Product Details
Tchaikovsky: Swan Lake (complete ballet); Wolfgang Sawallisch; Philadelphia Orchestra

Tchaikovsky: Swan Lake (complete ballet); Wolfgang Sawallisch; Philadelphia Orchestra
Piotr Ilyitch Tchaikovsky, Wolfgang Sawallisch, Philadelphia Orchestra

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Track Listing

Disc 1:

  1. The Swan Lake, ballet, Op. 20: Act 1. Introduction: Moderato assai - Allegro ma non troppo
  2. The Swan Lake, ballet, Op. 20: Act 1. No. 1 - Scène: Allegro giusto
  3. The Swan Lake, ballet, Op. 20: Act 1. No. 2 - Valse: Tempo di valse
  4. The Swan Lake, ballet, Op. 20: Act 1. No. 3 - Scène: Allegro moderato
  5. The Swan Lake, ballet, Op. 20: Act 1. No. 4 - Pas de trois: I. Intrada: Allegro
  6. The Swan Lake, ballet, Op. 20: Act 1. No. 4 - Pas de trois: II. Adagio: Andante sostenuto
  7. The Swan Lake, ballet, Op. 20: Act 1. No. 4 - Pas de trois: III. Allegro semplice
  8. The Swan Lake, ballet, Op. 20: Act 1. No. 4 - Pas de trois: IV. Moderato
  9. The Swan Lake, ballet, Op. 20: Act 1. No. 4 - Pas de trois: V. Allegro
  10. The Swan Lake, ballet, Op. 20: Act 1. No. 4 - Pas de trois: VI. Coda: Allegro vivace
  11. The Swan Lake, ballet, Op. 20: Act 1. No. 5 - Pas de deux. I. Tempo di valse ma non troppo vivo, quasi moderato
  12. The Swan Lake, ballet, Op. 20: Act 1. No. 5 - Pas de deux. II. Andante - Allegro
  13. The Swan Lake, ballet, Op. 20: Act 1. No. 5 - Pas de deux. III. Tempo di valse
  14. The Swan Lake, ballet, Op. 20: Act 1. No. 5 - Pas de deux. IV. Coda: Allegro molto vivace
  15. The Swan Lake, ballet, Op. 20: Act 1. No. 6 - Pas d'action: Andantino quasi moderato - Allegro
  16. The Swan Lake, ballet, Op. 20: Act 1. No. 7 - Sujet
  17. The Swan Lake, ballet, Op. 20: Act 1. No. 8 - Danse des coupes: Tempo di polacca
  18. The Swan Lake, ballet, Op. 20: Act 1. No. 9 - Finale: Andante
  19. The Swan Lake, ballet, Op. 20: Act 2. No. 10 - Scène: Moderato
  20. The Swan Lake, ballet, Op. 20: Act 2. No. 11 - Scène: Allegro moderato - Allegro vivo
  21. The Swan Lake, ballet, Op. 20: Act 2. No. 12 - Scène: Allegro.
  22. The Swan Lake, ballet, Op. 20: Act 2. No. 13 - Danse des cygnes. I. Tempo di valse
  23. The Swan Lake, ballet, Op. 20: Act 2. No. 13 - Danse des cygnes. II. Moderato assai - Molto più mosso
  24. The Swan Lake, ballet, Op. 20: Act 2. No. 13 - Danse des cygnes. III. Danse des cygnes: Tempo di valse
  25. The Swan Lake, ballet, Op. 20: Act 2. No. 13 - Danse des cygnes. IV. Allegro moderato
  26. The Swan Lake, ballet, Op. 20: Act 2. No. 13 - Danse des cygnes. V. Pas d'action (Odette et le Prince): Andante - Andante non trop

Disc 2:

