Product Description

PROGRAM – Digitally re-mastered picture in HI-DEFINITION from the original negatives. Restored to the original "Directors Cut" length of 109 minutes which was never released on home video (save the defunct RCA Selectavision discs sold in the early 80’s). Intensive color correction, re-framing and dirt and scratch removal have made this new picture look as good, or better, than it did when it was released in 1979. It is also presented in its original theatrical aspect ratio of 1.1:85 making it doubly valuable to consumers.

SOUND – The sound has also been renovated and re-mixed to Dolby Digital 5.1 and DTS. For the first time on DVD, original multi-track recordings were used to create a truly discrete mix for the sections of the film where they existed, specifically, Baba O’Riley, Who Are You, and Won’t Get Fooled Again. These new mixes were created in London by long time Who associates Jon Astley and Andy McPherson. The rest of the film was re-mixed from existing stereo and mono sources making for the most accurate and sonically pleasing sound possible.

COMMENTARY – Director Jeff Stein, having not spoken about the film or been involved with it since its release in 1979, has provided a remarkable retelling of his time with the band while making this truly great film. Searching through millions of feet of archival material, collected at the age of 19 from all around the world, his journey from fan to filmmaker is both hilarious and emotional charged; filled with antidotes and memories never shared before.

ON SCREEN NOTES – Every chapter has a different location and date indicating when and where it was recorded. A subtitle steam, when selected, will reveal this information to the viewer. Also the title of the song is indicated. So now the world will be able to realize the song they’ve been calling "Teenage Wasteland" for twenty years is really called "Baba O’Riley"!

ENGLISH SUBTITLES – Figuring out the lyrics the band is singing is one thing, but deciphering what they say while screaming over each other is a whole other puzzle. With an available English subtitle stream, the linguistic nightmare is finally over. Now you’ll know both. The phase, "I always wondered what he said" is now a thing of the past.

Product Details

• Amazon Sales Rank: #42750 in DVD
• Released on: 2003-09-30
• Rating: PG (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Color, Dolby, DTS Surround Sound, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English
• Number of discs: 1
• Running time: 101 minutes

Amazon.com
Half its members may be dead and its leader may be keeping a low profile, but the Who remains enormously popular. Devotees who haven't availed themselves of Jeff Stein's thrilling, self-mocking 1979 documentary about the group shouldn't wait another minute now that the film has been painstakingly--perhaps heroically--restored to its theatrical-release length from original elements. The sound is clearer than on previous video releases, images are once more crisp and color-rich, and adjustments in tape speed make the Who sound like themselves again, particularly in vintage television performances and filmed club dates from as far back as the band's sonically thrilling, early R&B period. Special features are, shall we say, extensive: 100 or so minutes of multiple-angle footage, an insightful interview with Roger Daltrey, a featurette about the film's restoration, and a mesmerizing, isolated John Entwistle audio track. --Tom Keogh

Customer Reviews

An absolutely splendid reissue of a great rockumentary
After having seen several other major DVD opportunities get squandered (The Beatles's HARD DAYS NIGHT leaps to mind), it is an utter delight to watch/listen to this DVD. It is great on several levels: the original film was one of the best collections of live performances in the history of rock, the reissue has dramatically improved the look and sound of the film, and the Special Edition extra disc includes some truly wonderful features. This ought to be the model for all future reissues, such as when/if they reissue the Rolling Stones's TWENTY-FIVE BY FIVE.

Only a couple of years ago I was trying to explain to my daughter that in the sixties and seventies, the Who were full-fledged members of the rock Pantheon, as revolutionary and crucial as the Stones, the Beatles, or Led Zeppelin. For some reason, they went into a bit of a decline in the general musical consciousness (I found kids my daughter's age might not know of them at all, whereas they knew the other aforementioned bands quite well). Thanks to some timely re-released and a tragic tour that saw the death of John Entwhistle, their star truly seems to be on the ascendant again. This album is crucial for proving what all of us at the time knew: the Who was without question one of the very greatest live bands of all time.

