Track Listing

Disc 1:

1. Come on Baby
2. Oh My Love
3. Have You Ever Been Lonely
4. Bonita
5. The Golliwogs: Don't Tell Me No Lies
6. Little Girl (Does Your Momma Know)
7. Where You Been ! You Came Walking
8. You Can't Be True (first version)
9. You Got Nothin' on Me
10. I Only Met You Just an Hour Ago
11. Brown-Eyed Girl
12. You Better Be Careful
13. Fight Fire
14. Fragile Child
15. She Was Mine
16. Gonna Hang Around
17. Try Try Try
18. Instrumental #1
19. Little Tina
20. Walking on the Water
21. You Better Get It Before It Gets You
22. Tell Me
23. You Can't Be True (second version)
24. Action USA (promotional spot)

Disc 2:

1. Call It Pretending
2. I Put a Spell on You
3. The Working Man
4. Susie Q
5. Ninety-Nine and a Half
6. Get Down Woman
7. Porterville
8. Gloomy
9. Walk on the Water
10. Born on the Bayou
11. Bootleg
12. Graveyard Train
13. Good Golly Miss Molly
14. Penthouse Pauper
15. Proud Mary
16. Keep on Chooglin'

Disc 3:

1. Green River
2. Commotion
3. Tombstone Shadow
4. Wrote a Song for Everyone
5. Bad Moon Rising
6. Lodi
7. Cross-Tie Walker
8. Sinister Purpose
9. The Night Time Is the Right Time
10. Down on the Corner
11. It Came Out of the Sky
12. Cotton Fields
13. Poorboy Shuffle
14. Feelin' Blue
15. Fortunate Son
16. Don't Look Now (It Ain't You or Me)
17. The Midnight Special
18. Side of the Road
19. Effigy

Disc 4:

1. Ramble Tamble
2. Before You Accuse Me
3. Travelin' Band
4. Ooby Dooby
5. Lookin' Out My Back Door
6. Run Through the Jungle
7. Up Around the Bend
8. My Baby Left Me
9. Who'll Stop the Rain
10. I Heard It Through the Grapevine
11. Long As I Can See the Light
12. Pagan Baby
13. Sailor's Lament
14. Chameleon
15. Have You Ever Seen the Rain?
16. (Wish I Could) Hideaway
17. Born to Move
18. Hey Tonight
19. It's Just a Thought

Disc 5:

1. Molina
2. Rude Awakening #2
3. 45 Revolutions Per Minute (Part 1)
4. 45 Revolutions Per Minute (Part 2)
5. Lookin' for a Reason
6. Take It Like a Friend
7. Need Someone to Hold
8. Tearin' Up the Country
9. Someday Never Comes
10. What Are You Gonna Do
11. Sail Away
12. Hello Mary Lou
13. Door to Door
14. Sweet Hitch-Hiker
15. Born on the Bayou
16. Green River
17. Tombstone Shadow
18. Don't Look Now (It Ain't You or Me)
19. Travelin' Band
20. Who'll Stop the Rain
21. Bad Moon Rising
22. Proud Mary
23. Fortunate Son
24. Commotion

Disc 6:

1. The Midnight Special
2. The Night Time Is the Right Time
3. Down on the Corner
4. Keep on Chooglin'
5. Born on the Bayou
6. Green River/Susie Q
7. It Came Out of the Sky
8. Door to Door
9. Travelin' Band
10. Fortunate Son
11. Commotion
12. Lodi
13. Bad Moon Rising
14. Proud Mary
15. Up Around the Bend
16. Hey Tonight
17. Sweet Hitch-Hiker
18. Keep on Chooglin'

Product Details

• Amazon Sales Rank: #3554 in Music
• Released on: 2001-11-01
• Number of discs: 6
• Formats: Box set, Extra tracks, Original recording remastered

