. Kissalude
5. Jus 1 Kiss
6. Broken Dreams
7. I Want U
8. Get Me Off
9. Where's Your Head At
10. Freakalude
11. Crazy Girl
12. Do Your Thing
13. All I Know

Product Details

• Amazon Sales Rank: #51265 in Music
• Released on: 2001-06-26
• Number of discs: 1
• Dimensions: .23 pounds

Amazon.com's Best of 2001
Since Simon Radcliffe and Felix Burton of Basement Jaxx released the unbelievable Remedy in 1999, house music has experienced a slight identity crisis. But even as trance and Fatboy Slim-style big beat saturate the dance floor, the primal, funky soul of true house that the Jaxx duo know and love clearly reverberates beneath it all. With Rooty, Radcliffe and Burton finish the job they started on Remedy by listening to their instincts, stripping away the gloss, taking some creative risks, and coming up with some of the rawest grooves in recent memory. The first track and single "Romeo" doesn't waste any time, parlaying an irresistible hook and a relentlessly up vibe into the most danceable three and a half minutes of 2001. Frankie Knuckles-era Chicago house and War's deep Latin funk are audible throughout, along with an adventurous production sense; "SFM" packs in a wild kaleidoscope of howls and cross-rhythms while slinking along and rubbing itself on the furniture like a cat in heat. Still, given the level of creative license at work here, the record sometimes misses the mark. Songs like "I Want U" reach for progressive funk, but forget the low bass end that can give a silly, airy song some gravity. But more often that not, the band's decision to eschew beats in favor of dirtier, sexier means of rhythmic expressions pays off. Witness the fat bass line at work in "Get Me Off," as a breathy tease of a lead vocal turns into an outright come-on. Somehow both relentlessly modern and a throwback to simpler, funkier times, Rooty is an effective way to jog the memory should you have forgotten the egg that came before the trance chicken. --Matthew Cooke

From URB Magazine
If 1998's Remedy innocently shined a light into the dank back room of daring creativity that house once occupied, then Basement Jaxx's infectious follow-up should serve as the next chapter in their brazen, genre-disrupting saga. Though it's hardly a mere continuum of their tough, dirty sound (standard issue on Remedy and Atlantic Jaxx). Instead of picking up where the sonic carnival of Remedy left off, Rooty drifts into a hall of mirrors, where Felix Buxton and Simon Ratcliffe entertain themselves with carefree new twists on R&B, pop and house. So if you can shake off the initial shock of Kele Le Roc's sassy vocal on the album's opener "Romeo" or the guilty Mentos pleasure of "Jus 1 Kiss," you just might be hooked.

Perhaps believing there's safety in numbers, Rooty features a few notable guest "vocalists" like Derrick Carter (on "Freakalude"), Junior Sanchez and Erick Morillo (both on "Where's Your Head At?"). Supporting cast aside, though, it's the lyrics that once again shine through, distancing the Basement Jaxx from the muted track-churning legions of house music producers. As with Remedy, signature tales of wilted romance and tormenting vixens are deftly woven into a contagious mix. What's different here is the utter lack of restraint and rhythmic playfulness that oozes from most of the disc.

Of course, a daringly fun record like this will attract haters, especially with lines like, "She's a funky feline machine/Crazy cat inside your dream" trading places with "You're neurotic like a yo-yo/U used to be my Romeo." But if that bothers you, you're probably missing the point: The Basement Jaxx don't want you posturing along the wall with the tough guys. Theirs is a world where being cool is the last thing on the list, having been completely overshadowed by a rambunctious party full of noise-making revelers like the ones found at their Brixton club night that gave the album its name. The Jaxx truly believe that your ass will follow your newly freed mind.

