Product Description

A yakuza, banished from Tokyo, takes on LA organized crime.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-JAN-2002
Media Type: DVD

Product Details

• Amazon Sales Rank: #43246 in DVD
• Brand: KITANO,TAKESHI
• Released on: 2002-01-02
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish, French
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 114 minutes

Amazon.com
It's hard to describe the hypnotic authority of director and actor Takeshi Kitano. In his first American venture, Brother, Kitano plays a yakuza who's been exiled from Japan after the death of his boss. In Los Angeles, he discovers that his half-brother has become a small-time hood. Kitano quickly takes over, casually setting in motion gang wars and killing sprees. But a basketball game gets as much emphasis as an assassination; Kitano's camera watches a dead body lit up by the flash of gunshots, completely ignoring the shootout that's causing the light. Yet his movies don't seem arty, just efficient--and effective: you may not know whether to laugh or flinch, but you will not stop watching. As an actor, Kitano slouches, twitches, and stares blankly--but you won't stop watching him either. If you like Brother, check out Fireworks and Sonatine; gangsters will never seem the same. --Bret Fetzer

Customer Reviews

America Ruins a Great Film.
I recently rented Brother on DVD here in america last week. And was saddened to find that they edited a fair amount of scenes from the original version. The movie still functions with the scenes edited out, but I felt that these edited scenes brought more clarity to the movie. The edited amereican version doesn't quite have that clarity, and therefore suffers somewhat. The edited scenes were mostly in Japanese, and gave background on why Takeshi's character was going to LA. . Perhaps the studio felt that american viewers do not like to read subtitles or don't like seeing people in other countries. I am not sure why this was done, but I think that it takes away from the movie and shortchanges the viewer. Anyhow, it is Takeshi being Takeshi, and the movie is well done. Not a bad crossover film for Takeshi and Kitano. It's rather humourous at times and there is enough bad [butt]edness going around to make even the seasoned action flix fan happy. I would give it 5 stars had they not messed with it and edited scenes from the original.

A Stunning Gangster Movie--and a Breath of Fresh Air
As introspective as it is violent, "Brother" manages to do what few Hollywood gangster films can--entertain and make you think. To call the plot Shakespearean almost seems an insult, as its sensibilities are so obviously Japanese, with the emphasis not on the action but on the effects of it, but careful observers may see strains of "Macbeth" and "Richard III" in this very grown-up feature (with a little Sergio Leone thrown in). Director and star Takeshi Kitano follows the last days of a disgraced Yakuza in America, whose brilliant but brutal rise to power in modern L.A. is matched only by the intensity of his loyalty to his friends and half-brother. Omar Epps is a likable presence as one of those friends, and the many familiar Japanese-American faces--including veteran James Shigeta--blends ably with the mostly Japanese cast. But it is Kitano that delivers the goods, wisely choosing to underplay Yamamoto as a pillar of quiet strength rather than allow him to become broad-based caricature. In fact, the understated tone of the film is what gives it so much style and intensity; few American films would be bold enough to focus less on the shoot 'em ups and more on the aftermath or to raise the issue of black-on-Asian racism in a gangster movie. That the story ends up pretty much where you expect it to is less a flaw than the culmination of a satisfying slow burn, making this gem a must-see.

A great movie - beyond just violence
Beat Takeshi provides another violent movie, whose purpose seems to be that violence begets violence, and ultimately it's a dead end. The basic plot has Takeshi playing a yakuza forced to leave Japan upon the death of his boss. He finds his half brother in LA pushing drugs rather than attending school. Takeshi violently turns the small time crew into a major crime cartel.

Yakuza themes of loyalty to family and honor over life pervade the movie. The omnipresent violence somehow avoids being gratuitous, perhaps because one realizes how more graphic it could have been. Unlike traditional western shoot 'em ups, we are left with the aftermath instead of the fight scenes themselves. At times it is hard to follow the plot and remember who is on whose sides, but perhaps that is the point.