Product Description

Charles Bronson is "a hero all the way" (Variety) as a rogue cop pursuing a deranged killer in this action-packed suspense thriller. Serving up vigilante justice as only he can, Bronson delivers one of his most riveting performances in this "exceedingly well-made" (Gene Siskel) film. Bronson plays Leo Kessler, a cynical Los Angeles cop on the trail of Warren Stacey (Gene Davis), a homicidal maniac who turns rejection from beautiful women into the ultimate revenge. When the legal system sets Stacey free, Kessler plants evidence to put him behind bars for good. But Kessler's plan backfires, leaving him with only one option: to hunt down Stacey on his own…before the crazed killer strikes again!

Product Details

• Amazon Sales Rank: #36039 in DVD
• Released on: 2003-02-04
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English, French
• Subtitled in: English, Spanish, French
• Dubbed in: French
• Number of discs: 1
• Running time: 102 minutes

Customer Reviews

Bronson headlines enjoyable Cannon fodder
10 TO MIDNIGHT (1983): A world-weary LA cop (Charles Bronson) plants evidence on a young man (Gene Davis) suspected of the serial homicide of several beautiful women, but the plan backfires and Davis subsequently targets Bronson's grown-up daughter (Lisa Eilbacher)...

One of a series of gritty urban thrillers inspired by the success of DEATH WISH, J. Lee Thompson's 10 TO MIDNIGHT was produced by the Cannon studios in 1983 and is fairly typical of the company's commercial output. Though he'd worked in a variety of genres since the early 1950's, Charles Bronson became synonymous with the kind of tough-but-sympathetic vigilante character he plays here, this time seeking a handsome young psychopath who strips naked before murdering his (primarily female) victims. Indeed, Gene Davis' extensive nude scenes provide the film's only significant trump card, leading to a number of curious plot developments (because he was naked when he committed his crimes, Davis knows that Bronson must have planted blood on his clothes, but he can't admit to it without... well, you get the picture), though cinematographer Adam Greenberg (GHOST, RUSH HOUR, the 'Terminator' series) turns visual cartwheels in an effort to avoid full frontal nudity (and a potential X rating). Thompson - who gravitated towards Hollywood after forging a successful career in his native UK, where he directed a number of popular mainstream entries like YIELD TO THE NIGHT and THE GUNS OF NAVARONE - takes enormous pleasure in foregrounding the more exploitable elements of William Roberts' lively screenplay, though an unpleasant sequence near the end of the film evokes queasy memories of Richard Speck's true-life killing spree in 1966, when several nurses were slaughtered in a Chicago townhouse in a fashion similar to the killings depicted here. However, these sensationalist components are deployed in the service of a right-wing narrative in which the criminal justice system is rendered weak and ineffective by Davis' scumbag killer and his equally sleazy lawyer (a typically scene-stealing turn from Geoffrey Lewis). When Bronson confronts his nemesis during the inevitable climactic showdown, the audience is literally compelled - through dialogue and editing - to invite brutal retribution on Davis' irredeemable bad guy. It's cheap, manipulative and cynical, but it's also undeniably effective, and Bronson's closing line of dialogue is guaranteed to arouse guilty fascist impulses within even the most liberal viewers.

Davis is the spitting image of his actor brother Brad (the late and much lamented star of MIDNIGHT EXPRESS) and is quite effective in a difficult role, though his subsequent career appears to have gone nowhere, which is a shame. Co-star Andrew Stevens made a brief splash in movies like this one (including Brian DePalma's THE FURY) before becoming a producer on a wide range of Hollywood pictures (everything from 'erotic thrillers' such as NIGHT EYES to blockbusters like DRIVEN and BALLISTIC ECKS VS. SEVER, etc.), and Lisa Eilbacher enjoyed a momentary spotlight on the big screen before returning to TV (where she had begun her career in the likes of "The Texas Wheelers" and "The Hardy Boys/Nancy Drew Mysteries") before fading from the business altogether. Word has it that the title 10 TO MIDNIGHT (a meaningless phrase) had been announced by Cannon for another film which ultimately failed to materialize, but someone obviously liked the sound of it and simply re-used it here! The 'TV version' is a laff riot, with alternate takes featuring Davis in black briefs. On DVD, however, you get to see (almost) every inch of his fabulous, sculpted body. Drool, slobber...

MGM's region 1 disc - which runs 101m 51s, minus the MGM logos at beginning and end which weren't part of the original film - is a no-frills affair which presents the movie in letterbox format (1.85:1, anamorphically enhanced) for the first time on home video. The disc also includes a full-screen version, which simply opens up the space at top and bottom of the frame. Both prints are betrayed by the film's low budget film stock, but picture quality is more than acceptable. Sound format is 2.0 mono, and the disc includes English captions and subtitles, along with a theatrical trailer.

Bronson hunts a crafty serial killer.
Of all the career ending movies Charles Bronson made for Cannon films in the mid-to-late eighties, 10 to Midnight is the best. He plays a cop trying too hard to catch a smart, handsome, and devilishly twisted psycho killer (Gene Davis). When the game of cat and mouse eventually snags the cop's daughter (Lisa Eilbacher), he takes a desperate gamble to catch the crafty murderer. Director J. Lee Thompson masterfully blends the Dirty Harry Rogue Cop thriller with some slasher film moments of brutal terror that will have viewers squirming in their seats. A real nail biter, highly recommended.

You'll hear from me again..."No, we won't."
Charles Bronson vigilante film has the familiar premise that sometimes deadly force is needed to protect society from a madman. This film features a (typically) magnificent performance from a young Lisa Eilbacher (as Bronson's daughter, a student nurse, whose apartment ends up victims of the killer). Well worth a look...better than most in the genre...perhaps the only true sequel, besides Magnum Force, to Dirty Harry...