Track Listing

1. Fantasy on Bizet's 'Carmen,' for violin & orchestra (or piano), Op. 25: Introduction: Allegro moderato
2. Fantasy on Bizet's 'Carmen,' for violin & orchestra (or piano), Op. 25: I: Moderato
3. Fantasy on Bizet's 'Carmen,' for violin & orchestra (or piano), Op. 25: II: Lento assai
4. Fantasy on Bizet's 'Carmen,' for violin & orchestra (or piano), Op. 25: III: Allegro moderato
5. Fantasy on Bizet's 'Carmen,' for violin & orchestra (or piano), Op. 25: IV: Moderato
6. M�ditation, for violin & orchestra (or other arrangement) (from opera 'Tha�s')
7. Tzigane, rhapsodie de concert, for violin & piano (or orchestra)
8. Romance for violin & orchestra in F minor (arr. from Andante of Str Qrt No. 5), B. 39 (Op. 11)
9. Romance for violin & orchestra No. 2 in F major, Op. 50
10. Orchestral Suite No. 3 in D major, BWV 1068: Air
11. Zigeunerweisen, for violin & piano (or orchestra) ('Gypsy Airs'), Op. 20

Product Details

• Amazon Sales Rank: #38494 in Music
• Released on: 2002-01-08
• Number of discs: 1
• Dimensions: .22 pounds

Amazon.com
Here's a handy collection of popular works for violin and orchestra. The title apparently refers to the mix of warmly romantic music, like the Massenet Méditation, and flashy virtuoso stuff, like the Sarasate Carmen Fantasy and Zigeunerweisen. Sarah Chang excels in both areas. Her Dvorák and Beethoven Romances are sweetly sung, while the insanely virtuosic Tzigane by Ravel, with its wild staccato and chordal effects, she tosses off without breaking a sweat. Except for the romanticized Bach Air from the Suite No. 3, there are no stylistic transgressions, and the mix of fiery virtuoso fare and romantic slower beauties keeps interest alive throughout. Conductor Placido Domingo's proficient accompaniments don't get in her way. All the selections are familiar. Such violin virtuosi as Suk, Oistrakh, Grumiaux, Vengerov, and Perlman have recorded most of them, often coming closer to capturing the inner glow of the music. But Chang's exciting performances can't fail to please, especially if you want all these favorites on one disc. --Dan Davis

Customer Reviews

I'm impressed . . .
I put the CD in CD player, turned up the volume, and went about the house doing domestic things. I had to stop doing the dishes, dry my hands, and run upstairs (and I do not like the stairs, have major issues with the stairs!) just to check the disc information. The playing was that good, jaw-droppingly so. I'm impressed.

Great Sarasate
This recording of Carmen and Zigeunerweisen is hard to do any better. Simply great fiddle playing! Chang's vibrato and virtuosity suits this style perfectly and not many can play the page full of thirds in Carmen as well as she did it! Least successful was Beethoven and Bach. I rather prefer a more poetic mood (slower tempo) and a slightly less expansive vibrato for this kind of music. Sarah has a sometimes very broad vibrato well suited for fiery stuff but not so well suited for music that demands a certain level of sophistication. Anyway that is just my personal opinion as a violin freak. I guess the broader audience would not mind since the sound is very nice even if the vibrato is a bit out of control at times.

Thanks Sarah for yet another great recording!

really enjoyed it, breathtaking violin, excellent orchestra
Chang first recorded the Carmen fantasy as a child on her debut album accompanied by pianist Sandra Rivers. This was a sweet and faithful version, very charmingly done. However, she is older now and there is a lot of drama to this version with the Berlin Philharmonic. I actually didn't like it at first -- it seemed overly stylized, but then again I don't have the score in front of me (and couldn't actually understand it if I did!) so this may be the more faithful version. I don't know. But upon a second try, I found I liked the tension and energy and passion that Chang added to the music. Now, having listened several times, I can say that it is a lovely and stunning piece. This entire album is, in fact, full of energy and passion, bringing high drama to some very dramatic pieces. Probably the most delicate is Bach's Air, sweetly and commandingly done, demonstrating Chang's maturity and expertise. Tzigane and Dvorak's Romance are exquisite. Chills run up and down your spine, if you like "gypsy" music as I do. The Beethoven is beautifully done, without any of the sloppy stylizing that you may have heard from other violinists -- again, Chang demonstrates her mastery of her instrument and of her repertoire. My favorite is the last piece, Zigeunerweisen, with its changes in tempo and direction that could easily confound. Chang brings it all off brilliantly, and Domingo provides a fluid orchestration that never interferes with his prime purpose in showing off his soloist. Wonderfully done and a certain pleasure for anyone who knows Chang's accomplishments or someone who is looking for an intro. If you want more, don't miss her Sweet Sorrow album too, delicate and sad tunes played with an incredible heart-aching and heart-fulfilling beauty.