Product Details

• Amazon Sales Rank: #74036 in DVD
• Released on: 2001-05-01
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Black & White, Color, DVD, NTSC
• Original language: English
• Number of discs: 1
• Running time: 132 minutes

Amazon.com
Hollywood's 1940s craze for composer biographies did not yield many masterpieces, and Till the Clouds Roll By is one of the weaker efforts in the bunch. Robert Walker tries gamely to suggest the decency of Jerome Kern but is defeated by a sluggish story line pairing him with a crotchety mentor (Van Heflin). As a collection of freestanding production numbers devoted to Kern's songs, however, the movie has appeal. It begins with almost 20 minutes of Showboat (including Lena Horne's plaintive reading of "Can't Help Lovin' That Man") and the hits just keep on coming. Judy Garland, who appears in a few scenes as stage star Marilyn Miller, contributes "Look for the Silver Lining" and a Gatsby-esque production number on "Who?" Her songs were staged by then-hubby Vincente Minnelli. Other highlights include a young Angela Lansbury, still with baby fat, singing "How'd You Like to Spoon with Me?" Lucille Bremer, a leggy starlet who never quite caught on, plays Kern's protégé. She spins a delightful duet with Van Johnson on "I Won't Dance," two redheads capering with gusto. It all ends with another splashy theatrical montage, climaxing in Frank Sinatra's take on "Ol' Man River." That might sound like a strange idea, but Ol' Blue Eyes clearly loves the song (he would return to it often in his career) and is in beautiful voice. Despite being a lavish MGM production, Till the Clouds fell out of copyright and into the public domain, so print quality (and even running time) can be variable. --Robert Horton

Customer Reviews

Inspired Musical Numbers Will Appeal to Musical Fans
Jerome Kern died while MGM's bio-pic TIL THE CLOUDS ROLL BY was still in the pre-production stage--and while Kern had been more than willing for MGM to tell all, his estate was considerably more reticent. In order to avoid any legal issues, MGM scrapped their original intentions, wrote up a fluffy script that bore little similarity to Kern's life, and crammed the film with every musical star available in a non-stop series of drop-dead-stunning production numbers. The result may be extremely bad biography, but leading man Robert Walker and co-star Van Heflin keep the sentimental story moving--and the musical numbers are piled on top of each other so quickly that one doesn't really question it. The film opens with a lengthy montage from SHOWBOAT, Kern's innovative masterpeice, that features knock-out performances from Lena Horne, Katheryn Grayson, and Virgina O'Brien and then quickly seques into a series of star-solos that feature June Allyson, Gower Champion, Cyd Charisse, Angela Lansbury, Dinah Shore, and Frank Sinatra.

Along the way we are also treated to an extended cameo by Judy Garland, performing "Look For The Silver Lining" precisely as Marilyn Miller played it on stage and singing "Who?" to a staircase of chorus boys--which Garland was said to find most amusing, considering that she was pregnant at the time. Also notable is Lucille Bremer in the role of Robert Walker's stage-struck ward; although her star quickly faded, Bremer is an attractive performer and shows her talent for song and dance here by teaming with Van Johnson for a spirited version of "I Won't Dance." TIL THE CLOUDS ROLL BY will not appeal to most casual viewers, for the story line and script are much too weak. But musical fans will love this one all the way from Lansbury doing a Cockney "Spoon With Me" to Sinatra belting out "Old Man River." As a Jerome Kern song-and-dance fest, the movie can't be beat, and it should have a place in every musical fan's collection.

a star-studded musical "bio"
Though only marginally a biography of Jerome Kern, and with a corn and syrup plot, anyone who likes traditional American musical theater will appreciate this film, which is a great showcase for Kern's wonderful songs.
Robert Walker as Kern, and Van Heflin as his arranger James Hessler are good, but this film is all about the music and the singers, especially Judy Garland. Lena Horne, and Frank Sinatra.
Directed by Richard Whorf, with Vincente Minelli directing the Judy Garland portions, and musical numbers staged by Robert Alton. Total running time is 132 minutes.
I own a cheap DVD edition (released by Vina) which is remarkably clear considering the price, though it has a slight "bootleg" quality to it.

Musical numbers include:
Excerpts from "Showboat", with Lena Horna exquisite singing "Can't Help Loving that Man of Mine". Others include Kathryn Grayson, Tony Martin and Caleb Peterson.
"Howja Like to Spoon Me" from the "London Gaieties" with Angela Lansbury.
"They'll Never Believe Me", Dinah Shore.
"Till the Clouds Roll By" from "Oh Boy" with Ray McDonald.
"Leave it to Jane" with June Allyson and Ray McDonald.
"Look for the Silver Lining" from "Sally" with Judy Garland. This may be the most interesting song of the film.
"Who" from "Sunny" with Judy Garland.
"I Won't Dance" with Lucille Bremer and Van Johnson.
"Smoke gets in Your Eyes" from "Roberta" with Cyd Charisse (a short but lovely dance).
"The Last Time I Saw Paris" with Dinah Shore.
"The Land Where Good Songs Go" with Lucille Bremer.
"Yesterdays" by the chorus (one of my favorite songs).
"Long Ago and Far Away" with Kathryn Grayson.
"A Fine Romance" with Virginia O'Brien.
"All the Things You Are" with Tony Martin.
"Why Was I Born ?" with Lena Horne.
"Old Man River" with a remarkable vocal performance by a very bushy-haired Frank Sinatra.

Good movie - Bad DVD Transfer
While this film may not have the most exciting plot, one cannot deny the great production values of the musical numbers thanks to the Arthur Freed Unit. Judy Garland's numbers are top notch, along with the rest of them. Unfortunately, this film must have slipped into public domain, and the company who picked up the rights to doing a DVD print are not sticklers for quality! Since Warner Brothers now has the MGM library, if the DVD doesn't say Warner Home Video on it, you may want to get the VHS version instead. :-) Hopefully, sometime in the future, Warner Brothers will get the rights back to do a DVD, and get it done in nice crystal clear mastering. Then I can go out and re-buy it. Arther Freed musicals are a "must have" on DVD!