Product Description

TRACES THE TURBULENT LIFE OF THE WELL KNOWN ARTIST JACKSON POLLOCK. ALTHOUGH HIS WIFE, LEE KRASNER, IS DEDICATED TO CARVING POLLOCK'S NAME INTO ART HISTORY. POLLOCK FINDS HIMSELF IN A DOWNWARD SPIRAL THAT THREATENS TO DESTROY NOT ONLY HIS MARRIAGE AND PROMISING CAREER BUT PERHAPS EVEN HIS LIFE.

Product Details

• Amazon Sales Rank: #11298 in DVD
• Brand: SONY PICTURES HOME ENT
• Released on: 2001-07-24
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DVD, Special Edition, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish, French
• Number of discs: 1
• Running time: 122 minutes

Amazon.com
The long road to Pollock began when actor Ed Harris received a biography of Jackson Pollock from his father, who noticed that his son bore an uncanny resemblance to the artist. Harris's fascination with Pollock matched his physical similarity; the actor chose to direct and star in this impressive film biography. And his devotion assured a work of singular integrity, honoring the artist's achievement in abstract expressionism while acknowledging that Pollock was a tormented, manic-depressive alcoholic whose death at 44 (in a possibly suicidal car crash) also claimed the life of an innocent woman. The film also suggests that Pollock's success was largely attributable to the devotion of his wife, artist Lee Krasner, played with matching ferocity by Marcia Gay Harden in an Oscar®-winning performance.

In many respects a traditional biopic, Pollock begins in 1941 when Pollock meets Krasner, who encourages him and attracts the attention of supportive critic Clement Greenberg (Jeffrey Tambor) and benefactor Peggy Guggenheim (Amy Madigan). As Pollock rises from obscurity to international acclaim, Harris brings careful balance to his portrayal of a driven creator who found peace during those brief, sober periods when art brought release from his tenacious inner demons. The film offers sympathy without sentiment, appreciation without misguided hagiography. As an acting showcase it's utterly captivating. As a compassionate but unflinching exploration of Jackson Pollock's intimate world, there's no doubt that Harris captured the essence of a man whose life was as torturous as his art was redeeming. --Jeff Shannon

From The New Yorker
A dogged march through the life and work of Jackson Pollock, starting in the early nineteen-forties, when Lee Krasner (Marcia Gay Harden) first approached him in Greenwich Village, continuing through their marriage and other tempests, and ending gloomily in a car wreck in 1956. The film was directed by Ed Harris, who also plays the artist. His face doesn't much resemble that of Pollock, who looked more like the Wallace Shawn of the West, but Harris has mastered the hunched amble and the glaring gaze. His best scenes are not the boozy rants but the quiet times with a cigarette and a brush-or, latterly, a dripping stick. Pollock's drinking was an interruption of his art, not a spur to it, and the film can do little to connect the two; we are left with a sombre study of discontent, enlivened by the appearance of Jennifer Connelly as the painter's final girlfriend. What she saw in him, by that stage, is anybody's guess. With Val Kilmer pretending to be Willem de Kooning. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

The tortured soul of a great artist
American painter Jackson Pollock (1912-56) was a revolutionary figure in 20th century art. The film "Pollock" tells the story of his successes, setbacks, and inner torment. Directed by Ed Harris, who also plays the title role, this is very effective portrait of the man and the artist.

Excellent performances are also turned in by the supporting cast. Marcia Gay Harden is amazing as Lee Krasner, Pollock's wife and fellow painter; Harden is intelligent, sexy, passionate, and driven in this difficult role. Another standout performance comes from Amy Madigan, as art patron Peggy Guggenheim; Madigan creates an intriguingly creepy portrait of a powerful woman.

But this is Harris' film, and he is triumphant in the title role. His Pollock is the quintessential "tortured artist." But Harris rises above this cultural stereotype to create a complex, unsettling portrait of Pollock. Particularly magical are the scenes where Harris/Pollock is painting; these scenes are superbly complemented by Jeff Beal's musical score. And Harris is truly frightening when Pollock's inner rage finally spills out.

Ultimately, I see Ed Harris' "Pollock" as an important meditation on the role of a visionary artist in a society that is obsessed with consumption and profit. If you are interested in modern art or in good filmmaking, check out "Pollock."

the man who painted energy
Based on "Jackson Pollock: An American Saga" by Steven Naifeh and Gregory White Smith, this film is a portrait of a destructive, self indulgent man who though brilliant, was nonetheless a double-distilled jerk. Was it self-interest that motivated the ambitious Lee Krasner to stay with him ? Perhaps the need to nurture, and be a part of a talent greater than hers ? Who can tell what drives such complex relationships, and had she not been at his side, it is doubtful that he would have achieved his current place in art history; perhaps it was a fated, infernal partnership, all for art's sake.

Ed Harris as director and actor brought this story to life with believability and his chemistry with Marcia Gay Harden is superb; he received Oscar nomination for Best Actor, and she won for Best Supporting Actress, and both deservedly so. There is a fight scene towards the end of the film that is so real it sounds as if it is actually happening. I find myself lowering the volume, so my neighbors don't call the police.
Also excellent is Sada Thompson as Pollock's mother, and Amy Madigan (Mrs. Ed Harris in real life) as Peggy Guggenheim.

The cinematography, set, and costume design all capture the look of mid 20th century America, and the soundtrack by Jeff Beal is lovely; I particularly like the sprightly theme that seems sometimes to connect one scene to another.
I thoroughly enjoyed seeing the depiction of the creative process, like when he discovered his drip technique, and also loved the representation of the 1950 exhibit at the Betty Parsons Gallery, with the final camera shot zooming into the paint itself.
Though he struggled long and hard for fame, once it was his, he said "I feel like a clam without a shell". Lee survived him by by 28 years, and hopefully, found some peace and joy in life, along with the wonderful work she was to do once on her own.
This is not something to view on a date night, or for fun, but it is a fascinating film, especially for someone in the arts.

Transcends the Cliches of the Biopic
Ed Harris deserved the Best Actor trophy for Pollock over the heavily hyped Russell Crowe, who should have won last year for The Insider. And I even thought there might be a chance he'd win when the sublime Marcia Gay Harden beat the equally deserving (but younger, with a brighter future) Kate Hudson.

This film, based on the life and death of Jackson Pollock, is an acting paradise. Harris and Harden are both given ample scenery to chew, and Harris ups the ante by giving us a performance that not only shows the desperation and suffering in Pollock's life, but the peace he felt when he painted. And those painting scenes are so full of energy that it's easy to believe that Jackson Pollock is up there on the screen, painting yet another masterpiece.

If you're a fan of Pollock himself, there will be much for you to enjoy here, and even if you're not, you'll have the chance to see two of the best performances of the year.