Amazon.com
Popular but not hip, basic but not shallow, rooted but not retro, Creedence Clearwater Revival distinguished themselves in the late 1960s and early 1970s through these contradictions. This six-disc set is the definitive Creedence collection, offering superbly remastered versions of all of their studio and live albums and adding a disc's worth of pre-Creedence material. The ultimate blue-collar rock band, John Fogerty and CCR found success by wholly giving in to their fascination with the American South (despite hailing from Northern California) and exploring the turf that connected R&B and country--the same turf that their heroes at Sun studios tilled at rock's birth. As the songs on the first disc prove, they hadn't always taken this approach though perhaps they should have: The first four songs from 1961 (by Tommy Fogerty and the Blue Velvets), original compositions in the classic '50s rock & roll style they loved, hold up better than subsequent Golliwogs tracks that attempt to replicate the British Invasion sound in vogue at the time. Still, the Golliwogs tracks offer hints of John Fogerty's menacing growl and biting guitar that would fully blossom later on.

When diving into CCR's entire body of work, many myths dissipate and a more well-rounded view comes into focus: the quintessential singles band that dominated AM radio was also quite an album band, releasing solid records from top to bottom even though half of the songs were saturating radio long before the LP would hit. Also, they weren't quite as far removed from their Bay Area brethren (who were reared on the same roots music) as is often stated, offering a number of long and loose jams that, while not overtly psychedelic, gave them and their fans a chance to stretch out. Without question, though, CCR were the kings of the three-minute rock single, and it's these now-ubiquitous gems--the consummate AM band now dominates FM radio--that will always define them. --Marc Greilsamer

Customer Reviews

They�ve never sounded better
CCR is high on the list of bands that made me glad I saved all my old records. As was the case with most bands from the pre-CD era, the first CD reissues of their albums had sound quality that seemed thin enough to tear, so you were better off with the pops and skips on the original vinyl. That finally changed a few years ago with the remastered versions of all their albums, and this collection features all of those (including liner notes and pictures) plus a bit more.

With nearly every note the four guys from El Cerrito are known to have recorded under their various band names from 1961-1972, this is about as close to a complete collection as we're ever likely to get. (The infamous "lost" 1962 single of "Yes You Did" and "Now You're Not Mine" is still lost, but everything else appears to be here.) So unless you bought all the remastered CDs individually, this collection is well worth the price tag to any serious fan. Creedence was all but unique among singles-oriented bands in that most of their album cuts have aged just as well as their hits, and it shows here. If anything, relatively obscure songs like "Wrote a Song for Everyone" and "Ramble Tamble" sound fresher than "Proud Mary" and some of the other classics which oldies and classic rock stations have done their best to play into the ground. Even the much-maligned "Mardi Gras" album proves not to be the disaster it was once made out to be (although it is still their weakest link). Stu Cook's "Door to Door" actually rocks pretty convincingly, and most of the other selections have their moments as well.

One word of advice: If you're thinking about buying this collection only for the pre-CCR songs, I wouldn't recommend it. Some of the early sides are quite good ("You Better Be Careful" and "Fight Fire" would have sounded at home on their first album) and even the weaker efforts are an interesting look at the roots of one of rock's all time greatest bands; but bottom line, there is a reason why they didn't become famous until 1968. But if there are any other holes in your collection, this is the perfect addition to it.

The most quintessential and definitive box set of the best short lived band
The Creedence Clearwater Revival box set is very much a mammoth enterprise in its own right. Containing all seven original albums and two live albums, not to mention a whole disc full of material from their stints as Tommy Fogerty & The Blue Velvets and The Golliwogs, this is very much a unique offer.

All tracks have been superbly remastered, thus salvaging their legacy for forthcoming generations. Once you possess this set, you need not even browse through the other compilations, since all of it is here, and a little bit more.

