Product Description

YEARS AFTER TERRORIZING A SMALL TEXAS COMMUNITY, THE GOD'S HAND KILLER HAS RETURNED, LEAVING IN HIS WAKE A PERPLEXING TRAIL OF FEAR AND DEATH. CONVINCED THAT HE KNOWS THE KILLER'S IDENTITY, FENTON MEIKS SHOWS UP AT FBI HEADQUARTERS, INTENT ON PUTTING AN END TO THE MURDEROUS RAMPAGE AND RELIEVING HIS CONSCIENCE.

Product Details

• Amazon Sales Rank: #7179 in DVD
• Brand: LIONS GATE HOME ENT.
• Released on: 2002-09-17
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, DVD, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish
• Number of discs: 1
• Running time: 100 minutes

Amazon.com
Steeped in gloomy atmosphere, Frailty locates its horror in the tyranny of religious fanaticism. Making an assured directorial debut, actor Bill Paxton costars as a Texas widower who believes God has recruited him to destroy demons in human form. Feeling divinely justified in committing a series of ax murders (discreetly unseen), he urges his two young sons to assist him in the killings--a living nightmare recalled in flashback by one of the now-adult sons (Matthew McConaughey) to the FBI agent (Powers Boothe) who's investigating the murders. But mystery is of secondary importance in Brent Hanley's cleverly twisting screenplay; Frailty suggests, with unsettling subtlety, that Paxton's mission may not be delusional, thus burdening his deadly wrath with spiritually disturbing significance. It's definitely not a feel-good film, but with celebrity endorsements by Stephen King and directors James Cameron and Sam Raimi (who both made films with Paxton), Frailty gets under the skin with insidious efficiency. --Jeff Shannon

From The New Yorker
The actor Bill Paxton makes a creepy, atmospheric directing début in this gothic tale about a widower (played by Paxton) who believes that God has told him to kill the demons in others, and who brings his two children along to witness the carnage. The violence in the movie is suggestive-there are no body parts thrown at the screen-and Paxton's directing style is clever enough at times to recall Charles Laughton's masterful noir, "The Night of the Hunter." Though the story is told through a clunky and complicated series of flashbacks, it's a truly demented and effective chiller. -Bruce Diones
Copyright © 2006 The New Yorker

Customer Reviews

A Disturbing Thriller You Will NEVER Forget.
Yes! Finally, it is here on DVD! I could not wait to purchase it!

"Frailty" is a dark and terrifying film that surprised me so many times. Just when I thought I knew what was going on, the next scene would prove me wrong. The complexity and creativeness that went into this film is so mind-blowing. It takes risks, and forces us to ask questions that are better left unanswered.

A series of murders has been contaminating a small town. The case is known as the "God's Hand". The movie starts with McConaughey entering the FBI station, claiming that he knows who the "God's Hand" killer is. With this, he tells his story and we witness shocking flashbacks to when he was a kid.

Paxton, who is also the director, stars as a very religious and loving father. His two sons, (remember, this is all McConaughey's story, so this entire part is the flashback) mean all the world to him. Everything seems perfect, until Paxton awakes his sons, telling him that an angel visited him at night, telling him that there were demons lurking around and they took the form of human-beings. He instructs his sons that they must "destroy" them. (Meaning, "killing.") The oldest son thinks his father has lost it, but he has no idea how far things are about to go. I cannot tell you anymore, otherwise it'll ruin the movie for you. Know this, however, you will be shocked, and you will feel disturbed when it is all said and done.

Bill Paxton does an outstanding job as a first time director. This is the type of movie that really requires talent from famous and acclaimed directors, but Paxton proves to us that not only can he act, but he can direct. Every shot in the movie is very well planned and laid out. He also proves exactly what kinds of emotions he wants his actors to show us. That task, I'm sure, is not a very easy one. The acting was really impressive, and must've been quite a chore to accomplish in this type of film. It is the direction and the acting that makes this movie so unique and chilling.

Yes, this film is very disturbing and very violent. Not in graphic detail; there's hardly any blood or gore. It's just the overall idea and the way the "destruction of the demons" are presented to us. Be warned; this is not for people with weak hearts or stomaches.

This movie still shocked and frightened me, even seeing it for the second time. Even though I knew exactly what was going to happen, I still felt very uneasy and disturbed, as if I were just experiencing it for the first time.

Now, on to the DVD. For it being an independent film, it has some pretty neat features, including commentary, a making of feature, theatrical trailer, and more. The picture and sound quality was also very good.

This movie isn't for everybody, especially if you are the really religous type who get offended easily. This movie IS NOT FOR YOU! Don't even attempt it! If you can handle dark and terrifying thrillers, than chances are you will enjoy this film. All in all, "Frailty" is gut-wrenching, dark and twisted thriller that will keep you guessing until the very end. And even after it's all over, this movie will still be on your mind.

