Product Details

• Amazon Sales Rank: #254190 in DVD
• Aspect ratio: 1.33:1
• Format: PAL
• Original language: English, Italian, Portuguese
• Subtitled in: German

Amazon.com essential video
Even the best Fred and Ginger musicals are merely lavish excuses for some of the most elegant dancing ever put on screen, and Top Hat is no exception. The story is a silly but timeless tale of mistaken identity that compounds itself to extremes. Fred Astaire is the famous American hoofer Jerry Travers, in London preparing for a new show with his befuddled producer Horace Hardwick (the always entertaining Edward Everett Horton) when he falls for Dale Tremont (Ginger Rogers), a lovely, wisecracking American girl as light on her feet as Jerry. Dale believes Jerry to be Horace, the husband of her best friend Madge (Helen Broderick) and rebuffs his advances by marrying her dressmaker Alberto (Erik Rhodes), but in the best tradition of musical comedy, true love finds its own way. Practically the entire cast of the 1934 hit The Gay Divorcee reunites for this frothy confection, along with director Mark Sandrich, designer Van Nest Polglase, and choreographer Hermes Pan. Irving Berlin provides a tuneful score, including "Cheek to Cheek," which provides a classic duet for Astaire and Rogers, and "Top Hat, White Tie and Tails," which remains one of Astaire's finest solo numbers. Polglase outdoes himself with sets both elegant and outrageous and Hermes Pan's choreography is as smooth as ever, but ultimately it's the grace and chemistry of the leads that makes Top Hat top entertainment. --Sean Axmaker

Customer Reviews

Quintessential Fred & Ginger (a DVD Review)
The fourth Fred & Ginger (F&G) movie, Top Hat is considered by many to be the quintessential one and is my personal favorite. In the Top Hat musical number, Fred cleverly uses his gentleman's cane as a "machine gun." And the ever-so-tender cheek to cheek number where he is singing and dancing with Ginger makes me feel like I am dancing in heaven as well. A deleted scene in some prints in which Bates (Eric Blore) insults a policeman, is present in this DVD.

A running commentary with Ava Astaire McKenzie (daughter) includes background information about the supporting actors and trivia, such as the significance of the ring Fred wears in the film. And even though Ginger rides the horse in this movie, we learn that Fred is the real horse lover. Ava admits she does not know everything about her dad and his career, which adds to the authenticity of what she does know and contributes.

A behind-the-scenes look, the featurette, "On Top: Inside the Success of Top Hat" explains many intricacies and attention to detail in the making of the movie. Nothing is left to chance. You will appreciate all the names in the opening credits. It includes interviews with Ava Astaire McKenzie, archivists, and biographers with a mix of F&G photographs and film clips. (Run time 18:20)

"Watch the Birdie" is a comedy short with a young Bob Hope playing a prankster on a cruise ship who himself gets "pranked." It's sort of a let down after Top Hat, so I am not sure why it's included on the same DVD. (B&W, Run time 18:16)

"Page Miss Glory" (1936) is an old Merrie Melodies cartoon about the exploits around a bell boy in an upscale hotel. It has a touch of Busby Berkeley near the end. (Run time 7:43)

Theatrical Trailer (Run time 1:02)

THE BEST OF ASTAIRE & ROGERS
Between 1933 and 1939, Astaire and Rogers appeared in nine pictures for RKO. The fourth of these, TOP HAT is easily the most popular among fans. It epitomizes their legendary elegance, charm, sophistication and dancing style. Indeed, if one film crystallized their screen personalities it would be this one! Irving Berlin regarded his score for this film as the best he ever wrote for a film and the thoughtfully conceived and beautifully executed dances in the film give resonanace and meaning to the slender plot surrounding the stars at their zenith. The able comic performances of such veterans as Eric Blore, Edward Everett Horton and Helen Broderick (as the sardonic Madge Hardwick) are exquisite. A silly plot, romance, dapper outfits, art deco sets and plenty of terrific song and dance numbers make this a classic thirties production. The Irving Berlin score is superb ("Top Hat", "Cheek to Cheek") and the duo are seen gallavanting from London to Venice; Ginger and Fred are sensational while the supporting cast shines: Edward Everett Horton, Helen Broderick, Erick Blore, Donald Meek and, in a bit as a flower clerk, 24 year-old blonde Lucille Ball. The film cost just over $600,000 to produce and made a profit of 3 million. Katharine Hepburn once sized up the Astaire/Rogers chemistry quite frankly: "He gives her class, and she gives him sex"! TOP HAT has a special quality which goes beyond the excellence of the singing, dancing and acting. Together Ginger and Fred created a uniquely blissful and distinctive screen presence; together they created a style and mood which is still remembered - and as many would say - unequalled.

