Product Description

Studio: Wea-des Moines Video Release Date: 03/26/2002 Run time: 93 minutes Rating: Nr

Product Details

• Amazon Sales Rank: #19663 in DVD
• Released on: 2002-03-26
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Black & White, Color, DVD, NTSC
• Original language: English
• Number of discs: 1
• Running time: 92 minutes

Amazon.com
If Coleman Francis had never existed, he would have been invented by the writers of MST3K just for the perverse enjoyment of ridiculing him. Here the director of the jaw-droppingly inept The Beast of Yucca Flats tries his hand at a jailbreak film, which takes a surreal veer into an American invasion of Cuba apparently hampered by military budget cuts ("Once all seven of them are in place, the invasion really begins") before ending up in an American tungsten mine. Why? Who knows, but the bots have a ball skewering the film with some of their funniest comments ("I want to hurt this movie but I can never hurt it the way it hurt me") and Mike Nelson becomes so disturbed he turns into Carol Channing. Believe it or not, costar John Carradine rasps out the theme song "Night Train to Mundo Fine" (which was the film's original title). --Sean Axmaker

Customer Reviews

She's been blind since her husband was killed in the war
Some important people in Hollywood obviously lost some bets; that is the only way I can possibly rationalize the fact that someone let Coleman Francis write, direct, and star in this incredibly lousy movie. Francis lumbers through this movie like a zombie-a very lazy zombie. His penchant for close-ups is probably explained by a desire to show as little of the set as possible. He doesn't even bother about making smooth transitions between scenes; he just cuts each one off and jumps immediately to the next one. Of course, bad movies make for great Mystery Science Theater 3000 experiments, and this is no exception. While Mike and the Bots add a lot of humor to the viewing of Red Zone Cuba, even they are powerless to mute its incredibly boring and bewildering effects on the viewer. When the best part of the movie is John Carradine's singing, you are in trouble. Carradine also apparently lost a large bet; unlike everyone else in this movie, he at least has at least a semblance of a reputation in the industry, and his "guest appearance" is totally unimportant and generally unexplainable.

Here's what might be the plot if Red Zone Cuba had one. Coleman Francis' character has apparently broken out of prison, and he ends up tagging along with two of the most uninteresting characters you would ever meet. When you are on the outs, running from the law, and in need of money very badly, where do you go? Why, to a secret training camp where a handful of men are planning to invade Cuba and take up where the Bay of Pigs invasion failed, of course. Much to the frustration of our three heroes, they are not actually paid up front the thousand dollars they are expecting, and after training for about a day (it's hard to tell because night and day change continuously and look pretty much alike), they're off to Cuba. For a second, it looks like the invading forces (all seven of them) stand a chance-there can't be more than 10 Cubans there to oppose them (including a fellow with the worst Castro [imitation] beard you will ever want to see). Despite being captured and never attempting to flee through the incredibly big hole in the wall of their "prison," the trio somehow make their way back to the States (presumably, but all of the locations look alike) and try to go legit-the key word here is try.

There are some quite funny bits by the guys on the Satellite of Love. Mike, Crow, and Tom Servo are hilarious as they begin the show pretending to be rich, smarmy, pompous gamblers. Halfway through the movie, Mike begins to think he is Carol Channing, thus providing Crow with a golden opportunity to do his wonderful Carol Channing impersonation. There is a short before the film, but it is quite forgettable; posture was seemingly all the rage in the 1950s, and this little film seems to argue that, when giving a speech, how you look is more important than what you say (let me clarify the fact that this is not the famous "plenty of lip and tongue action" short on how to give a speech). For me, the funniest moment of the whole movie has nothing to do with Mike and the Bots-one of the characters says that his daughter has been blind ever since her husband was killed in the war. What? Oh, man, they just don't write movies like this anymore-or if they do, moviemakers have enough sense not to film them.

"You want the paint in your face? That's optional, ya know"
Here is yet another example of an excellent non-science fiction MST3K episode.
Here's the deal:

After an opening credit sequence featuring John Carradine belching out the theme song, Coleman Francis stars as Griffin, an escaped felon who teams up with two illegal tire-changers named Cook and Landis. After they bond over beans and coffee, the trio decide to join up with the local army to invade Cuba. They hire a rather uncharismatic fellow named Cherokee Jack ("I'm Cherokee Jack") to fly them to the military base. After the absolute worst training session in history, which consisted of wrestling, climbing a rope and jumping off a cliff, the impressive force leave for Cuba. The riveting beach landing scene is a close second to Saving Private Ryan's as far as intensity goes (uhhh...not really). As the invasion force of 8 guys gets picked off one by one by the Cubans, led by a faux-Castro in the worst fake beard of all time, Griffin, Cook and Landis are captured along with their injured "friend" Sergeant Justine (Chastain, actually). They have to spend time in a little shack with "Viva Cuba" scrawled on the wall (so you know it's really Cuba), and all the while watch their fellow soldiers get paint thrown in their faces. After an ingenius plan to strangle the guard that gives them a bowl full of water, the guys escape and fly in a plane back to good ole US of A, leaving Justine behind. When they get back home, they track down Justine's wife, who rather naively gives them directions to and offers to help them with the plunder of the family's tungsten mine. Cook and Landis are captured by the cops, Griffin and Mrs. Justine are shot, and Justine himself makes a triumphant return, only to find his dead wife in the back of a pick-up truck. A dark, dark movie, is this one.

I really love Mike and Bots treatment of this one. It is so disjointed and mistake-riddled, that it must be hard to sit through, but somehow they manage it, and make it my favorite episode in the process. Much like Mitchell, I think the fact that the main characters are so loathsome, that the writers cruelty was unfettered. A true classic.

NIGHT TRAIN TO MUNDO FINE!!!!!!!
Oh, man. This is a painful one. Production values worse than Manos. Plot less coherent than The Hellcats. Coleman Francis. And theme song sung by John "Oh, to be blessed with such an instrument" Carradine! I personally love this movie, as it is THE worst example of film production I have ever seen, but it isn't for everyone....you have to work up to this one....if you can watch Manos and Hobgoblins back to back, you are ready to try this one. Do not use sharp implements after viewing.

Interestingly enough, I recently had the opportunity to speak to Mike Nelson. I asked him which were his most and least favorite episodes were. He said this was, by far, his least favorite because "It's basically watching three guys in a room talking for an hour." He is, of course, correct. This is why you must be prepared for the stench that is Red Zone Cuba.