Product Details

• Amazon Sales Rank: #86168 in DVD
• Rating: G (General Audience)
• Aspect ratio: 1.33:1
• Format: NTSC
• Original language: English

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Throughout The Straight Story, 73-year-old Alvin Straight (Richard Farnsworth) gazes calmly at the night sky, as if the stars were reflections of his own memories. Alvin's eyesight is bad and his daughter (Sissy Spacek) is slightly retarded and unable to drive, so he's traveling from Laurens, Iowa to Mt. Zion, Wisconsin on a riding John Deere lawn mower. It's slow going, so there's plenty of time to stop for the night and ponder the cosmos. Alvin's journeying to visit his ailing brother; they haven't spoken in years, and it's time to make peace. Along the way, he befriends a variety of nice folks, and you have to ask yourself... Is this really a David Lynch movie?

It's a miracle that this G-rated Disney film was made by a director whose work is often described as twisted and bizarre. But Lynch is too complex an artist to be labeled, and he brings charm, grace, and kindness to his fact-based telling of The Straight Story--not to mention a serenity rarely found in movies anymore. It's a film of moments--funny, odd, quietly spiritual--and this simple tale of a man, a lawnmower, and rural hospitality becomes a genuine Lynchian odyssey, unlike any film you've seen but as welcoming as a cup of lemon tea with honey. Best of all, it's a fitting tribute to the career of veteran stuntman-actor Farnsworth who, at age 79, plays Alvin Straight to sheer perfection, his face a subtle roadmap to a broad spectrum of emotional destinations. --Jeff Shannon

From The New Yorker
By way of a comic coda to the violent "Lost Highway," David Lynch has confounded all expectations and come up with a movie about a lawnmower. The model in question, a gas-guzzling 1966 John Deere, is ridden by the elderly Alvin Straight (who was a real person, but it's a perfect Lynch name) all the way from Laurens, Iowa, to Mt. Zion, Wisconsin, on a mission of mercy to his brother, Lyle. The result is a perplexing blend of the ornery and the ornate; Richard Farnsworth plays Alvin as a stubbornly decent sort, while Lynch riddles his journey with bursts of calculated strangeness-including a house ablaze by the side of the road, attended by firemen who might have stepped out of "Blue Velvet." The film is more crooked, in short, than the title would suggest, though it is also more sentimental; if Lynch is laying aside his power to shock, he has yet to discover what would most fruitfully take its place. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

A Study Of The Human Spirit
It's a journey of the soul as a man goes home in his heart, in this dramatization of the true story of Alvin Straight, who drove a lawn mower over three-hundred miles through the state of Iowa and into Wisconsin, to see his brother, a stroke victim with whom he had not spoken for ten years. "The Straight Story," directed by David Lynch, recounts the story of Alvin (Richard Farnsworth), who set out to see his brother, Lyle (Harry Dean Stanton), upon hearing of his stroke. Alvin is prevented from driving because of poor eyesight, and he won't take a bus because he doesn't trust another's driving. A widower who lives with his daughter, Rose (Sissy Spacek), Alvin, not a man of means, resorts to the only way he knows how, to get to Lyle. He needs to put the bad blood behind them before it's too late; an estrangement born of "anger and pride." Hauling a make-shift trailer, and with three five-gallon cans of gas and a cooler full of hot dogs, Alvin sets out, alone and determined, on his lawn mower. Now in the twilight of his life, having learned to "separate the wheat from the chaff," the trip affords Alvin plenty of time to reflect on his life, and steels him in his quest to do what he feels he has to do. Along the way he befriends and is befriended by the strangers he encounters; a testimony to the bountifulness of the human spirit. When a young man asks him what the worst thing is about being old, he replies, "Remembering when you were young." Richard Farnsworth gives the performance of a lifetime as Alvin, this stubborn, prideful man, who has learned humility with age, and you can see the wisdom of his years in his eyes. Farnsworth connects with the audience from the beginning, aptly conveying the yearning of a soul in need of atonement, and the determination of the man to effect his amends. Sissy Spacek, also, gives a terrifically nuanced performance as Rose, the "slow" daughter who lives daily with demons of her own. That the members of the Academy failed to nominate her for best-supporting actress for her work here is nothing short of criminal; her Rose is a beautiful piece of work. David Lynch, as well, has done a remarkable job of bringing Alvin's story to the screen. He has woven a rich visual and emotional tapestry, all poignantly delivered with a gentle hand. Beautifully photographed, the lush vistas of the Midwest reflect Alvin's state of mind, underscoring the deeper meanings of what is really a spiritual journey, during which the past mingles with the present. Lynch has taken a wistful, almost poetic approach throughout, which, together with the story is reminiscent of Ingmar Bergman's "Wild Strawberries." The scene in which Alvin finally meets up with Lyle is perfectly and touchingly executed, and is one of the most memorable scenes in the movie. The supporting cast includes James Cada (Danny), Everett McGill (Tom), Barbara E. Robertson (Deer Woman), John Farley (Thorvald), and Kevin P. Farley (Harold). With an artistic hand, Lynch has crafted an unforgettable film. "The Straight Story" is Alvin's story, but the journey belongs to us; a reminder of what is really important in life, and the needs we all share at one time or another. It's an entertaining movie that will touch you and make you think, as well; and as far as I'm concerned, that's about as good as it gets.

A simple beauty
With 'The Straight Story' David Lynch has weaved together a subtle, fascinating story about age, regret, and family. The tale is of Alvin Straight, a 73 year old man who has seen most of what life has to dish out and learns that his brother suffered a stroke. With bad eyes and no license, he sets out on a journey on a riding lawnmower to see his brother, who he hasn't spoken to in ten years.

What I loved most about this movie is the simplicity; of the story, the characters, the filming. Yet within that classic style is a movie that is incredibly moving. The stories that Alvin has to tell about his life are saddening, touching, and almost frightening. He talks about being old, about fighting in World War II, and about his regrets of not speaking to his brother. He runs into quite a few people along the way who help him out, and their stories contribute to a beautifully crafted script.

Richard Farnsworth is convincing in the role of Alvin. His abilities are most especially outlined in the sad tone of his voice, and the look of regret and hope in his eyes. It is rare that I have grown to respect and adore a character so much. David Lynch's direction is not dark or creepy like his other works, but carefully and nicely photographed in great harmony with the script. The cinematography is smoothe, and the extended takes prove his abilities as a director and the actors abilities as well.

This film is done in a classic manner, and the results are moving in a rare way. I sincerely hopes this film eventually gets the recognition it deserves.

An Amazing Accomplishment
A surprise and a total shock coming from David Lynch; a director who has, in my humble opinion, disappointed me more times than not. "The Straight Story" is simply the best film made in the last decade and will one day finally be regarded as the masterpiece it truly is. How Disney could have bungled the marketing of this great film is beyond reasoning. It is rated G but is no more of a "family" film than "The Tigger Movie" could be considered porn. Children could never understand its deliberate pacing and complex emotional core of patience and moral responsibility. By the end of the film I was choking back tears and so moved I could hardly get out of my seat. Richard Farnsworth and Sissy Spacek give performances that make you remember what acting on film used to mean. Please do yourself a favor and watch it somewhere quiet with no interference so that you may listen and savor this extraordinary movie. There will not be any more like it for many, many years.