Product Description

Studio: Lions Gate Home Ent. Release Date: 02/18/2003 Rating: Ur

Product Details

• Amazon Sales Rank: #1939 in DVD
• Brand: Lions Gate
• Released on: 2001-08-14
• Rating: Unrated
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, DVD, NTSC
• Original language: English
• Number of discs: 1
• Running time: 102 minutes

Amazon.com
Employing shock techniques and sound design in a relentless sensory assault, Requiem for a Dream is about nothing less than the systematic destruction of hope. Based on the novel by Hubert Selby Jr., and adapted by Selby and director Darren Aronofsky, this is undoubtedly one of the most effective films ever made about the experience of drug addiction (both euphoric and nightmarish), and few would deny that Aronofsky, in following his breakthrough film Pi, has pushed the medium to a disturbing extreme, thrusting conventional narrative into a panic zone of traumatized psyches and bodies pushed to the furthest boundaries of chemical tolerance. It's too easy to call this a cautionary tale; it's a guided tour through hell, with Aronofsky as our bold and ruthless host.

The film focuses on a quartet of doomed souls, but it's Ellen Burstyn--in a raw and bravely triumphant performance--who most desperately embodies the downward spiral of drug abuse. As lonely widow Sara Goldfarb, she invests all of her dreams in an absurd self-help TV game show, jolting her bloodstream with diet pills and coffee while her son Harry (Jared Leto) shoots heroin with his best friend Tyrone (Marlon Wayans) and slumming girlfriend Marion (Jennifer Connelly). They're careening toward madness at varying speeds, and Aronofsky tracks this gloomy process by endlessly repeating the imagery of their deadly routines. Tormented by her dietary regime, Sara even imagines a carnivorous refrigerator in one of the film's most memorable scenes. And yet... does any of this have a point? Is Aronofsky telling us anything that any sane person doesn't already know? Requiem for a Dream is a noteworthy film, but watching it twice would qualify as masochistic behavior. --Jeff Shannon

From The New Yorker
Darren Aronofsky's new film stars Ellen Burstyn as Sara Goldfarb, a Brighton Beach widow who launches herself on a crash diet-a path that will lead to pill addiction and electroshock therapy. Meanwhile, her son Harry (Jared Leto) and his girlfriend, Marion (Jennifer Connelly), yield to the pull of hard drugs. No one in this picture seems to have any powers of resistance; who would have thought denizens of Brighton Beach would give up without a fight? Each of the characters is fenced in by solitude; Aronofsky divides them by split-screen, and punches home their addiction with a blistering montage of pills, puffs, and widening eyes. All of this is managed with formidable skill, but it shuts the movie down, and the various junkies-even Burstyn, who gives the role everything she's got-end up looking less substantial than their respective poisons. A cautionary tale, maybe, but it gets a dangerous buzz from the aesthetics of a fix. The script was adapted from the novel by Hubert Selby, Jr., who appears as a ferrety prison guard. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Heartbreaking, brilliant, unforgettable
Hubert Selby Jr.'s elegiac and mesmerizing novel about four addicts of different varieties appeared in 1978 and ranked alongside Selby's "Last Exit to Brooklyn" (also made into a superior film) as one of his best books. Darren ("Pi") Aronofsky was himself a Selby fan and eventually persuaded the Thousand Arts production company to finance his $5M film of the novel.

The resulting film is as horrific and fascinating as anything ever put on a screen. The plot isn't complicated: Junkie Harry (a nearly unrecognizeable Jared Leto) takes to pawning his mother's TV set for heroin. His buddy Tyrone (Marlon Wayans, in a performance that makes his turn in "Scary Movie" and other junk look like total red herrings) hatches a plan with him to score for a pound of pure and put them on the fast track to riches. Harry's girlfriend Marion (Jennifer Connelly) has vague plans of opening a boutique with her share of the gains. And Harry's mother (a truly amazing Ellen Burstyn) is obsessed with appearing on her favorite TV show.

Movies like this are not about plotting but emotion. We know there is no happy ending possible here; what matters is not what happens but how and to what extent. The final 20 minutes -- which have been written about endlessly elsewhere -- are a masterpiece of Soviet-style intercutting and gradually mounting, excruciating tension that does not even end with the release of death, but with the promise of unending, ongoing pain.

This isn't a pretty movie. This isn't a movie for your mother (well, I guess that depends on the family), or a movie for the whole family. This is a movie about despair and destroyed dreams. In short, this is a movie about something -- and it tells its story with such fierce style and power that it almost makes issues of taste or subject matter irrelevant. You may not like the film -- and there are many who don't -- but you can't deny its power, or the skill involved in making it.

You may try to forget this film. "Try" is the key word here.
I was tempted to title my summary "Drugs are bad, mm'kay?" because this movie was so sad I was desperate to inject a little humor. Man, what a sad, scary, excellent, grim, disturbing, well-made movie. The more I read about this movie and learned about it, the more fascinating it seemed. I also am one of those people who, when they hear a movie is extremely shocking and disturbing, get a burning urge to see it as fast as I can to see if it shocks me (especially if it's unrated or NC-17), since I am pretty jaded. So, I eagerly anticipated seeing it.

