Product Description

Tale about Apu and his family, as they move to the city, where they encounter more tragedy, forcing Apu to become a man and make choices about the life he will lead. Written and directed by award-winning filmmaker Satyajit Ray.

Product Details

• Amazon Sales Rank: #31784 in DVD
• Released on: 2003-10-28
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Color, DVD, Full Screen, Subtitled, NTSC
• Original language: Bengali
• Subtitled in: English
• Number of discs: 1
• Running time: 111 minutes

Amazon.com essential video
In this, the second film in the Apu trilogy, Harihar (Kanu Bannerjee) takes his wife, Sarbajaya (Karuna Bannerjee), and his son, Apu, to live in the bustling city of Benares after the tragic death of his daughter, Durga, and the destruction of the family's home. Harihar ekes out a living reading sacred texts by the shores of the Ganges River. When he falls ill, Sarbajaya must learn to cope on her own and leaves the city to work as a cook for a wealthy family living in the country.

Apu, by now an adolescent (played by Smaran Ghosal), is extremely bright and hungry for knowledge. Good fortune befalls him, and he is able to attend school, eventually going to Calcutta to attend the university. Sarbajaya is reluctant to let her son go, but she is unable to stop him. She waits patiently for his return, but at the same time is growing weak from illness. When Apu learns of his mother's illness, he must decide if he's going to sacrifice his final exams and return to her side or take the exams and risk the chance she might die before he gets there.

As compelling as its predecessor, Pather Panchali, this film was made only one year later, in 1956. Karuna Bannerjee is riveting in her portrayal of a woman who has lost everything of value to her but her beloved son. The film was based on the novel Aparajito by Bibhutibhushan Banerjee, and the music was composed by Ravi Shankar. --Luanne Brown

Customer Reviews

brilliant film.....
This is the second installment in the "Apu Trilogy," by masterful Indian filmmaker Satyajit Ray.
Apu (Pinaki Sengupta, as the young Apu and Smaran Ghosal, as the adolescent) has relocated with his mother (Karuna Bannerjee) and father (Kanu Bannerjee) to Banares. Apu's father is working as a medicine man there, and Apu is very ambitious to start school with the other young boys. This follows the life of this family, its joys, struggles and the choice Apu must make to either pursue the life of his father (as a priest) or venture out to Calcutta, as a scholarship student, to build a foundation for himself.

This film was shot beautifully and is really a great example of marvelous storytelling. Also, the acting is brilliant. The two young men who portray Apu as a child and a young man are wonderful and engaging--particularly Pinaki Sengupta whose eyes say so much in the scenes between him and his parents that there is very little need for dialogue. Beautiful.......

Deeply moving film
It is incredibly difficult to review any film by Satyavit Ray because he is an artist without peer...director, screen writer, composer. Unlike so many Hollywood films, Ray's films seem real, not contrived and stike at the core of our feelings. His film , Aparajito, is one of the Apu trilogy (be sure to see all three including "The World of Apu" and "Pather Panchali"). This is a luminous depiction of a family tragedy. But like other of Ray's films, it leads to a personal "epiphany", a deeper understanding of the meaning of our lives.

Sarbajaya's Struggle for Meaning
This is the second film in director Satyajit Ray's Apu Trilogy and is best viewed after Pather Panchali and followed by The World of Apu. Harihar (Kanu Bannerjee) takes his wife, Sarbajaya (Karuna Bannerjee) and their son Apu to live in Benares. Their family home has been destroyed in the monsoon and with the loss of their daughter, they are struggling to cope emotionally as well as financially.

I found this movie to be more about the struggle Sarbajaya (Apu's mother) faces on a daily basis. She is an example of a woman who has given up her desires for the good of her family. As she cares for her family on a daily basis you can see how she is sinking into the darkest of depression. Not only is she terribly lonely, she does not fully recover from the loss of her daughter. While she is surrounded by members of her immediate community, she seems to strangely isolated and alone and the unfulfilled desires of her heart seem to weave an invisible and yet debilitating cocoon around her soul.

Throughout this movie, her sacrifice becomes even more beautiful as it allows Apu to see some of his own dreams come to fruition. Apu's father makes his living reading sacred texts by the shores of the Ganges River and then suddenly falls ill. Apu must continue his education and find his own way in this harsh world.

I love the scene where Apu pretends to miss the train and when his mother worries about what they are feeding him at school. The first few scenes also show birds sitting on umbrellas and then taking off suddenly. Could this be a foreshadowing for the situation in which Apu finally finds himself? I found these movies have quite a few "foreshadowing" moments that I only recognized on the second viewing. Which is why the Apu Trilogy must be watched more than once to be fully appreciated. These are finely woven stories that deal with the deepest human issues we all must face at some point in our lives.

~The Rebecca Review