Product Description

From the director of Fatal Attraction comes "a steamy thriller" (People Magazine) about physical passion so intense, it consumes everything - and everyone - in its path. Edward and Connie Summer (Richard Gere, Diane Lane) have the perfect life: a happy marriage, an eight year old son, and a beautiful house in the suburbs. But when Connie's chance encounter with a handsome stranger (Olivier Martinez) erupts into a full-blown affair, desire becomes obsession, and the true price of betrayal takes a shattering toll. Pulsing with heart-pounding suspense and erotic thrills, Unfaithful is "sexy", stylish and seductive!" (Wireless Magazine)

Product Details

• Amazon Sales Rank: #17483 in DVD
• Brand: Twentieth Century Fox
• Released on: 2002-12-17
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DVD, Widescreen, NTSC
• Original language: English, French, Spanish
• Subtitled in: English, Spanish
• Number of discs: 1
• Running time: 124 minutes

Amazon.com
If you ever need dramatic proof that adultery is inevitably destructive, look no further than Adrian Lyne's Unfaithful. Drawing inspiration from Claude Chabrol's 1969 film La Femme Infidèle, the director of Fatal Attraction is mining similar territory here, but this grownup thriller is more intimate than Lyne's dead-bunny potboiler, probing more deeply into the rush of conflicting emotions provoked by infidelity. In what many critics praised as the role of her career, Diane Lane plays the instigator of emotional turmoil, a seemingly happy housewife and fundraiser who cheats on her devoted husband (Richard Gere, in a welcomed change of pace) when she casually encounters a seductive Frenchman (cliché alert!) played by Olivier Martinez. Allowing his actors to speak volumes without words, Lyne emphasizes silent tension over explicit thrills, creating a sexually charged thriller that remains riveting even as it turns partially predictable. "Someone always gets hurt," says one character in a pivotal scene, and Unfaithful fulfills that prophesy in a timeless tale of passion. --Jeff Shannon

From The New Yorker
Connie (Diane Lane), a suburban New York housewife and mother with too much time on her hands, gets picked up in SoHo by a sexy young Frenchman (Olivier Martinez) and falls into a passionate afternoons-only affair; her husband, Edward (Richard Gere), senses from the beginning that something is amiss. The director Adrian Lyne has been making erotic dramas for years ("9 1/2 Weeks," "Fatal Attraction," "Indecent Proposal"), and this is his most earnest and nonexploitative effort to date. The movie is very scrupulous about the feelings of Connie and Edward and the damage adultery can do to a family. If only the characters were more interesting. The three principals have no dimensions beyond what's functionally required by the situation, and we can't quite tell if the husband and wife are silent because their marriage is a zero or because the screenwriters forgot to give them something to say. Lane goes through the stages of denial, resistance, joy, and guilt with virtuoso ability; Gere, looking a little older these days, is quiet and saddened-it's amusing to see him wearing the horns for a change. The movie is based on Claude Chabrol's 1969 thriller "La Femme Infidèle," but it lacks the cool perversity of the original; it's a highly responsible sex movie. Written by Alvin Sargent and William Broyles, Jr. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Diane Lane gives a remarkable performance
This sensual and somber drama about infidelity stars Diane Lane and Richard Gere as a married couple headed for tragedy. Connie (Lane) and Edward (Gere) are successful suburbanites with a seemingly happy marriage, until Connie meets an attractive younger man and begins an affair. Edward wonders what's going on, hires a private detective, and gets the answer he suspected all along.

Lane is memorable as the guilt-ridden wife who is obsessed with her lover. She is lovely, mature, and honest in her portrayal and deserved her nomination for Best Actress. Gere is almost a supporting actor here, but he is wonderful playing an average guy. Olivier Martinez plays Lane's paramour. His character was fairly one-dimensional and could have been developed further, but he was very good in the role.

The first time I saw the movie, I thought it was relatively dull because of its relentlessly low-key presentation and leisurely pace. On the second viewing, however, I found it a real winner. There are long periods without dialogue, where the camera focuses on facial nuances. The silence gives one a chance to appreciate the fine acting. The photography is excellent, from wide shots of dirty urban streets to warm glimpses of home. The musical score was lovely, lilting and romantic. "Unfaithful" is erotic and tender, with some surprises and an excellent ending.

