Track Listing

1. Norma, opera: Atto I. Casta Diva
2. Il barbiere di Siviglia (The Barber of Seville), opera: Atto I. Una voce poco fa
3. Rinaldo, opera, HWV 7: Atto II. Lascia ch'io pianga
4. I Puritani, opera: Atto II. Qui la voce sua soave...Ah! rendetemi la speme...Vien, diletto
5. Il Trovatore, opera: Atto IV. D'amor sull'ali rosee
6. Werther, lyric drama in 4 acts: Acte III. Werther! Qui m'aurait dit la place...Des cris joyeux d'enfants
7. Manon, opera in 5 acts: Acte III. Je marche sur tous les chemins...Ob�issons quand leur voix appelle
8. Rom�o et Juliette, opera: Acte I. Non! Non!...Ah! Je veux vivre dans le r�ve
9. Carmen, opera: Acte I. L'amour est enfant de boh�me
10. Carmen, opera: Acte III. Carreau, pique...la mort! En vain pour �viter les r�ponses (Card Song)
11. Louise, opera: Acte III. Depuis le jour
12. Tosca, opera: Atto II. Vissi d'arte
13. La Rondine (The Swallow), opera: Atto I. Chi il bel sogno di Doretta
14. Gianni Schicchi, opera: O mio babbino caro

Product Details

• Amazon Sales Rank: #139374 in Music
• Released on: 2004-03-09
• Number of discs: 1
• Dimensions: .26 pounds

Customer Reviews

Sometimes Flawed, but Always Fabulous...
When I first heard Angela Gheorghiu's Decca Recording of La Traviata, I thought I would never hear another soprano I liked better. So far that thought has held true.
While this EMI compilation is not entirely spectacular, (ie; Werther and Carmen sit far too low in the register for her voice)one thing remains constant.... her expressiveness. Gheorghiu is probably the most theatrical vocalist in the opera world since Maria Callas. Her instincts and vocal acting are surpassed by none. She conveys the emotions in her singing the way it would be spoken in real life. This is why she excels in Puccini & Verismo. I'm not saying she is perfect. She practices some vocal techniques which are uncommon (and sometimes unpopular), but overall her voice is always supple and in good tone.
If you're looking for technical perfection, listen to Renee Fleming. Her voice is more focused, warmer, and more agile than Gheorghiu's. However, Fleming falls short of Gheorghiu when it comes to dramatic expressiveness. Fleming is affected, producing caricatures of the emotions. Gheorghiu is real. She is an actress, but also a smart singer who remembers that the voice has to remain healthy and beautiful, as well as expressive. With a few exceptions, I think this compilation is great. When the music is right for her voice(Depuis le jour, Vissi d'arte, Doretta's Dream, etc.) she claims the title of Diva to the fullest.

Once more with feeling
Every once in a while I play a little game with my opera mates. I load 5 cd's into my player, all with the same aria but each with a different performer. This time is was "O mio babbino caro" and the performers were: Tebaldi, Fleming, Freni, Te Kanawa, and Gheorghiu. No hints as to the singers were given to my audience, of course. The results - While Kiri was judged to have the most lovely voice, Angela was the unanimous choice due to her ability to infuse more feeling into her beautiful instrument than any of the other divas. I think that is why I never tire of her voice. It is intellegent and beautiful. So I don't get hung up on characterizations of soprano types. I just listen emotionally, if the voice holds me I continue to listen if not I don't. It's that simple. Gheorghiu is a great Soprano because she has the ability to make you want to continue to listen.

Sound Quality Warning
Warning this CD is protected by EMI's Copy Control. It will not play on a computer without installng additional soft software from the CD. You have no idea what is contained on this software. When played on a normal CD player, the sound quality is significantly degraded with lots of very unpleasant 'crackles' and 'pops.'