The Who was an amazing band, full of paradoxes. Roger Daltrey was one of the great front men in the history of rock, and Pete Townshend a crack songwriter and arguably the most entertaining to watch guitarist of all time. Yet, the lead instruments in the band, almost unique in rock, were Keith Moon and his maniacally abused drum kit and John Entwhistle's bass, both of them among the top two or three of all time on their instruments, if not the best. They were a great rhythm section, but they jointly tended to take over the songs musically, unlike Charlie Watts and Bill Wyman for the Stones, who were content to stay rock solid in the background. Live, they were amazing, with Daltrey marching in place, swinging the mike around like David about to use his sling against Goliath; Pete Townshend dancing disjointedly around while doing his famous helicopter chording of the guitar; Keith Moon playing as if he were on eight different drugs, tossing his drumsticks ten and twenty feet in the air; and amid it all, like the quiet in the eye of the hurricane, John Entwhistle standing stock still, motionless except for his hands moving up and down his bass, playing the instrument better than anyone else ever had, or perhaps has since.

The film begins with a bang, with a famous appearance on The Smothers Brothers Show (an awesome show because it was so amazingly subversive, with Tom and Dick acting like total squares, but in reality leftists who loved exposing the public to acts like Lenny Bruce and Mort Sahl, and bands like The Who and Cream). Unlike Ed Sullivan, Tom and Dick truly loved these bands, and the opening number/skit, a rollicking version of "My Generation" (with Roger Daltrey suffering so badly from a faux upper-induced stammer that was a badge of their identification with the amphetamine-crazed Mods that one isn't certain he is going to be able to finish each line). Each number brings new revelations or refreshes old memories. For instance, in "I Can't Explain" from SHINDIG! Keith Moon is sporting a T-shirt with a bull's eye on it, a full decade before Richard Hell would achieve notoriety in New York for wearing one when he was still with Television.

The numbers included in the film are both wide-ranging and representative. I suppose any Who fan will find many of their own favorites missing, but no one can complain that the numbers focus too much on one phase of their career. The selections are extraordinarily well balanced. One of the more poignant features is the fact that the performance of "Won't Get Fooled Again," which was performed specifically for the film so that they could have one really good performance on film of one of their most famous numbers, was the last time the Who ever performed in their original line up; Keith Moon would die only three months later.

The extras disc is truly worth having, with a feature on the restoration of the movie, and nice items like a tour of the Who's London, an interview with Roger Daltrey, and, my favorite bit, interesting versions of "Baba O'Riley" and "Won't Get Fooled Again," that features only John Entwhistle's bass and visuals. There is no question about it: the guy could play bass.

All in all, one is going to come across very few music DVDs quite this good. I highly recommend it.

The new standard to beat for Rock DVD
If you didn't already know better, you'd swear this was one of those masterful Disney Platinum Edition restoration and packaging jobs. Amazing things were done with both the video and audio to make a great movie even better. I have always enjoyed this movie, in the theater, on Laserdisc, but this DVD makes me feel like I'm seeing a whole brand new film. I can't believe how good the audio on the old TV clips sound, and the newer concert footage just couldn't be better. This much care for the fans and the end product put a lot of newer music releases to shame (not naming any names--Sir McCartney.)

This is the way a Rock movie should be done overall--songs play through and no one talks over them! The camera edits don't jump and cut every 3 seconds either. I love having the multi-camera angles on the two songs. Now I can just watch Keith and still not know how he plays like that. Even better is having solo OX bass audio to enjoy (he doesn't do that much in Baba unfortunately, but Won't Get Fooled is incredible.) I don't know who it was that ever started that nonsense about the Stones being the "Greatest Rock Band", but all the proof you need that it has ALWAYS been The Who--is right here.

No more DVDs should be allowed to be released before they live up to this quality standard.

Watch out, Criterion!
Nearly every DVD released these days screams "Special Edition", only to prompt a puzzled "And this particular edition is 'special' because...?!" reaction about 95% of the time. On occasion, however, the movie studios slip up and actually make good on the full promise of digitized audio/video restoration. The 2003 DVD version of director/superfan Jeff Stein's labor of love rockumentary about the Who, "The Kids Are Alright" is a perfect example of "promise fulfilled". If you are only familiar with the once-in-a-blue-moon VH-1 screening, with its tattered print, muffled audio and 600 commercial interruptions, you are in for a real treat. Fans of the film won't notice a lot of difference on the early archival footage; you have to consider the source (usually fuzzy b&w T.V. kinoscopes), although audio on these clips has been noticably upgraded. The restoration shines brightest on the late 70's footage that Stein staged and photographed exculsively for the film; image and sound are breathtaking, particularly for the performances of "Baba O'Reilly" and "Won't Get Fooled Again". With the passing of John Entwistle, this footage has become even more of a precious document, showing the original classic lineup in majestic performance probably only months before Keith Moon's unfortunate demise. A plethora of extras on Disc 2 will please the hardcore Who devotee. A must-have for classic rockers.