Track Listing

Disc 1:

1. Days Of Graduation
2. Ronnie and Neil
3. 72 (this highway's mean)
4. Dead, Drunk, And Naked
5. Guitar Man Upstairs
6. Birmingham
7. The Southern Thing
8. The Three Great Alabama Icons
9. Wallace
10. Zip City
11. Moved

Disc 2:

1. Let There Be Rock
2. Road Cases
3. Women Without Whiskey
4. Plastic Flowers On The Highway
5. Cassie's Brother
6. Life In The Factory
7. Shut Up And Get On The Plane
8. Greenville To Baton Rouge
9. Angels And Fuselage

Product Details

• Amazon Sales Rank: #6452 in Music
• Brand: DRIVE-BY TRUCKERS
• Released on: 2002-07-16
• Number of discs: 2
• Dimensions: .18 pounds

Album Description
A southern rock opera about growing up in the south in the 70's, the rise and fall of arena rock, the mythology surrounding the band Lynyrd Skynyrd, and common misconceptions about the south.

Amazon.com
You don't need a bottle of Jack or even a trace of Southern lineage to appreciate the genius of Drive-By Truckers' Southern Rock Opera. Without a hint of irony, the Athens, Georgia, quintet creates a fast-driving, hard-living tribute to the indelible music and legacy of Lynyrd Skynyrd. Like any good concept album, there's a modicum of plot and a theme to these 20 songs (loosely based around the rise and fall of fictitious Southern rock band Betamax Guillotine), but the best tracks make you forget the story line altogether: "Birmingham," "Zip City," and "Let There Be Rock." The "opera" aspects bog things down a bit--you probably only need to hear the spoken-word track "The Three Great Alabama Icons" once--but the overall concept still comes off without a hitch. The lyrics are great, the trio of electric guitars is blessed with raw production, and the tunes--though lacking the pop sensibility of, say, "Gimme Three Steps"--will have you cranking up the album for your friends. And, after a few spins of Southern Rock Opera, you might even find yourself digging out those old Skynyrd LPs to hear the real thing again. --Jason Verlinde

Customer Reviews

Best Rock Album of 2001, Hands Down
Drive By Truckers' "Southern Rock Opera" is the best American rock album of 2001, and also the best Southern Rock album since Lynyrd Skynyrd's "Street Survivors" way back in 1977. That's fitting, since the album is a tribute to Lynyrd Skynyrd (the original band, not the lame "reunion" version). "Southern Rock Opera" is also the best rock opera since the heyday of Pink Floyd's "The Wall" and The Who's "Tommy." If you think this is all hypebole, then just listen to the album.

The band's sound is similar to Skynyrd, updated for the 21st century. Three guitars batter you while leaders Patterson Hood and Mike Cooley trade off on vocals. The album deals with subjects as diverse as southern racism as personified by George Wallace, fatal high school car wrecks, and the plight of a redneck preacher's daughter. All the while, it pay homage to Skynyrd by telling the tale of a younger southern rocker who makes the big time only to suffer a similar fate to the great band. Clever tracks abound, the best of which are "72 (This Highway's Mean)" "Dead, Drunk and Naked" (the album's most tuneful song despite its title) "Zip City," "Women Without Whiskey" and "Shut Up and Get on the Plane." "Birmingham" is an angry rant condeming racism, while "The Southern Thing" warns Yankees not to get too sanctimonious.

Having listened to several of DBT's previous albums, "Southern Rock Opera" is even more amazing. Before this, they were clever, if underachieving, songwriters who were a little too smart alecky for their own good. With "Opera," they have established themselves as a force to be reckoned with in American music. Paraphrasing the title of one of the album's songs, Long May They Rock.

A masterpiece
Southern Rock Opera is more than just a collection of great songs. This double album comes straight from the heart of the boys from North Alabama that make up the Drive By Truckers. If you have ever loved 70's southern rock this album will take you back. Above all, it is an homage to the late great Ronnie van Zandt fronted-Lynyrd Skynyrd, a band much under-appreciated by the mainstream musical press, but not by the DBT. The music on this album is lovingly crafted and so are the lyrics. Every song tells a story and means something. It is probably the only concept album I've ever heard that really feels like it has to be listened to straight through. I did just that on Highway 421 in rural western North Carolina just a few weeks ago and I wasn't disappointed. If you are a displaced Southerner like myself who came of age in the 70s or 80s, this album will take you back to a time when Skynyrd blared on the stereo and you ate that beef stew, collards, and butter beans at your friends' house. Mrs. Bishop sure could cook! This album really needs to be listened to straight through to get the whole story, but if you insist on me listing standout cuts, I'll do it. 'Guitar Man Upstairs' is like 'Gimme Three Steps 2002'. 'Shut Up and Get on the Plane' is another classic southern rocker. And 'Zip City' is probably my current favorite, a song with more emotion than most artists muster up in a lifetime's worth of songs. If you care at all about supporting great music, buy this album. I downloaded the whole thing from Audiogalaxy, but it was so great and the DBT deserve the support so much, I also bought the album directly from them. Do yourself a big favor and pick this one up.

More rock than you can shake a stick at
Fantastic! As a former (lifelong) Southerner, I was delighted by "Southern Rock Opera". While the music, dense as a curtain of kudzu, is solid, straightforward rock, the lyrics are what make this a truly exemplary album. The issue of prejudice functions as a recurrent theme throughout the piece, and, in the words of "The Three Great Alabama Icons", 'it ain't just white and black'. The singer's razorwire/whiskeysoured voice slices through George Wallace's Machiavellian desire for power; the relationship between Skynyrd and Neil Young; and the many misconceptions held about the South by both Southerners and... well, the rest of you that ain't.
For years, I was ashamed to claim my Southern ancestry, fearing that people would think of me as some negative stereotype rather than a smart gal with a drawl. Now, even with all of "the dualities of the Southern thing", I hold my head high and sing the praises of the Drive-By Truckers, and of the land I once called home.