Product Details

• Amazon Sales Rank: #228391 in DVD
• Rating: PG-13 (Parental Guidance Suggested)
• Format: NTSC
• Original language: English, French, Italian
• Running time: 112 minutes

Amazon.com essential video
A member of the middle generation of French filmmakers between Renoir and the New Wave, René Clément was a strong visual stylist who tried on different subjects and genres: documentaries, semidocumentaries, wartime dramas, comedies. In Purple Noon he showed a strong facility for feverish film noir, and the results are quite memorable. Based on Patricia Highsmith's The Talented Mr. Ripley, the film stars Alain Delon as the notoriously amoral Ripley (a character also played, albeit quite differently, by Dennis Hopper in Wim Wenders's The American Friend). Envious of a playboy pal (Maurice Ronet) having a luxurious time on the Mediterranean, Ripley decides to murder the man and assume his identity. The subsequent suspense concerns the dirty deed done and the aftermath of complicated cover-ups, and in the best Hitchcockian sense you can never quite tell whose side you're on as Ripley's efforts at survival are followed in meticulous detail. Mesmerizing to watch, saturated in light and color, and topped by Delon at his most icy, Purple Noon is a terrific discovery for enthusiasts of film noir and the French cinema. --Tom Keogh

Customer Reviews

Lousy DVD from Disney
No problems with the film itself, I saw the theatrical release several years ago, and loved it. I refuse to buy the lame excuse for a DVD that Buena Vista has offered. When will the message get through? Serious films need the serious treatment on disc, especially if we are going to be gouged with Disney prices. The absence of anamorphic enhancement on this film is close to criminal in my eyes, and the rest of the shoddy package, right down to the boilerplate on the case, is an insult. Criterion did a Laser Disc of this film, and this DVD needs the Criterion treatment. Tell me I'm having a bad dream!!

The Talented Mr. Ripley with a French accent
I saw this before I read the Patricia Highsmith mystery novel from which it was adapted, and before seeing the recent and excellent The Talented Mr. Ripley (1999) directed by Anthony Minghella and starring Matt Damon, Jude Law and Gwyneth Paltrow. Here the accomplished French director René Clément has Alain Delon, Maurice Ronet and Marie Laforêt as his stars in this very fine interpretation. Seeing it again only confirms my high opinion.

The fact that "Purple Noon" plays well after forty years is a testament to Clément's clean, objective direction and his faithful adherence to the Hitchcock formula. Pretty poor boy goes after everything pretty rich boy has, including his yacht and his girl friend in this tightly focused thriller. We see once again--cf., Polanski's Knife in the Water (1962) and the early Nicole Kidman vehicle Dead Calm (1989)--that some very bad things can happen when you get two men and one woman on a yacht in the middle of a whole lot of water. Note too the Mediterranean rock island atmosphere reminiscent of Antonioni's L'Avventura (1960). It will probably get me into trouble with Italian film aficionados to add that it's a little surprising that both films are from the same year, inasmuch as Plein Soleil is still a treat to watch, while L'Avventura seems terribly dated. Perhaps the beautiful use of color and the charming locales and interiors so well done by Clément make the difference.

Delon is a particularly "pretty" and uncomplicated Tom Ripley, while Ronet is a somewhat nasty and macho Philippe ("Dickie" in the novel) Greenleaf, and Laforêt is a very sensual and sexy Marge. All do a good job and are well directed by Clément whose attention to detail in all aspects of the production is admirable. The fish market scene and the scene where Ripley projects Philippe's signature on the wall in order to practice it, and especially the cold, windy feel of being aboard the yacht work very well and keep us engaged.

Comparing the Minghella film, I would say it owes something to Plein Soleil (e.g., the jazz motif, the real love between Marge and Philippe) but is essentially a different spin. Perhaps the most important difference is that there is no sexual ambiguity to Ripley's character in this film as there was in both the novel and Minghella's production. Clément plays it straight throughout also eschewing any sort of psychological study of Ripley's murderous nature. He even deviates from Highsmith's daring (at the time) resolution for something more traditional. Nonetheless the very clever ending is beautifully ironic and will give you a surprising jolt.

Sensually Seductive
No matter how powerful a sunscreen you wear, you'll still be scorched by the pernicious heat of Purple Noon. This sunbaked French thriller, originally released in 1960 and now reissued under Martin Scorsese's imprimatur, is an elegant tale of murder on the French Riviera.

Delon, looking as languidly sleek and dangerous as a panther at rest, portrays an amoral young man who knocks off a playboy pal (Maurice Ronet) and then coolly takes possession of the dead man's name, bank account and, eventually, fiancée (Marie Laforêt). As directed by René Clément (Forbidden Games), it's all très smart, sexy and suspenseful, and Delon, well, let's just say he is one mighty cute croissant.

Yes, The Talented Mr. Ripley as it should be.