Product Description

Studio: A&e Home Video Release Date: 02/26/2002 Run time: 150 minutes Rating: Nr

Product Details

• Amazon Sales Rank: #33834 in DVD
• Brand: A&E
• Released on: 2002-02-26
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Closed-captioned, Color, DVD, Full Screen, NTSC
• Original language: English
• Number of discs: 1
• Running time: 150 minutes

Amazon.com
Alfonso Arau's handsome The Magnificent Ambersons, based on Orson Welles's original screenplay, is a brave attempt to restore the dramatic scenes lost when RKO radically recut Welles's magnificent 1941 masterpiece, but it's less a remake than a new take on the material. Bruce Greenwood makes a gracious and sincere Eugene Morgan, the inventor who woos heiress Isabel Amberson (a vibrant Madeleine Stowe) and finds his rival is her spoiled, arrogant son, George (played with sneering, bug-eyed intensity by Jonathan Rhys Meyers). It hits a few sour notes (notably Meyers and a terribly miscast Jennifer Tilly as the jealous Aunt Fanny), but the "new" scenes explore the sprawl of the city, the falling fortunes of the Amberson dynasty, and the almost incestuous intimacy between mother and son only hinted at in Welles's compromised version. It may lack the grand design and cinematic grace of Welles, but it creates its own gentle take on Booth Tarkington's turbulent novel. --Sean Axmaker

Customer Reviews

Not quite magnificent
Much ado is made about the dual ending of classic film "The Magnificent Ambersons," which was originally made by Orson Welles. The remake is more or less faithful to the original material, but some bad casting (Jennifer Tilly is the worst example), weird scripting, and a rather ambiguous tone scratch it up.

George (Jonathan Rhys-Meyers) is the youngest member of the rich Amberson family, including his grandfather, mother, uncle and aunt. He's been raised as a prince, and he acts like one too -- spoiled and imperious. He falls in love with the beautiful Lucy (Gretchen Mol), the daughter of automobile innovator Eugene (Bruce Greenwood). Unfortunately, Eugene has always been in love with George's mother Isabel (Madeleine Stowe).

Jealous and disapproving of the "new money" people, George sets out to wreck the budding relationship between his mother and Eugene. He succeeds -- but at the cost of his own relationship with Lucy. Still imperious, George continues on his way without knowing that the growing urban sprawl marks the decline of the Amberson family into poverty...

It's always interesting to see how society changed in the past, as it does here and "The Forsyte Saga." And that's actually the most interesting part of "Magnificent Ambersons," not the family saga. Unfortunately, we only get an occasional glimpse of this. The rest of the time, it's merely more of George's tedious tantrums, and his family worrying about money and relationships.

Alfonso Arau seems to have been sleeping during the production of this -- he adds a sparkling grandeur to the early scenes. But the color fades quickly; pretty soon it's just a slow decline, with little to hold your interest. The only thing he adds to the production is an emphasis on the incestuous feelings between Isabel and George. It's icky, and feels like it was just pasted in.

Jonathan Rhys-Meyers is a good actor, but only in the last eighth of the movie do we develop any liking or understanding of his character. Greenwood is fairly good, and Stowe is a convincing wilting lily, although she doesn't do much else. Gretchen Mol brightens every scene she's in, and William Hootkins (as hearty Uncle George) is a lovable teddy, but Jennifer Tilly ruins every scene she's in with a screechy, over-the-top performance.

It's interesting to see the decline of the old-money dynasties in favor of the "riffraff." But the hit-and-miss casting and lackluster direction makes "The Magnificent Ambersons" almost as tedious as Rhys-Meyers' tantrums.

A pretty face does not a masterpiece make.
Being a period movie afficionado, I had great hopes for this movie. However, I regret to say...do not waste your money. Jonathan Rhys-Meyers has been excellent in other movies I have seen, but his acting in this is so overblown and forced it is painful to watch, and I am not using this wording frivolously. There were actually a couple of points during the movie where the acting was so pathetic I could not look at the screen...much like pretending to not notice when someone slips on the ice, just to save you both from the embarrassment. Rhys-Meyers' good looks did nothing to take my attention from his terrible performance.

Gretchen Mol's performance was a cardboard cutout version of her character, with a plastic smile plastered over her face during most of the movie. Madeline Stowe's performance was acceptable as Rhys-Meyers' mother, but not up to her usual standards. Jennifer Tilly gave her Aunt Fannie character a valiant try, but she is terribly miscast and could not seem to find it within herself to even produce tears during any of her apoplectic fits.

I am SO disappointed in this movie. Luckily, I rented it before buying it on Amazon and am thankful to have only lost the rental fee instead of purchasing it to sit unwatched on my DVD shelf until it turned to dust. It may have made a decent drink coaster, however...

Long-awaited and disappointing
... delayed release of "The Magnificant Ambersons" for a year after its completion, and now we know why.
Perhaps the editors hoped in post production to create what Director Alfonso Arau could not realize on film.

With his quirky direction, Arau aimed for the sublime and ended up with something ridiculous. His take on "The Magnificant Ambersons" not only fails to redeem Orson Welles' 1942 vision, it fails on the level of fundamental storytelling.

It wasn't the fault of the story.
Boothe Tarkington's novel about the decline of the land-wealthy, prestigious Amberson family in the face of modernization, the Industrial Revolution and growth of the middle class was a grand American tale.

It wasn't for lack of money.
The production had a lavish budget. It was shot at an old estate in Ireland and no expense was spared constructing a set that looked like turn-of-the-century Indianapolis.

It wasn't the fault of the actors.
The wonderful cast included such talented actors as James Cromwell, Bruce Greenwood, Madeline Stowe and Jonathan Rhys Meyers.

Arau gave most of them too little to do.
In the role of Major Amberson, a Civil War veteran made good on land speculation, Cromwell should have given us more insight into the actions and past of the Ambersons - how that led to the warped, rigid value system of his grandson, Georgie.

Georgie Minafer (Rhys Meyers) is supposed to have charms that buffer his dark tendencies to be bigoted, narrow-minded and incestuous, he acts like a brat with attention defecit disorder, always flailing about.
His character never gets to move beyond one whining, pouting note.
Thus, when circumstances force a change on his part, the change seems wholely implausible.

Before its release, star Madeline Stowe bemoaned the production, which probably wasn't the right thing to do.

In hindsight, though, I can understand her complaint.
Although her character is meant to charm two men in her life - the lost love of her youth (played by Greenwood) and her son, she seems almost robot-like.

Stowe complained that Arau emphasized the incestous tendency between Georgie and his mother, Isabel, but frankly no heat or sparks of that kind were generated.

Again, I blame Arau because I have seen Rhys Meyers deliver marvelous performances in "Gormenghast," Ang Lee's "Ride With the Devil" and lesser known Irish gems such as "Michael Collins" and "The Disappearance of Finbar."

I recommend you rent one of them...