Product Details

• Amazon Sales Rank: #97380 in DVD
• Released on: 2003-11-11
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Color, DVD, Live, NTSC
• Original language: English
• Number of discs: 1
• Running time: 140 minutes

Amazon.com
Call him the Duke of Denmark, as this is the second superb Ellington performance recorded in that country to be released in 2003 alone. It's also an appropriate follow-up to The Intimate Duke Ellington; whereas the latter showcases Ellington as a solo pianist and in small group settings, Live at the Tivoli Gardens features the Ellington Orchestra in all its splendor. It includes two approximately 70-minute sets recorded a few days apart in 1971, when the Duke was 72. But although the repertoire ("Take the 'A' Train," "Satin Doll," and a medley of other familiar Ellington compositions, along with some less familiar fare) is similar, the performances are hardly identical--no surprise there, considering the presence of superb improvisers like trumpeter Cootie Williams and saxophonists Paul Gonsalves and the great Ben Webster. The sound quality, while decent, is nowhere near as vivid as on, say, the Keith Jarrett Trio's recent DVD releases, but little matter. When it comes to music of this caliber, we're lucky that it exists at all. --Sam Graham

From the Back Cover
During 1925-74, Duke Ellington led a pacesetting orchestra full of unique individuals who came together to play the leader's innovative music. Although many of Ellington's songs became standards, no other orchestra sounded like his. Dating from 1971, these two concert performances feature the Duke Ellington Orchestra still in prime form, alternating such old favorites as "Take The 'A' Train," "Rockin' In Rhythm" and a hits medley with newer material. At 72, Ellington proves to still be a masterful pianist and a genial host to an enthusiastic European audience. The 1971 Duke Ellington big band features such classic players as trumpeter Cootie Williams, clarinetist Russell Procope, baritonist Harry Carney and Paul Gonsalves, Harold Ashby and Norris Turney on tenors. In addition, the legendary tenor Ben Webster, one of the stars of Duke's orchestra in the early 1940s, sits in with the orchestra and is showcased on "Cotton Tail," "All Too Soon" and "I Got It Bad." As strong as the soloists are, Duke Ellington is never overshadowed and he is very much seen and heard in prime form. These timeless performances not only give today's viewers a good idea what it was like to see Ellington live in concert during this era but how it must have felt to be on stage playing his music.

Customer Reviews

Desert Island Treasure
This dvd from 1971 has it all. Beautiful video and sound (the advantages of European television technologies from that era are evident), great big band jazz. But much more. The Danish crew that filmed this set of two concerts (note, there is some repetition, but worry not, there is plenty to go around and no Duke orchestra ever did it the same each time) captures the intimacy and excitement not only of the concert itself, but of the magnificent Duke and his band in their final years. I saw them a year or so earlier at UC Berkeley, where Duke was given an honorary doctorate, and for years have dreamed of the moment when somebody, somewhere, would release a video of it, or a similar event. This is as close as it gets.

It's all here. The spotlight on soloists (including appearances as regular band members by Cootie Willians and Ben Webster, both of whom had many compositions written just for them, and were long-departed from the band) for whom Duke composed many of his great pieces, and the fabulous style and humor Duke brought to everything. More than that, much of the video is filmed from directly behind Duke, so you not only get an intimate view of the master, but of the band as he saw it. What you'll see is a hard working group, fascinating individual expression and the improvisation and powerful ensemble work that Duke got from his bands. There is an added meaning because the great Johnny Hodges had recently died and within three or four years Duke, Paul Gonsalves and other stalwarts would be tooting for the angels.

Duke Ellington is perhaps the greatest composer produced by America. To say he is in all his glory here in a beautiful concert film made over 30 years ago is a gross understatement that would earn a famous "aaaah, I love you madly" from him. I hope the Image Entertainment team that brought us this magnificent testimony finds us more such treasures. Find a Stan Kenton concert and I'm off to my desert isle with a smile on my face....

"Love You Madly!"
This dvd is a musical feast. The recording is bottom-heavy and out of balance. This especially hurts on "Quadruped", when the four saxophones cannot be heard clearly. But the audio is in nowhere as bad a shape as, say, the Andy Williams Christmas specials from around the same time--and those were featured on PBS in recent years. The video quality is good--if you're old enough to remember what TV looked like in the early Seventies. It may not be as sharp as some digital show produced for your 60" plasma TV, but let's not get greedy, okay?

The show itself features Ellington with his re-assembled big band, and some young jazz singers. Most all the brass gets to have a turn in the spotlight. There's even a flute featured in one song. A bombastic drum solo reminds us that this is the era of classic rock.

Ben Webster has the stage mannerism of a deaf man--glancing around, paying no mind to Ellington's stage patter, keeping an impassive face. Nothing wrong with what comes out of his horn, though.

A neat contrast in styles for jazz fans occurs on one ballad, featuring first Paul Gonsalves. Gonsalves really milks it, getting his shoulders into his performance, wringing all the soul out of that lovely melody. Ben Webster plays the song next for an encore. His performance is more reserved and cool, but one's left thinking that maybe he may have dug the deepest after all. The only comparable contrast I can think of is Flip Phillips and Charlie Parker going head-to-head on one of the Jazz At The Philharmonic cds.

Ellington looks dapper in a crisp suit, his only concession to the times--the early Seventies--being a ridiculous little mullet curling over his collar. He's got the crowd in the palm of his hand throughout. His stage patter is a little prolix, mixing scat & hepcat anachronisms with some current events observations. He seems a little stiff moving around the stage, but his piano playing is astounding; the dvd box copy kids you not.

Ellington's piano playing is wonderful, running through a lifetime worth of moods and styles. One moment his playing is all starlight and bouquets, then some toe-tappin' swing, and then abstract jazz (though he didn't like to call his music that) of almost Monkish obliqueness. But he never forgets and never fails to show the audience a good time. I wonder if the rapt Danish crowd in the theater knew how good they had it. It certainly must have been very different from the audiences Duke played for in the Twenties.

The whole show is a wonderful treasure, and I hope to explore more of this series at Tivoli.

This is good
This is 1971, it's in color, it has celebrity, Ben
Webster, what more do you want? You can never go back
in time, this is, as close as it can get. You need this
one to see a great band leader and his musicians at work.
If you want to see fantastic imagery, with glitz, artsy
video, state of the art sound, go get a DVD of some
modern day, mediocre to talentless pop star.