The plot concerns four addicts. Jared Leto and Jennifer Connelly play a young loving couple, Harry and Marion, who dabble in heroin and plan to make a big sale along with their friend Tyrone (Shawn Wayans) so they can be set for life and Marion can open up her own (legal) business. Unfortunately, their recreational drug use turns into day-to-day addiction, and things start to get ugly. REAL ugly. A couple shots even kind of give a whole new definition of the word 'ugly'. Ellen Burstyn plays Harry's mother Sarah, a lonely widow who wants to lose weight to fit into a red dress so she can appear on her favorite TV show. She starts out by being addicted to TV and candy, but has the bad luck to go to a doctor who gives her an RX for 'diet pills', that turn out to actually be the old-fashioned kind they gave to women in the 50s- speed.

I found her story thread the most memorable and heartbreaking. Sarah takes pills and starts losing weight, as well as suddenly becoming very energetic and chatty. Like any addictive drug, her happy blue pills stop working after prolonged use so she ups her dose more...and more...and things slowly start getting very weird and scary. In one of the best scenes midway through the film (one of the few that had a tiny bit of comic relief) Harry visits her --the only visit he makes during the movie where he doesn't openly steal her TV to pawn for dope money. He is briefly riding high (in more ways than one) and tells her he bought her a big screen TV-he wanted to do something nice for her and figured out that "TV is her fix". He looks like he's getting a bad feeling when she's babbling happily about how she has a reason to get up in the morning, and then he hears her grinding her teeth, and figures it out. This is the first time in the movie you see real fear in his eyes. Sarah soon starts having very scary strung-out hallucinations-starting out with subtle things like time woozily slowing down and speeding back up, and when her refrigerator suddenly starts moving on its own, the real nightmare begins. An aggressive fridge with a mind of its own sounds Monty Python-esque when you first hear about it, but trust me, you won't be laughing by the end of the movie.

One review I read said that the movie not only pulls the rug out from under you, it drags you and the rug down a long flight of stairs into a very dark basement. Another reviewer compared the experience of watching the film to a drug, and that's not too far off the mark either. Whenever a character gets high, there's a slam-bang fast cut montage of the same images over and over; a sigh, a pupil dilating, cells changing color. The scenes where Sarah hallucinates are pretty close to the real thing. The description I probably agree with most came from Darren Aronofsky himself-he compared the film to a jump from a plane without a parachute, and the movie ends three minutes after you hit the ground. The last few minutes that show the gruesome, depressing, worst-case-scenario fates of all 4 characters are just as intense, hard to watch, and nightmarish as I heard they were.

My only complaints would be that I wish it were longer, with more time for character development. I would have liked more scenes of what these people and their lives were like before they were addicts, as well as their relationships with each other. The cast is great- Wayans shows that he has the most range and talent of the Wayans bros- I laughed so hard at him in Don't Be A Menace that I ended up buying it, but here...wow. I would have liked to see more of his character. I never liked Leto much before, but he is excellent and also almost unrecognizable (he said he dropped 1/5 of his weight for the role and boy does it show). Connelly I disliked so much before that I would actively avoid seeing movies she was in, but I was very impressed and convinced that she can act. Burstyn gives the performance of a lifetime- not only convincing, but she was dedicated enough to let the filmmakers make her look like absolute and total hell, which many actresses over 50 would probably not be brave enough to do.

Not recommended if you're easily shocked, squeamish, or upset. If you only like movies that take you to a happy place, stay far away. Everyone who left the movie theater looked like they had just been hit over the head with a very large board. And we were all people who knew what we were getting into. Recommended for those who want to see a movie that will completely overtake you and involve you emotionally. In addition, this film should be required viewing for everyone in the fashion industry that supported and glorified that whole hideous 'heroin chic' trend. Also a good movie if you are having some problems in your life and want to put them in perspective VERY fast. And even though I keep my weight down the old-fashioned way, I'll probably never look at my fridge quite the same way again...

A very heavy, important film
Words can hardly describe the experience of watching this powerful film. It's about different forms of addiction, and it pulls no punches in its depiction of the inevitable downward spiral of its four main characters. Not only should you see it for the message, but for its cinematic inventivness. Visually, I've never seen anything like it. The cinematography, sound, editing, music and visual FX are top-notch and will blow your mind. The acting honors here go to Ellen Burstyn, who gives an incredible performance as the poor, naiive Sarah Goldfarb. Watching her deterioration (both mentally and physically) is heart-wrenching. Burstyn gets great support from the rest of the cast as well, particularly Jared Leto and Jennifer Connelly. Also, those familiar with Marlon Wayans' comedy roles will be very surprised with his subtle, convincing portrayal of enterprising heroin addict Tyrone. Director Darren Aronofsky has created one of the best films of the new century; I can't wait to see what he does next. The last 20 minutes of this wonderful, haunting film will leave you breathless. A must-see.