Product Description

Studio: Sony Pictures Home Ent Release Date: 08/13/2002 Run time: 81 minutes Rating: Nr

Product Details

• Amazon Sales Rank: #13461 in DVD
• Brand: Sony
• Released on: 2002-08-13
• Rating: NR (Not Rated)
• Aspect ratio: 1.66:1
• Formats: Anamorphic, Black & White, Closed-captioned, DVD, Widescreen, NTSC
• Original language: English
• Subtitled in: English, French, Japanese
• Number of discs: 1
• Running time: 95 minutes

Amazon.com
After establishing his signature style with such moody classics as Cat People and I Walked with a Zombie, Jacques Tourneur returned to peak form with the first-rate supernatural thriller Curse of the Demon. It's a horror-noir set in England, adapted from the M.R. James story "Casting the Runes" and built around the ominous notion that black arts--particularly the use of ancient runic symbols--can summon a deadly beast from hell. Dana Andrews is the stubborn American skeptic, determined to debunk a genteel occultist (Niall MacGinnis) whose evil powers are ultimately incontestable. The briefly seen demon may be cheesy by latter-day standards, but its nightmarish appearance--and Tourneur's masterful use of subtle suggestion, threatening atmosphere, and eerie special effects--make Curse of the Demon one of the best horror films of the 1950s. This splendid DVD offers the longer British version Night of the Demon for film-buff comparison; it's essentially the same film with a few extended scenes. Both are highly recommended. --Jeff Shannon

From the Back Cover
When psychologist John (Dana Andrews) Holden's colleague, Professor Harrington, is mysteriously and brutally murdered, Holden denies that it's the work of the devil... until he becomes the next target of the CURSE OF THE DEMON! A cult classic, Curse of the Demon is restored and released for the first time in the U.S. at its full original length. Plus, catch the rare truncated American release back to back.

A British production, NIGHT OF THE DEMON was released in the UK in a 95 minute running time. For the American market, the film was cut to 82 minutes, re-titled CURSE OF THE DEMON, and released in 1958. This DVD presents, for the first time in the US, the fully restored 95-minute version as seen by British audiences in 1957, as well as the rare, truncated American release.

Customer Reviews

One the great turning points in horror films
The distributor advertising this DVD as a "Double Feature" stretches the truth a bit. "Curse of the Demon" is merely the shortened American version of the British film "Night of the Demon." The American version runs thirteen minutes shorter and is by far the weaker cut of the film, if still a fine piece of work. It's a nice feature to have the complete American cut on this disk for the sake of comparison with the original, but this is hardly a "double feature." And there's no reason to watch the edited, shorter version when you have the superior British original of one of the seminal horror movies of all time on the same DVD.

"Night of the Demon" hit theaters in 1957 and marked a turning point in macabre cinema. Director Jacques Tourneur had made some important 1940s horror films ("Cat People," "Leopard Man," and "I Walked with a Zombie," as well as the film noir classic "Out of the Past") that moved against the grain of the gothic fantasies that Universal produced during the 1930s. With "Night of the Demon," Tourneur cemented the idea of the modern horror film, where the terrors of the gothic, demonic, and supernatural appear within the realm of the modern, everyday world -- the essentially rational setting of the contemporary times. The success of this film would eventually lead to such movies in the following decades as "Rosemary's Baby" and "The Exorcist," which took place in the recognizable contemporary world, where the invasion of supernatural forces seemed all the more ghastly.

The screenplay comes from the short story "Casting the Runes" by master Victorian ghost story writer M. R. James. (You can find this story in an excellent and currently in-print volume of the same name.) In the story, a professor and practitioner of the black arts, Karswell, has found a way to send demonic forces against his academic foes by passing them a slip of paper covered with magical runes. The movie expands the premise: Karswell (Niall MacGinnis, who played Zeus in "Jason and the Argonauts") leads a witchcraft circle and uses his rune-tracker to send a demon after his opponent, professor Harrington. After Harrington's death, his American friend, psychologist Holden (Dana Andrews), comes to America to learn more, but scoffs at the idea that anything supernatural could lurk behind Harrington's death. Unfortunately for Holden, Karswell feels threatened enough to decide to send his murdering monster after the American.

Tourneur brilliantly films the movie in a split style, dividing between realistic, bland daytime scenes, meant to have an almost documentary feel, and increasingly warped and bizarre nighttime scenes as the curse of the demon moves closer and closer to Holden and it becomes harder for him to deny the truth of what is occurring. The demon itself is a point of controversy among film students. Tourneur was famous for keeping his horrors hidden, and some people believe that he never planned to show the demon at all, but the producer forced him to shove it up front. The appearance early in the film of the full demon might have been an error (it would have worked better to save it for the finale), but its materialization at the end is pretty incredible and it's hard to believe that Tourneur wouldn't have wanted the ending any other way. This is (excuse the pun) one hell of a demon. Designed by Ken Adam (who would later create the sets for most of the James Bond films, as well as "Dr. Strangelove"), the monster looks like it leaped from the freakiest medieval woodcut representation of Hell. The special effects and sounds accompanying it are also eerie and disturbing.

