Product Description

This spy adventure drama is an early film in the career of French director Claude Chabrol. Legendary screen icon Jean Seberg (BREATHLESS) stars as the widow of a murdered undercover NATO security man who is killed in Greece over sneaky dealings at a US radar installation. She is implicated as a suspect and, as a result, must go to great lengths to clear her name. Through her many trials, all set against the exotic Greek backdrops, Seberg must deal with fake priests, a pornographically obsessed millionaire, various secret agents, and Chabrol himself in a slight role as an informer.

Product Details

• Amazon Sales Rank: #113076 in DVD
• Released on: 2005-12-13
• Rating: Unrated
• Aspect ratio: 1.33:1
• Formats: Color, DVD, NTSC, Subtitled, Widescreen
• Original language: French
• Subtitled in: English
• Number of discs: 1
• Running time: 90 minutes

From the Back Cover
When U.S. radar installations in Greece are jammed and an undercover NATO security man is killed, suspicion falls on his widow, who sets out to find the real culprits and prove herself innocent. An exciting spy thriller set in exotic locations in Greece.

Customer Reviews

The Road to Ridicule
The Road to Corinth aka Who's Got the Black Box is an unashamedly ridiculous film that just happened to catch me in exactly the right frame of mind. This French spy spoof from 1967 sees Claude Chabrol in surprisingly playful mood and Jean Seberg once again demonstrating her ability to speak French without a trace of a French accent as a spy's widow out to uncover a plot by `the enemy' that no-one seems overeager to discover and prove her innocence. Maurice Ronet plays straight man, Michel Bouquet smirks a lot while eating Turkish Delight, Brando's, ahem, close personal friend Christian Marquand pops up as a motorbike riding, sardine-loving truck driver and Chabrol himself cameos as an informer disguised as a Greek Orthodox priest. The camerawork is much more visually imaginative and ambitious than usual for Chabrol and a world away from his subsequently more refined and unostentatious approach, and any spy film that begins with a magician being interrogated after they find one of a series of radar jamming black boxes among the doves and rabbits in his car can't be all bad. Did I mention the assassin in a white straw hat with a taste for reading women's magazines while waiting for his victims or the bouzouki-dancing henchman? It's a very minor addition to Chabrol's oeuvre, but it's a lot more engaging than some of his more serious efforts.

Pathfinder's DVD is not a great transfer by any means, offering a somewhat grainy standards conversion with less than perfect subtitles, and is extras free unless you count a couple of brief pages of biography and a few frame grabs masquerading as a stills gallery, but it's just about acceptable for a Chabrol completist who isn't expecting too much.

Tinkerbell Among the Ruins
Coming from a purely "I'm-Only-Here-For-Jean-Seberg" sensibility, this movie delivers. Not plot--for what plot there is, is thin as a piece of paper. Not pace--it has none. As a parody of the James Bond spy-film, it has little of that genre's wit or panache.

But I give it three stars, which is probably one more than it really deserves, because unlike most of the films in Seberg's catalog, we finally get a big, candy-colored eyeful of Jean. In contrast to all those drab French New Wave films in their black and white, almost none of which offered her in anything but wide shots and medium shots (close-ups, taking extra time & different lighting to film, are rarely seen in low budget movies, unless there is no set, in which case you see only close-ups! ) we for once get to see her in color, in a film that's actually well shot for a low-budgie, smartly dressed and projecting a character more animated than those she was usually permitted.

There are a few laughs, mostly from the intelligent and restrained performance of Seberg herself, who proves to be surprisingly adept as a light comedienne (especially in a taxicab sequence in which she rides with a dirty old man who projects a porn loop as a seduction technique. Jean's reaction shots, as she feigns a polite interest in both the slimeball sitting next to her and the purposely absurd film she is looking at--and trying desperately not to see--are genuinely funny.

It may all be hopelessly mediocre, and dull to anyone not interested in Jean Seberg, but personally I'm so happy just gazing at her gorgeous face, her beautiful skin, flaxen hair and incredible blue eyes, the pixie-ish dimples, that I don't really care what the hell is happening in the plot. She looks like a slice of lemon meringue pie. And because of some combination of beauty and earnestness, her personality emerges from the hokey drek of the plot in a rather lasting and resonant way. Filmed mostly in the blazing midday sun of dusty Greek villages and ruins, she is like Tinkerbell in a world increasingly devoid of magic.

There are a number of bad films that I fully hope are playing on eternal loop in Heaven, just to stargaze at the beautiful women in them: Barbarella (Jane Fonda--ooh!), Cat People (Nastassia Kinski--ahhh!), The Hunger (Catherine Deneuve--mon amor!) and a host of others. When the icing is this good, I can forgive a lousy cake.

Du Chabrol solide
Une bonne histoire policiere confirmant que Chabrol est bien notre Hitchcock francais. Maitre de sa camera, Chabrol nous donne un film intéressant et bien construit. Certes il a fait mieux (surtout quand il s'attaque a la bourgeoisie francaise-son sujet de predilection!) Mais pour les amateurs de Chabrol ce film est un "must".