Product Details

• Amazon Sales Rank: #88209 in DVD
• Brand: Kino Video
• Released on: 2001-10-09
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Black & White, DVD, Silent, NTSC
• Original language: English
• Dubbed in: Japanese
• Number of discs: 1
• Running time: 93 minutes

Amazon.com
Lon Chaney, the Man of a Thousand Faces, was no mere makeup wizard, as this dark, deviant crime drama shows. Strapping his legs into a painful leather harness to play a double-amputee underworld kingpin, Chaney scrambles through the film like a human spider weaving his criminal web across San Francisco with equal parts seduction and terror. Crippled as child by an incompetent doctor, he dedicates his life to vengeance in a double-barreled plot that will bring both the city and the doctor (now an honored physician) to their knees. Director Wallace Worsley (who later collaborated with Chaney on his legendary Hunchback of Notre Dame) peppers the busy plot with bizarre touches of sexual menace and sadism, and he creates a wicked atmosphere of corruption and murder that implicates every character. Even the absurd twist of a happy ending can't wipe that away. --Sean Axmaker

Additional features
Kino's DVD features a fine window-boxed transfer from a good-looking master (with some scenes taken from inferior source materials) and a moody modern synthesizer and percussion score by Michael Polher. Supplements include the 1914 single-reel Western By the Sun's Rays (a badly preserved and clichéd curiosity with Chaney as a sneak villain), a short video tour of Chaney's makeup box and costume from The Penalty, two and a half minutes of surviving footage from the lost Chaney film The Miracle Man, an essay by Chaney biographer Michael F. Blake, two trailers, and various stills, photos, and production materials. --Sean Axmaker

Customer Reviews

Maybe The Best !
Other than "The Phantom of The Opera" this is Chaneys' best work. I have viewed most Lon Chaney films (All that are in print). I must admit, some of his films are corny, one hour melodramas,that I would only recommend to dedicated fans. However, this story, the acting, and the "Kino" soundtrack, will make this one to remember. Better than "The Hunchback" (and that's saying a lot)

LON CHANEY'S ELECTRIFYING MASTERPIECE
Kino on Video has carved a niche for themselves with their fine digital transfers of art, foreign and classic silent films. Four of the towering icons of early cinema were Lon Chaney, John Barrymore, Douglas Fairbanks and Rudolph Valentino. Now, each of these stars has a seminal film freshly available for a new generation to discover and enjoy on DVD (along with a generous sampling of choice supplemental material).

A few years before his death, I got to know Allan Dwan, the legendary film pioneer and director of over 400 features films, who by then was well into his 90s. After a special screening of a his 1922 "Robin Hood," a spectacular comic epic adventure starring Douglas Fairbanks, Dwan told me how he discovered Lon Chaney. "I was at Universal and picked up a new prop man," he said. "Suddenly, every day after work, I noticed a stranger leaving the set where we were shooting. A stranger with a missing leg, or eye, or odd nose, hair or teeth. It turned out to be Chaney in his home-made makeup effects. I said, 'You wanna be in front of the camera?' and began putting him in small parts where he was immediately noticed -- not so much for his makeup, but rather his personality. So I took the tip and featured him. He had that mysterious hidden thing that certain people have. He was a star from the very beginning."

When I saw "PENALTY" I understood what Dwan meant about Chaney's sheer force of personalty. Shot in 1920, this Wallace Worsley ("Hunchback of Notre Dame") directed thriller features Chaney as Blizzard, an embittered double amputee and criminal mastermind out to avenge the incompetent doctor who cut off his legs when he was a boy. Blizzard befriends the surgeon's artist daughter and serves as model for her sculpture of Satan. All the while biding his time to enact his demonic revenge. Chaney is electrifying. The disc is loaded with essays, photos, clips, shorts, trailers, a video tour of Chaney's makeup case and a look at the double amputee rig and costume. The atmospheric music score is by Michael Polher. A DVD for the digital library. Trust me.

Weird and rather fun
Like many other movie fans, my only view of Lon Chaney was in The Phantom of the Opera. I enjoyed it a lot and decided to try some of his other work. The Penalty sounded the most interesting since Chaney's legendary makeup skills are used not on his face but on his legs. He is nothing short of amazing in his role as a double amputee/crime lord. Indeed, this is one of those movies that is carried by an actor's charisma.

Unfortunately, the supporting cast is not nearly as fascinating as Blizzard. With the exception of Rose, they are just the standard gangster film characters. (The eager young man, the innocent young girl, the dogged investigater) Whenever Blizzard is onscreen, the movie really works and the viewer misses him when he is not there. Chaney takes a completely horrid character and makes him almost likable. It's no wonder this was the movie that made Chaney a real star.

The plot involves Chaney's character, Blizzard, seeking revenge on the imcompetant doctor who amputated Blizzard's legs at the beginning of the movie. Meanwhile, the police are investigating Blizzard, hoping to bring down his entire gang.

The print is nice enough, quite watchable. The soundtrack is another matter. It consists of NIN sounding loops and drumbeats. Some silent movie fans are purists when it comes to music and some are not. I am in the middle. I would have preferred a more traditional soundtrack (the clangs and bangs are distracting sometimes) but it did not wholly hamper my enjoyment of the film. I just want to give a warning to any traditionalists.

The DVD boasts a suprising amount of extras for a silent film. A 1914 western short starring Chaney. I enjoyed seeing how little a western changed between the teens and the fifties! Also,and a brief but well-done tour of Chaney's makeup case. There is a book-to-movie comparison that explains why the ending was changed. (I think the movie would have been stronger if they had kept the original ending.) I won't spoil it of course but I didn't think it was in keeping with the mood of the rest of the movie.

All in all, check it out for Chaney. It is an entertaining film and a great piece of film history.