Product Details
Nicholas Nickleby [Region 2]

Nicholas Nickleby [Region 2]
Directed by Douglas McGrath

Price:

This item is not available for purchase from this store.
Click here to go to Amazon to see other purchasing options.


2 new or used available from $25.18

Average customer review:

Product Details

  • Amazon Sales Rank: #259295 in DVD
  • Rating: PG (Parental Guidance Suggested)
  • Aspect ratio: 2.35:1
  • Number of discs: 1
  • Format: PAL
  • Original language: English
  • Subtitled in: English, Portuguese, Polish, Greek, Turkish, Croatian, Romanian
  • Running time: 132 minutes

Editorial Reviews

Amazon.com
While it necessarily streamlines the Charles Dickens classic, this delightful adaptation of Nicholas Nickelby captures the essence of Dickens in all of its Victorian splendor and squalor. With Charlie Hunnam (the U.K. Queer as Folk) doing noble work in the title role, this quintessentially Dickensian tale begins with the death of Nicholas's father, and the subsequent scheme by his cruel uncle (Christopher Plummer, perfectly cast) to separate Nicholas from his now penniless sister and mother. Stuck in a squalid school run by the evil Mr. and Mrs. Squeers (Jim Broadbent, Juliet Stevenson), Nicholas escapes with his loyal friend Smike (Billy Elliott's Jamie Bell), whose lineage will determine the greedy uncle's fate. As he did with Jane Austen's Emma, writer-director Douglas McGrath has crafted a prestigious production that shifts effortlessly between comedy and tragedy without compromising its warm, inviting tone. His dialogue rings true throughout, inspiring a stellar cast including Nathan Lane, Alan Cumming, Edward Fox, and Timothy Spall. Dickens himself would almost certainly have approved. --Jeff Shannon

From The New Yorker
The slimming of Charles Dickens's 1839 epic by the director Douglas McGrath focusses on an educated boy (Charlie Hunnam) who loses his father and then attempts to save the rest of his family from his abusive, wealthy uncle (Christopher Plummer). The film is picturesque and lively, and it rejects much of the extreme emotional and social distress of the novel. McGrath simplifies squalor and hardship in the name of entertainment. This Dickens-lite approach is saved from banality by some fine character acting (especially from Jim Broadbent and Tom Courtenay) and a brisk filmmaking style that makes the movie an easy read. -Bruce Diones
Copyright © 2006 The New Yorker


Customer Reviews

"The very definition of goodness."5
I can honestly say that "Nicholas Nickleby" is my favorite of Dickens' works. His sinister villain, his earnest, upright, innocent hero, and the beautiful Kate and their plight for financial independence from their evil uncle Ralph have the foundation of a classic. I've seen several adaptations, including the more faithful Bravo version, but I like this one the best. I believe Douglas McGrath, who tastefully brought "Emma" to the silver screen, has taken an already impressive work and improved on it. The movie moves at a nice pace without becoming drenched in melodrama or lingering over the "darker" side of the story; but neither does it shy away from the meaner aspects of Dickens' characters. Uncle Ralph, if possible, is even more wicked than Dickens wrote him. It does this in a perfectly tasteful and intelligent manner and also incorporates much if the sardonic humor found in the books, something I've found the Bravo adaptation lacks.

In case you're unfamiliar with the story, the film revolves around the life of young Nicholas Nickleby and his sister Kate. Their father has died, leaving them in the hands of his older and much more financially-minded brother Ralph. Desiring to be rid of Nicholas, Ralph seeks him employment with Wackford Squeers, the owner of a boys' school in the north country. The institution puts on a good public face but is in reality a squalor where the boys are mistreated and abused while Squeers and his wife pocket what little income they can provide. While attempting to teach at this "school," Nicholas meets the crippled Smike, an orphan whom the Squeers keep on out of "the goodness of their hearts." Eventually his friendship with Smike will have a vast impact on not only his life, but that of his uncle Ralph as well.

The casting for this film is nothing short of exquisite. Douglas McGrath isn't afraid to cast British actor but American-unknown Charlie Hunnam in the lead. The young actor has a fluid intelligence in his performance and looks ideal in a period setting. Anne Hathaway ("The Princess Diaries") plays his love interest, and "Daniel Deronda's" Romola Garai is a beautiful and sweet Kate Nickleby. Throw in Christopher Plummer (whose snarling Uncle Ralph should have won an Oscar), Nicholas Rowe, Edward Fox, Jamie Bell, Nathan Lane, and Alan Cumming, and you have a well-rounded, top-notch cast. The roles are all performed with intelligence and insight, the costuming is lovely, and the script never lags.

From a family -- and indeed a Christian perspective -- I'm happy to report that McGrath's screenplay maintains the height of decency. Even when dealing with tedious and "offensive" elements, such as Sir Mulberry Hawke's pursuit of Kate, the film does its best to present the scenario in a way which won't offend mainstream audiences. There are some intense scenes at the Squeers' school, where children are flogged, but these scenes are kept to a minimum and never overly graphic. I particularly enjoyed seeing Nicholas defend the honor of Smike, Madeline, and his sister Kate. For those who haven't read the novel, the story ends with a surprising twist with little clues planted along the way to point you toward the truth. For those who do know the ending, it's handled beautifully and has great screen impact.

I was fortunate enough to see this on the big screen in a little theatre in the heart of the city while others were flocking to much bigger and less enthusiastic releases. I've looked forward to owning the DVD for a long time.