For longtime fans, there are the familiar rallying points. "Breakaway" is as turbo-charged as anything the Jaxx have done. It's a sexy cut-and-paste burner that the album could use a few more moments of. And the punkish "Where's Your Head At?" is this album's "Yo Yo," its flanger effects and Gary Numan-sampling guitar dredge reminiscent of that weird dream you had where the Beastie Boys sang over a DJ Sneak set. I disengage at "Do Your Thing" though, a goofy mess that sounds like a Jackson 5 reunion show. What you can't forget is that these songs are best served with little regard to composure, context or rules. And they take some warming up to. If you're not prepared to lift your hands and let a smile displace your cool exterior, you may want to avoid this 43-minute temptation. However, if you've been hiding a silly grin behind a falsely tepid demeanor, it's likely that Rooty will cut it loose instantly and lead you straight onto the dance floor.

Raymond Leon Roker

Customer Reviews

My booty sure likes Rooty!
I totally bought this on a whim. I'd never heard this or the first album, but I thought the cover art was really cool and the reviews were great, so I picked it up. God, am I glad I did! It is one of the best CDs I've ever heard. I love the weirdness and eclectic mix of sounds on it. It's definitely one of the most creative albums out there. There isn't a bad track on it - the whole thing is listenable (and I can't say that about many CDs). The best song on it is "Get Me Off." The beat and the layers of sound are incredible. It reminds me of Lords of Acid a bit. Other faves are "Romeo," "Breakaway," and "Where's Your Head At?". This has been said below, but the whole album is a weird and wonderful hybrid of Daft Punk, Prince, and...who knows. Just check it out. It's definitely a great one!

I'm a little disappointed, though, in Remedy. I bought it because I liked Rooty so much. It's good, but I find it less interesting. And it seems to be missing something to hold it together, unlike Rooty. Plus, some of the songs are downright annoying to me (particularly songs #3 and #4). Maybe if I had bought Remedy before Rooty I'd feel differently, but Rooty is just a very difficult album to live up to.

At Last, An Electronic Music Album That Lasts
I probably would never have purchased this album if I hadn't seen Basement Jaxx live. I personally thought "Remedy" was OK at best. Basement Jaxx in concert, however, completely blew myself and everyone else out of the water, and the tracks from "Rooty" were a big part of the impact.
It may take awhile for this album to grow on you. The tracks range from hard techno to happy-house to postmodern soul not unlike some of Prince's stranger songs. If you only appreciate one sort of electronic music, this is not your album. If your tastes are more eclectic, pick it up. What you will come to realize is that this is an album of extraordinary depth, variety, and talent that seems richer with every spin. Unlike most techno albums which grow dated in months, I have a feeling this one will go down as a classic. It's hard not to be excited about what Basement Jaxx has in store for us in the future. Don't forget to see them live!!!

Let Rooty Shake Your Booty!
Lately I've been buying electronic music like there's no tomorrow but out of them all I'd have to say that this is by far one of the best albums in this overcrowded genre. I bought Rooty by Basement Jaxx about 2 months ago yet I'm still playing it like it's brand spankin new. All the songs here have irresistible hooks with catchy and lusterous female vocals that are wispy and fun, circling around all this funky house music. The singer's vocal styling for "I Want You" sounds a lot like Nelly Furtado with a crazy, warped-out melodie that is oddly accessible while songs like "Jus 1 Kiss" and "Broken Dreams" are loaded with heavy bass lines accompanied by sometimes poppish or sometimes funky house soul. Not all these songs will make you want to dance but they will most certainly make you tap your foot or bob your head up and down to the appealing dance beats. Prince even has an evident source of usage here on songs like "Crazy Girl". The only song I didn't care for was "SFM" with it's electronic hip-hop. And while the beat is highly contagious the rapping is completely out of place, even amidst all this influential old-school. The most recognizable songs here are probably "Where's Your Head At" (which was a huge club hit) and "Do Your Thing" (which was used in some kind of commercial, which I fail to remember...) Out of all of these song, though (which are destined to become classics, I'm sure) my favorites would have to be the naughty "Get Me Off" and "All I Know".

Overall I'd say that this CD is one that ALL electronic dance fans should own. Without Rooty to shake my booty my collection would be completely lost. (And that goes for you as well.) So buy it already!

This is highly recommended.