Behind the Lines
|
| Price: | $14.98 & eligible for FREE Super Saver Shipping on orders over $25. Details |
Availability: Usually ships in 24 hours
Ships from and sold by Amazon.com
30 new or used available from $7.75
Average customer review:Product Description
No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 22-APR-2003
Media Type: DVD
Product Details
- Amazon Sales Rank: #23728 in DVD
- Brand: PRYCE,JONATHON
- Released on: 2003-04-22
- Rating: R (Restricted)
- Aspect ratio: 1.33:1
- Formats: Closed-captioned, Color, DVD, NTSC
- Original language: English
- Number of discs: 1
- Dimensions: .24 pounds
- Running time: 96 minutes
Editorial Reviews
Amazon.com
This extraordinary World War I film concerns themes of heroism, sacrifice, duty, and self-knowledge as profound as any in Saving Private Ryan. The story, taken from Pat Barker's 1991 novel Regeneration and based on true events, is set in a British Army hospital in Craiglockart, Scotland, in 1917. There, a pioneering psychiatrist named Dr. William Rivers (Jonathan Pryce) works with shell-shocked soldiers in a gentle, humane manner that contrasts sharply with the brutality of his colleagues. (The film's most horrifying scene features a mute patient being forced to speak by means of electric shock.)
Among Rivers's patients is a mute, amnesiac officer named Billy Prior (Jonny Lee Miller), as well as the emotionally depleted poet Wilfred Owen (Stuart Bunce) and another poet and war hero, Siegfried Sassoon (James Wilby). Unlike the others, Sassoon is not, in fact, suffering from any disorder but is being quietly punished for writing a pamphlet denouncing the war. The army hopes Rivers can find some basis for mental incompetency in Sassoon, but the thoughtful doctor instead attempts to persuade him to add legitimacy to his criticisms of the war by returning to active duty.
Pryce brilliantly captures the cumulative effects of Rivers's responsibility--of fixing men and sending them back to their possible deaths--on the good doctor's nerves. Wilby is also fine as Sassoon, but the film belongs just as much to actors Miller and Bunce, whose characters are different kinds of men struggling to find their balance, one through a revived sense of duty and the other through his writing. Scottish filmmaker Gillies Mackinnon (The Playboys) is at the top of his form, telling a unique story about the invisible wounds of war while shedding light on the meeting of two visionary poets and one visionary physician. --Tom Keogh
Customer Reviews
Far, Far Away the Thudding Guns [Regeneration]
Good grief, I finally found a US edition of this film so I can buy it. Can't the original title be put in brackets or something beside the 'nouveau' so you at least find it?! The philistine who came up with the new title didn't even bother to look at a Sassoon or Owens poem, obviously. My suggested title above (which admittedly may be no better as a film title) is from a Sassoon poem and I picked it more or less at random on the first page I opened in my anthology.
The film did manage to get across the awful (British) Imperial jingoism without ramming it down our throats more or less exclusively. The experiences that caused such acute suffering as displayed by the inmates of Craiglockhard were presented well, as was the personal humiliation of succumbing to mental illness or "shell-shock". Less successful however, was the treatment of the worst thing a soldier can do: failing to act with stoicism and diffidence. (Sassoon for example, developed an intense hatred for civilians as a result of this fairytale "let's all pretend we're having a lovely time in Flanders because that's what they want to hear at home, and we can't go upsetting the ladies, now can we, lads?", that at least outlasted the war.)
This was a well-scripted, well-acted,thoughtful and thought-provoking film. This is not a standard "tear-jerker" but if it does not make you shed a tear of sorrow and rage then you must have been multi-tasking.
This film actually rekindled a schoolgirl interest in the history of the First World War and in the extraordinary change in and range of poetry resulting from the experience of those in the foul trenches of France and Flanders.
A great film adaptation
BEHIND THE LINES is a film adaptation of the first volume of Pat Barker's excellent Regeneration trilogy. I was anxious to watch this DVD since I finished reading this book last week, but I had some reservations since film adaptations are often less than par. However, shortly after pressing the play button I was reassured that this DVD did the book a great justice. The directors did a phenomenal job in re-creating the atmosphere of the suffering of the soldiers and the horrific psychological consequences of trench fighting. BEHIND THE LINES follows a group of officers suffering from shell shock who are treated at Craiglockhart War Hospital outside Edinburgh. There is no doubt that what these soldiers experience can disturb even the most strong-minded individual today. The principle psychiatrist is Dr. Rivers, who suffered from his own personal demons and war symptoms. He created strong friendships with many of his patients and cared dearly for their well being. Rivers is a complex, nuanced character. While he portrays an exterior of believing in the War, he holds an internal debate of the War's philosophical warrants.
As stated by a previous reviewer, the original title of this film is Regeneration *not* Behind the Lines. I have no idea why the title was changed when it was released in the United States because the current title doesn't make any sense. Another complaint is that there is a lack of any special features on this DVD. It would have been marvelous to watch a director commentary or behind the scenes footage. It's unfortunate that this is a bare bones DVD. Regardless of these two negative aspects, BEHIND THE LINES is a wonderful and deeply moving film of British soldiers suffering from shell shock during the Great War.
Read Pat Barker's Regeneration trilogy and watch this film. Both are highly recommended.
"He wasn't a man. He was a fighting unit...being repaired."
I'm quite surprised that this incredible war film has remained so obscure since it's U.S. release, although like the previous reviewers I can see how the deceptive title of "Behind the Lines" would mislead people into thinking of daring missions and epic battle sequences rather than an asylum. Even with very few combat scenes, "Behind the Lines" is a devastating portrait of World War I and one of the best depictions of the war I've ever seen.
Jonathan Pryce stars as Dr. William Rivers, an army psychiatrist who must treat and heal shell-shocked soldiers at an asylum in Scotland so he can return them to the slaughter at the front. Although other doctors use brutal electrical shock treatment to "cure" shell-shock victims, Rivers uses patience, kindness, and understanding to treat his patients. But when he meets Siegfried (James Wilby), a decorated war hero who's sent to the asylum for publishing an anti-war pamphlet, he's faced with questioning his own beliefs about the war. As he becomes more and more attached to his troubled patients, Dr. Rivers eventually finds himself suffering from symptoms of shell-shock, and he reaches the point where he's about to break down physically and emotionally.
This gripping film about World War I's devastating impact on the brave men at the front is one that you'll never forget. The music, superb performances, and incredible cinematography combine to make this one of the greatest war films of all time. Highly recommended!