  1. The Swan Lake, ballet, Op. 20: Act 2. No. 13 - Danse des cygnes. VI. Tempo di valse: Tout le monde danse
  2. The Swan Lake, ballet, Op. 20: Act 2. No. 13 - Danse des cygnes. VII. Coda: Allegro vivo
  3. The Swan Lake, ballet, Op. 20: Act 2. No. 14 - Scène: Moderato
  4. The Swan Lake, ballet, Op. 20: Act 3. No. 15 - Scène: Allegro giusto
  5. The Swan Lake, ballet, Op. 20: Act 3. No. 16 - Danse du corps de ballet et des nains: Moderato assai - Allegro vivo
  6. The Swan Lake, ballet, Op. 20: Act 3. No. 17 - Scène: Sortie des invités et valse: Allegro - Tempo di valse
  7. The Swan Lake, ballet, Op. 20: Act 3. No. 18 - Scène - Allegro - Allegro giusto
  8. The Swan Lake, ballet, Op. 20: Act 3. No. 19 - Pas de six. I. Intrada: Moderato assai
  9. The Swan Lake, ballet, Op. 20: Act 3. No. 19 - Pas de six. II. Variation I: Allegro
  10. The Swan Lake, ballet, Op. 20: Act 3. No. 19 - Pas de six. III. Variation II: Andante con moto
  11. The Swan Lake, ballet, Op. 20: Act 3. No. 19 - Pas de six. IV. Variation III: Moderato
  12. The Swan Lake, ballet, Op. 20: Act 3. No. 19 - Pas de six. V. Variation IV: Allegro
  13. The Swan Lake, ballet, Op. 20: Act 3. No. 19 - Pas de six. VII. Coda: Allegro molto
  14. The Swan Lake, ballet, Op. 20: Act 3. Appendix 1: Pas de deux. I. Moderato - Andante
  15. The Swan Lake, ballet, Op. 20: Act 3. Appendix 1: Pas de deux. II. Variation I: Allegro moderato
  16. The Swan Lake, ballet, Op. 20: Act 3. Appendix 1: Pas de deux. III. Variation II: Allegro
  17. The Swan Lake, ballet, Op. 20: Act 3. Appendix 1: Pas de deux. III. Coda: Allegro molto vivace
  18. The Swan Lake, ballet, Op. 20: Act 3. No. 20 - Danse hongroise - Czardas (Moderato assai - Allegro moderato - Vivace)
  19. The Swan Lake, ballet, Op. 20: Act 3. Appendix 2: Danse russe: Moderato - Allegro semplice - Allegro vivo
  20. The Swan Lake, ballet, Op. 20: Act 3. No. 21 - Danse espagnole: Allegro non troppo, Tempo di bolero
  21. The Swan Lake, ballet, Op. 20: Act 3. No. 22 - Danse napolitaine: Allegro moderato - Andantino quasi moderato - Presto
  22. The Swan Lake, ballet, Op. 20: Act 3. No. 24 - Scène: Allegro - Valse - Allegro vivo
  23. The Swan Lake, ballet, Op. 20: Act 4. No. 25 - Entr'acte: Moderato
  24. The Swan Lake, ballet, Op. 20: Act 4. No. 26 - Scène: Allegro non troppo
  25. The Swan Lake, ballet, Op. 20: Act 4. No. 27 - Danses des petits cygnes: Moderato
  26. The Swan Lake, ballet, Op. 20: Act 4. No. 28 - Scène: Allegro agitato - Molto meno mosso - Allegro vivace
  27. The Swan Lake, ballet, Op. 20: Act 4. No. 29 - Scène finale: Andante - Allegro agitato - Alla breve - Moderato

Product Details

  • Amazon Sales Rank: #3949 in Music
  • Released on: 2004-06-01
  • Number of discs: 2
  • Format: Original recording remastered
  • Dimensions: .25 pounds

Customer Reviews

12 *********s absolutely wonderful5
If you have read any of my reviews you know that I am a Philadelphia Orchestra worshiper. Well this recording will show anyone why. I have always owned and listened to ( in fact just receive a wonderful recording with Muti and the PO of suites from San Lake and Sleeping Beauty)recorded suites where only the dramatic parts are performed with symphonic gusto.

This was a recording of the ballet! I had never heard a complete performance before. I know that there have to be beautiful recordings out there of this work, but hearing the Philadelphia Orchestra in all its power and glory was astonishing.