Want to try something fun? Watch this movie really LATE. Right before bedtime. See if you can get a goodnight's sleep after that.

FRAILTY - A Very Surprising/Shocking/Effective "Sleeper"...
This film is a great respite from the usual characature of the insane axe-wielding human (in this case The God's Hand Serial Killer)and takes us through a more spiritual journey.

After being visited by an angel and given three special weapons by God, himself - Bill Paxton and his two sons are drafted in God's Army. Bill has been given a list of "demons" by an angel and instructed to destroy them, with explicit details on how to accomplish the destroying and burying of the corpses. A waitress, a young man, and an elderly gentleman are just a couple of the demons on the list.

One by one, Bill lays his bare hands on the demons/people before chopping them up with an axe named Otis, and he can "SEE" what evil they have done. Or so he says...

This film has lots of surprises, twists and turns, a ton of biblical prophesying along with the psychological/brainwashing aspects of the story. PLUS - Of course a GREAT ENDING!

Bill Paxton directed this sleeper and the two boys that play the younger, Fenton & Adam are great little actors. A nice bit part by Powers Boothe also... The DVD has lots of extras including some great deleted scenes. Highly recommended!

"Frailty" is a special film; a thoughtful, quiet thriller.
Those who happen to catch "Frailty" in theaters will no doubt be reminded of the defense case of convicted murderer Andrea Yates, who took the life of her five young children in what was described by her lawyers and supporters as her attempt to save them from the hellfire. The case was thought-provoking, and a cause for controversy that forced the public to ask themselves, "What defines insanity, and furthermore, sanity?"

The psychological elements of "Frailty" work in very much the same manner, posing us that question in a forthright manner that is shocking, brutal, and completely immersive. It possesses a brainy, intricate plot, well-drawn character relationships, and an ending that begs its audience to begin arguing.

The movie begins with a meeting, of sorts, between FBI agent Wesley Doyle (Powers Boothe), and Fenton Meiks (Matthew McConaughey), who claims to have information about the identity of the God's Hand killer, the case Doyle presides over. There are some initial revelations that are placed on the table upfront, one of which is Fenton's statement that his brother, Adam, is the killer; Doyle is disbelieving, but intrigued enough to listen to what Fenton has to say.

Fenton jumps back in time to his childhood, revealing the relationship between he, Adam, and their father, played by Bill Paxton who is known throughout the film as "Dad." We see them as a family, tightly knit as a result of their mother's death, made stronger by their dependence on one another. The film makes it clear that Paxton's character is a devoted father, loving of his children, and willing to do anything to protect them. His children, in turn, mirror these qualities.

One night, things change. The father wakes his children up in the middle of the night to tell them of a vision from an angel, who spoke to him about his role as God's servant in destroying demons who walk the earth in human form. He claims that when he places his hands upon the person, he can reveal them for who they really are. He further informs them that he will be receiving weapons and a list of those to be destroyed. In any other movie, the father would be an abusive wretch bent on exacting bloody justice; the fact that he is a loving and caring father makes this new development all the more unsettling.

The younger, impressionable son, Adam, willingly accepts his father's statement (in one moment, he asks his father, "Are we going to be superheroes?"). Fenton, on the other hand, believes it is all a bad dream, until his father brings home a young woman in the middle of the night, carries her into their shed, and takes an axe to her. Such scenes are handled exquisitely, choosing to keep the gore almost non-existent, thereby increasing the shock factor. The presence of the children in the midst of such violence is brutal, a testament to the film's honest approach.

The way in which Paxton carries out these events, both as an actor and as a director, is spellbinding. In front of the camera, he portrays the father with a believable conviction of his faith, matching the religious fanaticism and lunacy of Piper Laurie's Mrs. White in "Carrie." In the director's chair, he handles the material nicely, balancing the supreme chills with the ongoing argument of divine intervention that remains intact and fruitful. The two story lines, past and present, weave into one another fluidly without losing interest, and McConaughey provides his character with a tidal wave of mystery that keeps us waiting for the final resolution.

Without revealing the major twists, the film's ending is that rare gem that works with and against it. There are revelations aplenty, those that work, and those that do and don't simultaneously. The negation of the film's earlier neutrality in concern to the father's carryings-on is slightly disappointing; this choosing of sides and a murky role reversal don't altogether work in the material's favor, but they do, however, provide a nice surprise twist that casts predictability and convention into the wind.

And even now, thinking about the ending, I'm reminded of how the film challenged me to think, of how it worked me in ways many other films fail to. Bill Paxton's career as an actor shines here, and his start as a director is promising. "Frailty" is a special film, a thoughtful, quiet thriller with enough brains, realistic chills, and effective energy to make up for its few, easily forgiveable flaws.