"I'm in Heaven, I'm in Heaven..."
Many times when the subject of old-time, classic movies comes up, my father inevitably brings up the story of how as a child he was given a quater on his ninth birthday and sent off to a local Baltimore, movie theatre with his friends to see the now classic movie musical, "Top Hat". Just recently I purchased the DVD box set, "Astaire & Rogers Collection, Volume 1". Naturally, the first disc I viewed was "Top Hat". Well after seeing this disc, I now know, why my Dad over seventy years later, is still talking about this wonderful piece of cinematic, movie magic. To paraphrase an old Humphrey Bogart line, "this is the stuff that dreams are made of". Where do you start with what makes this movie great? You have to start with the pure magic of Fred Astaire & Ginger Rogers working together. This film is pretty much this duo's creative peak. You have Fred Astaire acting, cracking jokes, singing and best of all DANCING! If you wish to ever to see pure creative genuis at work, before your very eyes, then just watch this man's feet and body language. Astaire shows such elegance and grace, that he has now become the very definition of those words. As for Miss Rogers, her skills have been quite underrated in the past. You know the old cliche saying, "she could do anything he could do...but she could do it backwords (and in heels)". It's true! This pair's artistry and creative gifts perfectly match each other. My personal favorite moment in the movie is the extended dance sequence between the two during the song, "Cheek to Cheek". In the begining of the scene, when Astaire sings "I'm in heaven..." and then repeats the phrase, you really do believe him! The two dancers glide along the dance floor as though they are in a dream. When the music majestically swells and he dips her, there is truely a sense of romance and sensuality, that is completly overwelming. It really is a classic scene from movie history. Astaire & Rogers are joined by a classic cast of comic, character actors, who forever will go down in cinematic memory. There is Edward Everett Horton, who plays Astaire's stuffy show producer. He is the 'King of the comic, double-take'. His man-servant is played by the humorous actor, Eric Blore, who reminds me of a school boy, who knows he's played some sort of naughty prank. Horton's wife is played by actress, Helen Broderick, who seems to have made an art form out of delivering her lines with irony & sarcasm. Finally there is comic actor, Eric Rhodes with his hilariously way over the top, Italian accent (he puts Chico Marx to shame!) and his foppish ways. The songs in this film have now become popular standards, that have become engrained in our culture's musical consciousness. All are written by Composer, Irving Berlin and include classics such "Isn't This a Lovely Day", "Top Hat, White Tie and Tails", Cheek to Cheek" and "No Strings (I'm Fancy Free)". While countless performers have covered these songs, it is the Astaire & Rodgers renditions from this film, that is in our collective memory. Finally mention should be of the movies' beautiful costumes and especially the almost fantasy-like, art decco, stylized sets which seem to effortlessly transport the viewer to another world. Remember, this film was released during the height of the 'Great Depression'. It was tough times for many movie patrons back then. Well, for one hour fourty minutes through the singing, dancing, comedy and the fantastic visuals it must have made folks forget their troubles. These days I suspect this film can still work it's wonderful movie magic! The DVD picture itself is crystal clear and highlights the beautiful B&W photography. The sound is O.K. for a film from 1935. Extras include a short featurette on the making of the film, commentary from Astaire's daughter, a theatrical trailer, a Warner Bros. cartoon and a Bob Hope comedy short. For a night of great escapist entertaiment, I highly recommend the classic film "Top Hat"! Dad certainly liked it!