Product Details

• Amazon Sales Rank: #53870 in DVD
• Released on: 2002-05-14
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, DVD, Subtitled, Widescreen, NTSC
• Original language: English, French
• Subtitled in: English
• Number of discs: 1
• Running time: 110 minutes

Amazon.com essential video
The Gambler is one of the edgier and more interesting, if forgotten, films of the mid-1970s, the kind of studio film that rarely gets made anymore. Based on a screenplay by James Toback (Two Girls and a Guy) and directed by Karel Reisz, the film stars James Caan as a brilliant college literature professor with the same weakness as one of Dostoevsky's characters: He can't resist a wager. Indeed, he's in so deep that even his seemingly good-hearted bookie (Paul Sorvino) is trying to kill him. So he lams out of New York and heads for Las Vegas--where he wins back everything he's lost so he can pay off his massive debts. But is he smart enough to take his winnings and walk away? Caan captures the aggressive compulsiveness of the gambling addict, the strange split between a seemingly intelligent man and an uncontrollably stupid impulse. The film includes early film performances by James Woods and Lauren Hutton. --Marshall Fine

Customer Reviews

A sure thing
A neglected and underrated masterpiece, presenting one of the most convincing and thorough psychological studies in all cinema. James Caan, in what may well be his best-ever performance, portrays a compulsive gambler with an unusually acute awareness of his own motivations. The 'back story', from which we learn how his family background helps feed his obsession, is subtly and convincingly portrayed. The whole is a tragedy, laced with grim humor.

The score uses Mahler's music to great effect, the direction is tight and closely focused throughout and the final scene can only be described as perfection.

An excellent look at a compulsive gambler
The so called film experts that pan this movie just dont understand the life of a gambler. This movie is an excellent study of a compulsive gambler and his road to self destruction. James Caan is outstanding as the tragic Axel Freed and the supporting cast is even better. The emotional roller coaster ride of a compulsive degenerate gambler is shown from the ultimate high of winning to the rock bottom low of losing and is portrayed superbly by Caan with a stellar performance.
This movie was extremely well written,directed and acted and is flawless in its presentation from beginning to the end. The climatic ending where Axel takes the ultimate gamble risking his life is brilliant. There has never been a more realistic look at a lost soul gambler and the effect it has on friends and family. This is a rare gem of a movie that was way ahead of its time. A must see for anyone that appreciates a true to life gritty story, great performances and not some Hollywood big budget nonsense that is routinely served up today.

On the edge
One of the most uncompromising American dramas of the 70s, this takes a penetrating look at the addictive mindset of the gambler as no film did before that and none since as well. The writing by James Toback is superb and the direction by Karel Reisz is just as good. James Caan, in one of his best roles, plays a professor of literature--an ivory tower guy who drives himself right to the edge. The story implies that the possible reason for this is his patrician upbringing; his mother's a successful and respected physician and his uncle, an extremely successful businessman. And Axel Freed--Caan's character--needs much more than all the myriad assumptions that a blue-blooded background provides.

Even his girlfriend, Mickey (broadly played by Lauren Hutton), is upscale. Caan deftly and convincingly portrays someone who takes advantage of his class and its privileges and at the same time obsessively needs the "juice" of danger. The ending is a strong finish to a great movie; Axel tests the waters of what could very likely bring the ultimate danger. The real question is, Does he want that or not?

It's interesting to see both James Woods and M. Emmett Walsh in small and early roles here, as well as some 70s stalwarts: Paul Sorvino, Vic Tayback, and Steven Keats. The mix of the highbrow and the street is a great one. All actors do a terrific job.

Recommended