Track Listing

1. They
2. Come on Closer
3. Finally Woken
4. Save Me
5. 24
6. Missing You
7. Wish I
8. Just a Ride
9. Falling for You
10. Stay Now
11. Flying High

Product Details

• Amazon Sales Rank: #5679 in Music
• Released on: 2004-03-23
• Number of discs: 1
• Dimensions: .22 pounds

Album Description
Though the downbeat electronica and laconic vocals of Cardiff-born Jem Griffiths find her lumbered with a "Dido-wannabe" tag, she's actually much more adventurous than that. On the whole, Finally Woken sounds like someone finally told Beth Orton to cheer up, and at its best the album finds Jem reveling in all the studio tricks available to her. The opener, "They," loops a nonsensical children's chorus to create a mood of Danny Elfmanesque creepiness, while "Come On Closer" and "24" manage to use crunching electric guitars and strings while avoiding any comparison to Evanescence. The title track combines a loping beat with a jazzy vocal delivery that's reminiscent of Portishead, and "Save Me" is a better-than-average R&B track that's sure to be covered for years to come. Unfortunately, too much of the album's latter half sinks into a slow-paced Didoesque electronic slurry, though Jem's to be applauded for at least trying to liven things up with the cod-reggae of "Wish I." Sony. 2005.

From Amazon.co.uk
Though the downbeat electronica and laconic vocals of Cardiff-born Jem Griffiths find her lumbered with a "Dido-wannabe" tag, she's actually much more adventurous than that. On the whole, Finally Woken sounds like someone finally told Beth Orton to cheer up, and at its best the album finds Jem reveling in all the studio tricks available to her. The opener, "They," loops a nonsensical children's chorus to create a mood of Danny Elfmanesque creepiness, while "Come On Closer" and "24" manage to use crunching electric guitars and strings while avoiding any comparison to Evanescence. The title track combines a loping beat with a jazzy vocal delivery that's reminiscent of Portishead, and "Save Me" is a better-than-average R&B track that's sure to be covered for years to come. Unfortunately, too much of the album's latter half sinks into a slow-paced Didoesque electronic slurry, though Jem's to be applauded for at least trying to liven things up with the cod-reggae of "Wish I." --Robert Burrow

Customer Reviews

A Pleasantly Enjoyable Experience
This is my first review, and I'm mostly doing it for Miss Gemma Griffiths, aka Jem. I want to get some word out on her behalf, because this is a solid debut album.

I read a review that said this music is "trip-pop," and while I hate stereotypical categories, I am going to have to agree. I am also going to say that Jem will not be able to avoid comparisons to Dido. These two do sound quite similar, athough I find Jem much more palatable for my electronica/alternative tastes.

Jem's voice is so smooth, even ethereal at times, that she could easily be fronting the helm of trip-hop acts like Morcheeba or Massive Attack. The music itself, including the lyrics, is very uptempo and poppy, and I could easily see her being the next big pop star if this had been produced by the Matrix or whoever crappy pop producer is hot these days. There are electronic blips throughout. The beat often has a real hip-hop vibe to it.

"Come On Closer" has a dark string sample and heavy bassline to accompany a backbeat that I've heard in a Cypress Hill song, before the grimy guitar jars in on the chorus. "They," the first single, features a somewhat eerie choral sample throughout the track, providing an interesting backdrop when the drum machine shuffles a quickening beat. "Save Me" uses a reggae-esque guitar and beat over Jem's wailing vocals and beautiful harmonies. These three songs are the ones that stuck with me after only two listens.

I urge you to give Jem a chance if you are a fan of interesting new music. This CD sounds like one that will be good for pumping this Summer.

Jem A Gem
Just as Kate Bush did in early rock and Bjork remains a master of, many artists are branching out with a common rock and roll root: To break of all tradition and not be afraid of experimenting, for it is the essence of modern art.
Back in the ninties when artists such as Enya and Yanni offered calming approaches that are nowhere near classical music, they all got crammed into the now-fizzled out category New Age, for the lack of a category one was made to accomodate the 'others.' However, after the gushing of many such artists from Air to Tori Amos, music fans started to notice that this upheaval of new sounds is only the byproduct of the rebeliousness that is rock and pop.
Jem, an up-and-coming modern pop artist, has delivered an EP earlier titled It All Starts Here that showcased far less than what her complete effort, Finally Woken, does. This debut from the Welsh artist, is of no category but borrows heavily from popular genres. A tribute to folk on the lullaby "Flying High" and trip-hop on "Come On Closer." Jem also plays with urban beats with "They" and the reggae-tinted "Save Me."
The fusion of genres is so unique that one song, "24," starts out borrowing from Ani DiFranco strummings then meandering into heavy theatrical instrumentation and then, all of a sudden, right before the chorus sharp guitars bring in edgy rock. All without sounding a tad bit overboard.
Of course Jem's voice plays a big part by delivering an angelic yet quiet tone to the whole album without sounding unexcitingly bland like Dido's. Instead the meloncholy is delivered with consistancy on "Missing You" and "Falling For You," while the giddy is given a kindergarten innocence on the highlight track "Wish I."
"Stay Now" is a masterpiece in its own right, reminiscent of Beth Orton's past victories.
Finally Woken is a complete effort with an assortment of defiant tunes for everbody. Jem (no relation to the fabulous cartoon superhero)is a promising new artist. Skip the EP sampler by Jem and grab a copy of the album and enjoy the many pleasures of the underdog.

wow, this is good
heard the 24 song and liked it so I picked up the cd. I was exprecting a whole CD like the 24 track, it's not at all. The hard rock sound of 24 is an abberation compared to the rest of the CD.

Normally getting a cd based on hearing one song that i liked only to find out the rest of the cd sounds nothing like the song that got me to buy it would irritate the hell out of me.

In this case, I am pleasantly surprised. Kind of hard to describe the sound, but it's damn good. Very eclectic. Kind of reminds me of Portishead without the crushing darkness.

Good find