Product Description

On May 24, 2000, the historic Ryman Auditorium was booked to offer Nashvillians an evening of sublime beauty. Label executives and soundtrack producers so loved the music of O Brother, Where Art Thou? that they brought it to life as a benefit concert for the Country Music Hall of Fame. Filmmakers Joel and Ethan Coen loved it so much that they hired famed documentary filmmaker D.A. Pennebaker to record the show for posterity. The concert that unfolded that night was one of the greatest musical moments in the annals of Music City. Performers: John Hartford, Alison Krauss, Emmylou Harris, Gillian Welch, Chris Thomas King, The Cox Family, Fairfield Four, Union Station, Colin Linden, The Nashville Bluegrass Band, The Peasall Sisters, Ralph Stanley, David Rawlings, The Whites. 98 minutes.

Product Details

• Amazon Sales Rank: #22177 in DVD
• Brand: LION'S GATE ENTERTAINMENT
• Released on: 2001-10-23
• Rating: G (General Audience)
• Aspect ratio: 1.77:1
• Formats: Anamorphic, Color, DVD, NTSC
• Original language: English
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 98 minutes

Amazon.com
If you love the O Brother, Where Art Thou? soundtrack, D.A. Pennebaker, Chris Hegedus, and Nick Doob's exhilarating concert film Down from the Mountain will be sheer heaven. And if you're new to bluegrass and "old-time mountain-style" music, the performances (also on CD) will be a revelation. John Hartford, Emmylou Harris, Alison Krauss, Gillian Welch, the Cox family, the venerable Ralph Stanley, and other traditional and alt-country artists who contributed the music to the Coen brothers' spaced odyssey gathered onstage in May 2000 at Nashville's Ryman Auditorium to benefit the Country Music Hall of Fame. Interviews and rehearsal footage set the stage for this stupendous concert, highlights of which include "(Didn't Leave) Nobody but the Baby" by the sirens Harris, Welch, and Krauss; the Coxes' "(Will There Be) Any Stars in My Crown"; and Stanley's haunting "O Death." As one performer recommends, "Just ease in, sit down, and listen." It could be your salvation. --Donald Liebenson

Additional features
A minor quibble with the DVD is the lack of instant song access. The film is in anamorphic widescreen format, with Dolby Digital 5.1 and 2.0 surround sound.

Customer Reviews

Superb
This movie, part stage show and part local color with a good bit of nostalgia thrown in, is breathtaking, riveting, spellbinding, transcendent. It begins with a night tour of Nashville's exciting places; from the limo window we see Tootsie's, the Ryman Auditorium, Second Avenue, Lower Broadway. We share our ride with Ralph Stanley, who has "come down from the mountain." We spend time backstage at the Ryman while the performers are waiting their turns, and eavesdrop on John Hartford as he spins a tale about wanting to be a librarian. We listen to a couple of blues players talk about their work and discover that Emmylou Harris is a baseball fan. The show itself is country at its best. Rock and roll doesn't show its face; there are no gyrations or big hats or shrill voices. Just country, with memories of the Carter Family, Jimmie Rodgers, and a plethora of old time musicians who sang of hard times and death and endurance. We will always remember Emmylou Harris's sweet, true voice, Allison Krause's melodic outpouring, and Gillian Welch's beautiful harmony. We'll remember the Peasall sisters and the Fairfield Four and Ralph Stanley; but most of all, we'll remember the magic moment when John Hartford began to sing "Big Rock Candy Mountain." It was one of his last performances before he succumbed to cancer, but his voice was steady and strong, and his hands sure on the violin. This was old time music as it should be, and even the newer songs sounded old. It reminds us of how far modern country music has strayed from its roots, and how easy and pleasant it is to go back to them again.