Not Just About Sex...
There is a certain beauty contained within this film that makes it beyond a film about infidelity and its consequences. Diane Lane didn't get my attention until the recent "The Glass House." As a new fan, I had to see 'Unfaithful'...her performance is nothing short of remarkable.
The story revolves around a 'happily married', middle-aged couple living in the suburbs of NY with one small son. Their life is the picture of the 'American dream', until one day, Mrs. Sumner (Diane Lane) goes into the city on business and cosmically collides with the much younger Paul Martel (Martinez). When he invites her in to clean up her skinned knee a most deadly affair begins.
What makes this movie different from all the other films with themes such as betrayal, etc, is that we see the struggle and transformation Diane's character makes. Several times we see Diane reflect on her various 'visits' to Martinez and all at once her face displays pleasure, pain, and paranoia. She brings likability to a character we should hate. Richard Gere is one of my favorite actors and I deeply respect him for taking a 'backseat' role in this film. His character torments himself wondering why his wife would possibly want to cheat on him, as he thought he was providing a perfect life.
Added suspense and thrills come about when Gere starts to suspect and eventually finds out about the affair. We then see the direct effect affairs have on families. The murder mystery was thrown in more for entertainment value but the true artistic aspect remains in the adultress' mind.
We've seen affairs start from heartbreak, drunkeness, seduction...any reason other than this film's...boredom. From boredom and seduction we get obsession, we see Diane become addicted to her breakaway from daily life. For those of you who love Richard Gere as much as I do, you really have to bite your lip watching him getting cheated on! However, there is great remorse as Connie (Diane) really does love her husband, but someone dies before the affair is ended. This movie truly remains with its viewers. I recommend picking up the haunting tracks 'Moby - Rushing' and 'E.S. Posthumus - Nara' to reexperience the emotions captured through watching 'Unfathful.' This is a definete must see!

It was the Best of times...it was the Worst of Times
Adrian Lyne is not known as the king of subtlety, as in his "Fatal Attraction" or "Flashdance." He showed remarkable restraint in "Lolita"; giving the film a beautiful and reverent patina of intelligence and honor especially in Jeremy Iron's portrayal of Humbert. Why the major distributors did not take on the mantle of "Lolita" will forever remain a mystery.
In Lyne's newest film, "Unfaithful," he finally comes into his own with a film that is not only provocative but also one that resonates with clear headed thought and remarkably subtle performances.
"Unfaithful" is the story of Connie and Richard Sumner (Diane Lane and Richard Gere), happily married for eleven years with one son living in White Plains, New york. One day, Connie is in NYC for business in the middle of a hurricane-like windstorm when she literally runs into Paul Martel (Olivier Martinez). After Connie scuffs her knees in a fall, Paul invites her into his apartment in Soho for some tea and thus begins a torrid, ultra-sexual love affair. Everything up to this point is Lyne-like with Lane and Martinez never looking more beautiful and sensual in their entire careers amid scenes of photographically perfect lovemaking.
But Lyne throws a wrench into his usual mix of infidelity amd marital indiscretion by adding a murder and thriller plot that adds dimension and breadth to the film. Is it any wonder that this cast was interested in doing this film? Especially Richard Gere who is extremely picky about the projects he undertakes.
Even though Diane Lane has been making movies since she was twelve, she does wonders with her character here. Her Connie is in love with her husband and her life but simply cannot resist the charms of her "amour fou" Paul. There are no big decisions to be made here, Connie is bowled over by Paul and does almost nothing to resist his charms...he is French,handsome and young after all.
The reprecussions of Connie's affair are played out with Hitchcockian suspense yet without Hitchcock's 50's sensibilities and Calvinist modes of retribution. The ending is left remarkably open to interpretation.
Even though Diane Lane has been making movies for 30 years, she has never had a better part than that of Connie and she makes the most of every one of her scenes. She is a revelation in her reticent yet all-consuming realtionship with Paul and with her intelligent and sympathetic dealings with her family. We truly care for her and her situation: she transforms what could have been a negative part into something positive and life-affirming. Both Gere and Martinez are also first rate and empathetic: we care for both even though they are far from perfect human beings.
Adrian Lyne has had a rocky career with several lows ("Lolita") and few highs ("Fatal Attraction"). "Unfaithful" shows us all what a fine, accomplished, subtle film maker he is and what a diligent and persuasive director of actors he can be.