The remastering is so beautiful. You are there. You just don't hear the patter of footsteps from the dancers, but I was imagining it as I listened.

The performance is joyous when called for, trajic and powerfully so and, above all, majestice in the end. The strings in their polished sheeny glory and the brass-wow! I almost thought that I was listening to the Dresden Statskapelle brass section all over again.

I could go on and on and write about every dance and movement, but just let me say that this recording, for any Tchaikovsky lover, and music lover who wants to build their library or starting an adventure into classical music, is an absolute must!

Get it!! You wont be sorry.

A Remastered Ballet Masterpiece5
Tchaikovsky's Swan Lake remains a ballet favorite and a powerful star vehicle for the prima ballerina who must dance the roles of two characters- the "white swan" Odette and the black swan Odile, good and evil. Swan Lake has been recorded many times by celebrated conductors and their orchestras - Eugene Ormandy and the Philadelphia Orchestra (here it's Wolfgang Sawallisch and the same orchestra from an earlier period) Canadian Charles Dutroit and the Montreal forces, Seiji Ozawa, Andre Previn and the London Symphony Orchestra, Richard Bonynge better known for his operatic vehicles with his wife Joan Sutherland, Antal Dorati and his orchestra, and even Herbert Von Karajan joined the band wagon of conducting great ballets- he conducted the complete Giselle and a concert suite of Tchaikovsky's Swan Lake, Sleeping Beauty and Nutcracker.

Wolfgang Sawallisch was a brilliant conductor, and unfortunately like so many conductors in Karajan's time, he was underappreciated. This Swan Lake is beautifully restored and sounds fresh, powerful and lyrical. The music for Swan Lake has symphonic qualities, with a contrast of serene and jovial dances and melancholy and even fatalistic themes. The Dance of the Little Swans is bouncy and cheery, the violin solos for Odette's solo dances are almost mournful (she's mourning her swan condition/curse) and the Swan Theme is powerful and stormy, borrowed from the last notes to a Wagner's Lohengrin prelude. For these reasons critics did not initially warm up to the "heavy" music of Swan Lake. But eventually it became the most beautiful of the "ballet-blancs" ever made. Other "white tutu" ballets include Giselle (Act 2 the Willis) and La Bayadere (Act 2 The Land of Shades). The music is to die for in this recording and I highly recommend it.

Which bargain Swan Lake to choose?4
This Swan Lake, now offered at super-bargain price, was one of Sawallisch's better ventures in Philadelphia. The orchestra is superlative, the recorded sound quite good, and Sawallishc's conducting fairly spirited. He is by nature a foursquare interpreter, so this Swan Lake doesn't dance as lightly or vivaciously as it might. Even so, I can see why someone would be enthusiastic about it.

There's lots of competition in the bargain range, however. In fact, front-line versions are often low priced, including Ozawa with the BSO on DG and Ansermet with his Suisse Romande orchestra on Decca. I would say that the overly refined Ozawa ranks about equal with Sawallisch, and the Boston Sym. certainly plays exquisitely. Dorati with Minneapolis on Mercury is more balletic, but his set is in mono and the orchestra suonds scrappy next to great ensembles like the Philadelphians (the price of the Dorati is higher, too).

Andre Previn gives a solid, middle-of-the-road reading on EMI with the London Sym., and he is never as dull as Slatkin on RCA with the St. Louis Sym., another bargain release that rarely gets off the ground--strange, since this is easy music to conduct if you have a lively beat.

I own or have heard all of them, and the most stylish and exciting is the Ansermet set, offered on a Decca two-fer that needs remastering to take off the digital edge but is otherwise an outstanding example of ballet conducting at its best. By comparison, the glossy Sawallisch reading is conventional and earthbound.

P.S. Dec. 2007 - After writing this review I ran across a lively, robust reading form Viktor Fedotov and the Maryinsky Orch., which outdoes all the above recommendations. It competes nicely with the new Gergiev reading with the same orchestra, labeled as Kirov, on Decca.