Hook up the surroundsound and pass the bluegrass please!
I wasn't sure that a documentary about bluegrass music was going to be something that a) I would enjoy, b) something I would find compelling or c) something that would turn me onto an area of music and performances enough to make me rethink my former country snobbishness. "Down from the Mountain" made me a convert on all the above bases and more. This documentary-style film about the music and artists who comprise the soundtrack for "Oh, Brother, Where art Thou?" include the immense talents of Emmylou Harris, Alison Krauss and Gillian Welch. These women have ways of lovingly massaging a ballad until it truly has a life of it's own. The soulful words and melodies of family artists like the Whites, and the Cox family are wonderfully done, as are the younger performers who get to ramp up the tempo for their rendition of "Highways and the Hedges". Then there's the wonderfully dry-witted John Hartford, who takes a few moments aside from his emcee responsibilities to give a toe-tapping rendition of "Big Rock Candy Mountain". The film takes you for a backstage pass (OK, is Emmylou Harris THAT big of a baseball fan!) AND a front row performance in the acoustically amazing Ryman Theatre. Through a mix of gospel, bluegrass, blues and country, the viewer gets a real treat of hearing and seeing what was the musical underpinning for the Coen brother's blockbuster film. You might very well meet some new musical artists in this video. I did. They seem to bear a different countenance from other contemporary artists, demonstrating a solid reliance on song style, harmonies, acoustics, and ultimately bringing "everything out but the kitchen sink" in their delivery, and that was it for me. The words are familiar and the songbirds beckon, come smile, cry, clap your hands, or sing, "Hallelujah!", mountain life is pretty good and your journey's just beginning.

Glorious Heartland Sounds, But...
Down from the Mountain opens with the inimitable, keening tenor of Ralph Stanley, over a photomontage that takes us, literally, down from the mountain with the Stanley Brothers. The filmmakers and their sound recorders have captured the grace, beauty, and power of the music T-Bone Burnett assembled for the Coen Brothers picture. Although this is primarily a concert film, the performers offer some insights into the music, including Dr. Stanley's by now well-known comments on the roots of "bluegrass" and his general preference for other terminology to describe just what it is he sees himself as performing up there on the stage.

It's also interesting to hear the great "high tenor" observe that this is music one is born into--the solitariness of life in the deep backwoods, that Stanley credits for his "lonesome" sound--rather than a thing easily acquired by outsiders. The movie then jumps to a variety of outsiders, who discovered "bluegrass" in collegetown record bins, and their less appealing ruminations on the music. Here we have Gillian Welch, for example, who has a lovely voice and writes pretty songs, revealing herself as precisely the kind of artist with whom Stanley, elsewhere (in a New Yorker profile, of all things), has said he'd rather not play. (And he does look distinctly uncomfortable in their midst.) The filmmakers capture Welch--inadvertently, I think--in what struck me an entirely too condescending a disposition. As a result, her time on screen seems much too long, particularly when there are Allison Krausses and Emmy Lou Harrises in the house.

Once the concert gets rolling, the performances all sparkle, with those by The Fairfield Four, Krauss and her Union Station band (with Dan Tyminski), and Stanley (again, his hair-raising "Oh, Death") sparkling and then some. The courageousness of concert host, fiddler, raconteur, and riverboat pilot extraordinaire John Hartford, who would soon die of cancer, is most moving, quite apart from the conviction and emotional power of his music. And the picture and sound quality of this particular DVD is superior. (Spot the celebrities in the audience and win a cigar...)

I docked this DVD a full star for its failure to include a single performance by the film's heralded "Soggy Bottom Boys," and in particular for excluding "A Man of Constant Sorrow" as performed by the film's band, with Tyminski in the lead. (The version over which the title credits roll, with Stanley singing his own song, is exquisite, but a Soggy Bottom reprise would have been the cherry on top.) A major letdown.

But I nevertheless recommend this DVD highly. There is sufficient variation between the playlist of this concert and the movie soundtrack to warrant the purchase of both. Both indeed comprise "greatest hits" lists for America's great and glorious "down-home old-time mountain music" (pace Dr. Stanley and his terminological exactitude).