I WILL STRIKE HIM UNTIL HE CAN BE STRUCK NO MORE...5
This is a concise adaptation of the Charles Dickens novel of the same name. It is a quintessential Dickensian tale. A doting father and loving husband lives in the country with his beloved family. Needing money for their sustenance, he speculates with the little money that he has, at his wife's insistence, and loses all. Dying of a broken heart, he leaves his wife (Stella Gonet) and daughter, Kate (Romola Garai), in the care of his nineteen year old son, Nichols Nickleby (Charlie Hunnam). Left penniless, they are forced to seek succor from their father's cruel but wealthy brother, Ralph Nickleby (Christopher Plummer), who lives in baronial splendor in London.

When they arrive in London, Nicholas, not knowing his uncle's proclivity for cruelty, entrusts his mother and sister into his uncle's care. He allows himself, at his uncle's behest, to be sent as a schoolmaster at a Yorkshire boarding school run by Wackford Squeers (Jim Broadbent), while his sister is to be apprenticed to a dressmaker. An innocent lamb being led to the slaughter, Nicholas goes off to the school, only to find cruelty of a type that he never would have imagined. The school is a run with an iron fist by both Mr. Squeers and the love of his life, the indomitable Mrs. Squeers (Juliet Stevenson), whose idea of a good meal for the boys in their care and custody is a steady diet of brimstone and treacle. Harsh corporal punishment and a spare and unpalatable diet take their toll on the boys, who live in a state of total fear and squalor at the school.

The physical labor needed at the school is provide by a crippled, teenage orphan named Smike (Jamie Bell), a former student. It seems that payments for Smike's education and board stopped some time ago, so Mr. and Mrs. Squeers have kept him on as a sort of indentured servant, heaping every imaginable physical and emotional cruelty and privation upon this unfortunate lad. Nicholas forms a bond with Smike, befriending him in the promise and emerging as his champion, incurring Smike's enduring devotion. Together, Smike and Nicholas flee the school, emerging from darkness into light when they meet up with thespians, Vincent Crummles (Nathan Lane) and his wife, Mrs. Crummles (Barry Humphries), and their traveling band of actors.

Meanwhile in London, Kate and her mother live in penury, while Kate is fairing little better than her brother. It seems that her uncle, under the guise of being avuncular, is intentionally subjecting her to the offensive overtures of a potential client of his, the salacious Sir Mulberry Hawk (Edward Fox). Acting as procurer for his wealthy friends and potential clients, Uncle Ralph continues to put Kate into the most compromising and unpleasant of situations for one so gently brought up, treating her as if she were little more than a strumpet. Kate is beside herself with humiliation at the state to which she has been reduced and the position in which she finds herself. She manages, however, to stand up for herself to her uncle, remaining resolute in her desire to retain her dignity and her reputation.

Unbeknownst to Uncle Ralph, however, his appalled assistant, Newman Noggs (Tom Courtenay), a gentleman who has fallen upon hard times due to his penchant for liquor, has been affronted by his employer's treatment of the Nickleby family. Noggs apprises Nicholas Nickleby of all that has transpired and of his Uncle Ralph's intent to ruin them, so Nicholas seeks to avenge his family. While doing so, Nicholas makes the acquaintance of beautiful Madeline Bray (Anne Hathaway), another one of his uncle's victims. In avenging his family, Nicholas will manage to right what has gone wrong for her, as well. What follows is pure cinematic magic. This is a beautifully acted film and excellent adaptation of the Dickens novel.

Charlie Hunnam is perfectly cast as the innocent Nicholas Nickleby who initially has the wool pulled over his eyes but, when faced with the reality of his situation, rises to the forefront as an avenging angel for all who have been smitten by evil. Christopher Plummer is simply sensational as the crafty and evil uncle, Ralph Nickleby, who in an ironic plot twist has his punishment fit his crimes. Jamie Bell infuses the role of the faithful Smike with just the right amount of pathos. Jim Broadbent and Juliet Stevenson are perfectly cast as Mr. and Mrs. Squeers, the cruel and evil couple who, ironically, coo at each other, as lovebirds are wont to do. Romola Garai is excellent as the much put upon Kate. Edward Fox is terrific as the smarmy Sir Mulberry Hawk. Tom Courtenay is affecting in the role of the disgusted assistant, Newman Noggs. Anne Hathaway, finding herself among such a distinguished cast, manages to hold her own in the role of Madeline Bray, while affecting a proper English accent. Nathan Lane shines in the role of the kindly thespian, Vincent Crummles. The most inspired bit of casting, however, is that of Barry Humphries, also known as Dame Edna, in the role of the bustling Mrs. Crummles.

Director Douglas McGrath has deftly directed this film, exacting meticulous performances from his stellar cast. He has also written an excellent screenplay, as it brilliantly and succinctly adapts the Dickens novel, keeping its essence intact. This is simply a beautiful film with first class production values. It is a film that will hold great appeal for those who are fans of Charles Dickens, as well as for those who love period pieces.

Superb cast bring Dickens to film life5
Douglas McGrath's new film of one of the most underrated of Dickens's novels is a masterpiece, virtually flawless from first frame to last. Jamie Bell, BAFTA best actor winner for Billy Elliot, takes on the very difficult role of Smike, the abused young inmate of Dotheboys Hall, and rivals Christopher Plummer (as wicked uncle Ralph Nickleby) for best performance in the piece. Brilliant evocation of 1830s London and rural England, and it is great to see such luminaries as Alan Cumming, Dame Edna Everage (!) and Nathan Lane obviously enjoying themselves to the hilt. In my view, this is the best Dickens we have had on screen or television since Christine Edzard's Little Dorrit set a new standard in 1987. Run, don't walk!