The undoubted highlight of the set is the first disc, focusing on the pre-Creedence period. The Blue Velvets singles make their debut appearance here (the most devout Creedence fan may have noticed that the third single is absent, because of its scarcity). The Golliwogs singles made their first appearance on vinyl on the 1975 Pre Creedence compilation, which also included the first single under the name of Creedence Clearwater Revival. To top it all off, there are even extra tracks among the singles that prior to this set never saw the light of day: "I Only Met You Just An Hour Ago", "She Was Mine", "Gonna Hang Around", "Instrumental #1", "Little Tina", and "Try Try Try", which in all sound a lot different compared to the Blue Velvets material, which harked back to '50s style rock'n'roll. Another additional treat is the "abandoned" single "Tell Me"/"You Can't Be True" (second version) that was never released; the disc finishes off with an Action USA radio promotional spot.

The B-side of the first Creedence single "Porterville", "Call It Pretending", opens Disc 2, which, up to Disc 5, focuses on the original Creedence albums until reaching Tracks 3 and 4 on Disc 5. Probably the rarest of gems in the Creedence catalog, "45 Revolutions Per Minute (Parts 1-2)" was originally a promo disc recorded in late 1970 and distributed to radio stations. It is basically a group interview interspersed with added effects (not to mention a very amusing sequence where John Fogerty can be heard speaking backwards!) and musical backdrops to boot. This particular track is as yet not available elsewhere. The remainder of Disc 5 and the sixth (and last) one display Mardi Gras plus the two live albums In Concert and Live In Europe (with additional tracks apparently taken from Live In Germany, which was recorded at the same time period as Live In Europe).

Along with the discs is a full booklet with extensive liner notes and a review for each album, by various writers and chroniclers. The Early Years (by Alec Palao), especially makes for very interesting reading, with additional input from Stu Cook and Doug Clifford discussing the olden days. The only major shame is that John Fogerty did not contribute to the reminiscences. One could assume (given the current situation between him and the others) that he was not very much interested in their early history. Simply by reading the booklet it could easily evoke memories of a bygone era, especially among those who grew up listening to Creedence in the late '60s; without doubt one of the best and most significant bands America could ever boost. Therefore this box set is a milestone on behalf of their enduring legacy which ever continues to inspire and beguile thousands or even millions wherever Creedence is known, played, and loved.

Hats off to CCR!

CCR Box Set
Creedence will always hold a special place in my heart, for two reasons.

One: They are, in their own right, amazing. They never produced a bad song, and produced only a handful of songs that were merely "good." The rest all ranged from great to unbelievably great. They are without question one of the greatest American bands--maybe the greatest American band?--of the rock and roll era (i.e. since the 50's).

Two: Although every great rock and roll artist of the 60's and 70's professed a love of contemporary Soul, Gospel, and Motown artists, CCR were one giant step closer to these genres than any of their white rock and roll colleagues. CCR is the group that bridged the gap for me, a white suburban kid, and they are the reason (along with Van Morrison) that I started to take stereotypically "black" music seriously. Without CCR, I doubt I would have ever discovered the huge pleasures of classic records by guys like Otis Redding and Marvin Gaye, who are now among my very favorite artists. Much thanks to John Fogerty, for helping me figure out how to judge music not by demographic characteristics of the person making it, but on the merit of the songs themselves.

Regarding this box set: You get all 6 of their studio albums, plus a disc of early material that they performed under different names (before becoming "Creedence"), and their two excellent live albums. This is the most space-economical box set I own. Nothing flashy, just great music in a nice package. All 6 of their albums, since they were short, are fit together 2-per-CD on 3 CDs total--now that's cool.

Also, the remastering is terrific--better even, it seems to me, than the job done on "Chronicle," the one-disc best of CCR. There are minor sound quality problems with the early stuff, but this is inevitable, as it is due to limitations in the source tapes (some of these tracks date to before stereo recording even existed) and not to the remastering job. Anyway, the problem is only with the pre-Creedence disc; as for the stuff that you know and love from the radio, you cannot get it in a better sounding CD version than right here.

This is one of the few box sets I would wholeheartedly recommend to anyone.