Aces High [Region 2]
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Average customer review:Product Details
- Amazon Sales Rank: #52162 in DVD
- Rating: PG (Parental Guidance Suggested)
- Number of discs: 1
- Format: PAL
- Original language: English, French, German
Customer Reviews
Based on "Journey's End", it is a weak copy...
Funny that I find myself forced to review this movie, but here I am.
I am reviewing it, because just recently, I have had the chance to witness the revival of R.C. Sheriff's play "Journey's End" on stage in New York, at the Belasco Theatre, starring Hugh Darcy, Boyd Gaines, Jefferson Mays and others, as well as being masterfully directed by David Grindley.
I left the theatre shattered. I am not exaggerating, I was flabbergasted. After almost two and a half hours of a recreated and very claustrophobic depiction of soldier's life in the trenches of the Somme (I speculate), during World War One, brought to life vividly, by everyone involved, I came out of the theatre with the shakes.
Mind you, I am not easily shocked, nor am I too sensitive. I am a stage actor and a director myself, so I know the buttons being pressed to achieve certain effects, both emotionally, as well as psychologically.
But what I had just witnessed, came so much to life, that I had chills in my spine as I left.
None of these emotions came to life, while watching "Aces High", the movie based on this play and even adapted for the screen, in cooperation with R.C. Sheriff himself, shortly before he died.
The screen adaptation takes place in the skies over France. So, gone is the claustrophobic ambiance to start with.
Although the actors playing in this movie are all of majestic calibre, they are just used as a cheap excuse for a weak plot development.
While the play never gets preachy, nor boring, quite the contrary, there isn't one dull moment in it. It flows with a vigour and a rhythm I have seldom witnessed in plays. It is the military, killing pace that holds the play together. Ironic to say, but this is what I could detect from it.
The movie instead, drags its feet at some point, I imagine to emphasize the drama, but the effect shoots backwards, and just becomes self-gratifying and unglamorous at best.
The only plus of the movie, are the aerial battle scenes, which look dated in their special effects, compared to today's standards, but still very valid in the flying tactics adopted on screen.
The players go through their lines as brave and well-raised school boys, but one can tell that they were just completely bored by the project.
Perhaps, if the producers and the director, had chosen to take the play as is, this is to say, in a trench situation and made it into a claustrophobic place, where there is no running away nor escape possible, in other words, having the men involved with each other, because they were "nailed" into a narrow space, the performance would have resulted in a far more interesting one.
I have a sense that the producers didn't trust themselves, in recreating such an environment. Box-office worries?
Granted there had been a couple of screen adaptations of "All Quiet on the Western Front" by Erich Maria Remarque, but that was the "German" vision on things, if one would like to be picky on such things.
"Journey's End" is just the other side of the medal, and would have made it into a great movie, if they had left it alone and intact.
Who knows, maybe one day, someone will finally have the guts to adapt the play for the screen, the way it was intended by the author.
The transfer on DVD is poor, even though in Widescreen and adapted for 16:9 TV screens, the quality of the film itself is that of a movie theatre. Nothing more, nothing less.
It sports various defects, such as minor scratches and dots, although the copy, for the rest, is clean.
It is a weak effort to make it available on DVD. Perhaps the producers didn't have access to a better copy.
If you want another WWI movie in your collection, especially for those who love and enjoy to see aerial battles among old-timers, then this is a picture for you.
But I rather would suggest "Von Richthofen and Brown" as an alternative, although that too, is a movie filled with inaccuracies.
Fore the rest of you, who love good acting and drama, I would leave this one out. Buy the play. Go watch the play, if you have the chance to get a decent revival of it near you, but keep off this would-be adaptation.
It is an anti-war movie, granted, but the weakest I have ever seen in my lifetime ever.
The presence of actors such as Trevor Howard, Ray Milland, Richard Johnson and John Gielgud, is just a bluff, since they are just seen in very weak and very brief cameo roles throughout the movie.
McDowell, the very talented Christopher Plummer, Simon Ward and Peter Firth, all deliver very weak performances, not due to their lack of skills, but rather due to lack of true and solid direction.
There are too many gaps in it, and as said before, it drags itself to the dubious end.
Dubious because in the original play, none of the men we come to know and sympathize with, stay alive. They are all killed in a fatal and futile mission.
In the movie they all die, except Malcolm McDowell, who manages somehow to stay alive another day, being the wing commander of the unlucky bunch, just to receive another three pilots to fly and die for another lost cause.
The end of the play leaves a bare stage in total darkness. You just hear the cannons roar, the machine guns rattle, and grenade impacts throughout the theatre. Then, suddenly, total peace and silence.
The curtain comes up. Lights. And here they all are. Lined up, standing straight and rigid.
Obedient corpses...
Far more interesting and far more shocking than "Aces High" finale, which is also dragged by the hair.
It is up to you to judge.
For me, if I had the money and the contacts to do so, I would take the play and develop it, the way it was meant. Adding here and there some action scene in the field, just to visualize the "outer" horror and slaughter going on in the "vasty fields of France", around the men involved, but then, just strictly concentrating on what is going on, in that tiny "shack" at the edge of sanity and the world...
Want such a movie?
Then ask for it.
This is not it.
World war 1 Airial drama
R C Sheriff's classic play of British soldiers in the trenches of World War 1 has been adapted for the screen and reworked as a drama of the war in the air .In the process something has been lost in transit -namely the claustrophobia inherent in the sense of confinement generated by being stuck in a trench rather than soaring above the conflict at the controls of a plane .An illusory freedom maybe -but a freedom all the same
The action revolves around the 76 Squadron of the Royal Flying Corps ,the precursor to the Royal Air Force the .It is commanded by Gresham (Malcolm Mcdowell).The man many of the poilots look up to is Sinclair(Christopher Plummer).He is older than most of the others ,a paternalistic and compassionate figure who is a form of mentor to the yopunger officers ,especially Crawford(Simon Ward)and Croft (Peter Firth).The movie cuts between the heroism of the airmen -many of whom are little more than boys -to scenes depicting the top brass of the organisation ,as represented by ray Milland,Trevor Howard and Richard Johnson-as they sip vintage wines and dine on haute cuisine at a luxurious chateau many miles removed from the front and its dangers
The movie is well acted and the cast also includes a cameo from John Gielgud as a headmaster and the great man was in his usual fine ,patrician form ,The scenes in the air are very well done and credir should be given to the man who directed them -Derek Cracknell-and they easily eclipse some rather dull scenes of life on the ground .The sub -plot involving Croft's affair with a local girl and his subsequent loss of his virginity are particulary tiresome .
There are too many cliches of character and situation for this to be a wholly successful movie but it is worthwhile watching if only to marvel at how young so many of the combatants in wars usuallly are .For those with an interest in the original play I refer you to the James Whale movie from the early 1930's
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