Product Details

• Amazon Sales Rank: #5505 in VHS
• Released on: 2003-07-29
• Rating: NR (Not Rated)
• Formats: Color, Letterboxed, NTSC
• Original language: Kurdish, Persian
• Number of tapes: 1
• Running time: 75 minutes

Customer Reviews

For a story of REAL life for the world's poor...
This is a film with no noticable special effects, just people, places, and cameras. Basically, a two brothers and two sisters are left orphaned when their father dies in a smuggling incident (their mother died before the film began). Their aunt and uncle help arrange a marriage for the oldest sister, with a Kurdish family across the border in Iraq. They assume that this family will take the oldest brother, who is severely mentally and physically disabled. They don't, and the younger brother and sister try to scrape and save money to get him an operation so that he will live a little longer.

The name of the film comes from the fact that the conditions in the mountains are so bad that the smugglers have to get the mules drunk so they'll go.

This movie ends in uncertainty, rather than having the tidy plot and finish so common in American movies. I highly recommend it.

Relentless Description of Reality and Power Of Cinematic Imagery
The strong feature debut of Iranian director Bahman Ghobadi (`Turtles Can Fly' 'Marooned in Iraq') is a simple story against the background of stark reality of the Kurds living in Iran, or I should say, in Kurdistan the area that includes south-eastern Turkey, northern Iraq, and western Iran. In this `A Time for Drunken Horses' Ghobadi a Kurd himself shows how children must survive on their own in Kurdish village, doing illegal (and highly dangerous) job of smuggling across the border between Iran and Iraq.

Ayoub is a 12-year-old boy who works in the town nearby, and he takes care of his elder physically handicapped brother Madi. Madi is slowly getting worse, and Ayoub knows that his brother needs an operation. Madi has also two sisters Rojin and Ameneh, but lost his mother recently, and another sad news arrive - the death of his father on the smuggling trip.

Now Ayoub must quit the school and work for his remaining family. This means Ayoub has to follow the footsteps of his father, who went across the Iran-Iraq border as smuggler. But the road is covered with snow, and the trip is risky because of the landmines and soldiers. And the employers may not be trustworthy. Even the mules have to endure very tough trek in the heavy snow (and people have to have them drink whiskey - hence the title though the director changed it to "horses").

[BEAUTIFUL LANDSCAPE] Following the tradition of Iranian films in which the line that divides fiction and non-fiction is blurred, Ayoub is played by real-life Kurd boy Ayoub Ahmadi, and Madi by Madi Ekhtiar-dini. They are no professional actors, but the fact works to make the film realistic, sometimes almost like documentary. But what is most impressive is the stunning beauty of the landscapes. The images are often poetic, but still never fail to capture the life of the people living there. You have never seen anything like the awe-inspiring scenes in which the smugglers walk in the snowfield with the mules carrying two huge tires strapped to their sides.

Probably not every Kurdish child lives a life like this, and `Marooned in Iraq' Bahman Ghobadi's follow-up to `Drunken Horses' shows a different aspect of the life of Kurdish people (about music in particular). Thus you can see the film as political message from the unjustly treated people, but at the same time it is strong with a more universal theme about the children who must confront the hard reality of life. Either way, the film is unforgettable.

Unrelentlessly heartbreaking and hopeless
I'm am NOT the type of person who constantly wants escapist films with happy endings, nor do I flinch from depictions of poverty and hardship.

But -- at the risk of sounding typically "American" and shallow (although the two are not necessarily synonymous)-- for me this movie didn't have much substance or purpose other than showing how hard life is for the Kurds in Iran. As a glimpse into another culture, it was interesting. As a dramatic film, it was dismal and empty and almost too manipulatively pathetic.

Naturally, I applaud the director's first effort at raising awareness of his people, but I look forward to his maturing as a film maker.