Andrews is a bit stodgy in his part, but Niall MacGinnis makes up for it with his scene-stealing role as Karswell. MacGinnis is both a bumbling, whimsical British professor (complete with a doting and scolding mother), and a cold-blooded sorcerer -- often both in one scene. The ending of the film, involving the passing of the runes, is both funny and incredibly tense, leading to one of the most stunning climaxes in horror films. Peggy Cummins as the love interest is delightfully perky and intelligent, much more so than female leads in most horror films.

The only extra on the disk is the inclusion of the American cut. However, the film is in perfect condition, and is finally shown in the original aspect ration of 1:1.66 (a typical European screen format infrequently seen in the U.S.; it's halfway between the shape of a TV screen and the typical 1:1.85 that most American movies are shot in today). "Night of the Demon" is essential horror film viewing for anyone who wants to understand the development of the genre into its current form. (And I have to repeat it, that's one helluva demon!)

Maybe the best horror film you've never seen, a true classic
There is really only one thing significantly wrong with the 1957 horror classic "Curse of the Demon" is that the producer insisted the "demon" had to make its appearance at the beginning and ending of the film. The better move would have been to leave the appearance of the monster up to the audience's imagination as director Jacques Tourneur intended, but you know producers. Still, "Curse of the Demon" (originally released in England as "Night of the Demon") is a great horror film. The film is based on "Casting the Runes" by M. R. James, with a literate screenplay by Charles Bennett and Hal E. Chester. The story deals with a curse cast by an evil magician, supposedly based on the self-proclaimed English sorcerer Aleister Crowley. The tone for the film is amply established in the opening sequence where a terrified Professor Harrington (Maurice Dehnam) comes to the home of Dr. Julian Karswell (Niall MacGinnis). Harrington the scientist had led an expose of Karswell's devil cult and made the mistake of telling the sorcerer "Do your worst." Now he wants Karswell to call off the demon, but, of course, it is way too late for that now.

The protagonist in this story is Dr. John Holden (Dana Andrews), a noted American psychologist who comes to England to help with the investigation of the cult. Holden does not believe in the occult, but then Karswell slips him a parchment marked with runes and learns the rules of our little game: whoever holds the parchment will die on an appointed day UNLESS they can pass it on to a WILLING recipient. Sounds like big time fun, right? Holden tries to hold on to his skepticism, but in due course he becomes a true believer. Allied with Joanna Harrington (Peggy Cummins), daughter of the late professor and Holden's obvious romantic interest in the film, the pair try to turn the tables on Karswell.

The star of this film is Karswell as portrayed by Niall MacGinnis, who manages to give nice shadings to his villain. When Holden first meets the man trying to kill him at Lufford Hall, Karswell is dressed up as Dr. Bobo the Magnificent entertaining the local orphans. He even gives Holden a chance to recant his disbelief and when the psychologist becomes even more insulting Karswell summons a cyclone to take the American down a peg. One of the best sequences involves Holden breaking into Lufford Hall only to be attacked by the wizard's demon familiar. Andrews manages the passage from disbelief to understanding and horror adequately, but Karswell steals every scene. Even with the cheesy monster, "Curse of the Demon" is a classic horror film featuring a first rate script, solid performances, and artful direction. This may well be the proverbial best horror film you never heard of.

FREAKING TENSE!
I rented this movie one night based on a great multitude of great reviews it had received online. As I popped the tape in my VCR, I wasn't sure what to expect. Imagine my surprise as I began to watch one of the single greatest horror/suspense films ever made. Everything in this film works, including the "controversial" appearance of the demon at the beginning and end of the film. The performances are quite noteworthy, especially that of the actor who portrayed Karswell. Niall MacGinnis does a great job in humanizing his character and makes sure that Karswell is leaps and bounds beyond the average evil villain in most horror films. Probably my favorite aspect is the fact the film has a film noir quality to it, which suits it fine, since it is a cross between a detective film and a supernatural thriller. It's one of the few films I've seen recently that has made me yell at the characters when they do things that may be understandable, however they are a bit on the unintelligent side. By the way, if you are a fan of this movie, be sure to check out Hammer's The Devil Rides Out, recently released in a widescreen edition by Anchor Bay Entertainment. It contains a similar occult theme, as well as the same level of sheer intensity. Oh, and I don't want to forget the fact that it stars Christopher Lee, is directed by Terence Fisher, and has a screenplay written by Richard Matheson (based on Dennis Wheatley's novel).