Product Description

Studio: Tcfhe Release Date: 07/31/2007

Product Details

• Amazon Sales Rank: #16106 in DVD
• Released on: 2004-05-11
• Rating: NR (Not Rated)
• Aspect ratio: 2.35:1
• Formats: Anamorphic, Color, DVD, Widescreen, NTSC
• Original language: English, Spanish
• Subtitled in: English, Spanish
• Number of discs: 1
• Running time: 108 minutes

Amazon.com
The futile yet inspiring stand of 300 Greek soldiers against the hugest army ever assembled in the ancient world inspired this typical example of Hollywood epic movie-making. King Leonidas of Sparta (Richard Egan, Demetrius and the Gladiators), prevented by political squabbling from sending his entire army to defend the narrow pass of Thermopylae, sets out with his personal bodyguard to fight off the ambitious Persian king, Xerxes. Along the way are a pair of young lovers, scantily clad dancing girls, and treachery though a secret mountain path. The 300 Spartans, made in 1961, has an overstated cold war subtext--there's much talk of freedom vs. slavery--and there are a few too many shots of armored men marching through the Greek countryside, but the historical conflict has a fundamentally stirring quality. Also featuring Sir Ralph Richardson (Dr. Zhivago, Dragonslayer) as a wily Athenian politician. --Bret Fetzer

Customer Reviews

Classic, Fairly Accurate
'The 300 Spartans' holds a special significance for me. I first saw this film as a young boy (I'm now 46), and it sparked an interest in ancient history that remains with me to this day. It would be interesting if someone saw fit to remake the film, with modern visual effects enhancements-but I wonder if it would have the same impact as the original.

Much of the movie is very close to the actual events, which took place in 480 B.C. A huge Persian army, led by the Great King Xerxes, had crossed the Hellespont from Asia to conquer the impudent Hellenes. The disparate, quarreling city-states of Greece had banded together to repel the invader, but could not agree on just what strategy to take. It was decided that a force of Spartans and Allied Greeks would undertake a holding action at what was then a narrow pass between the mountains and the sea. It was known as 'Thermopylae', or 'Hot Gates'. The firmly religious Spartans were unable to send their full contingent of soldiers due to a holy festival (they were curiously tardy throughout their history in such situations). However, Spartan King Leonidas' 300-strong personal bodyguard was not subject to this restriction, so he marched with them to the pass. Along the way, he was joined by an estimated 7,000 or so Allied Greeks. This tiny force went to confront a Persian host estimated by modern historians at around 100,000.

The battle itself is the stuff of legend. Superior weaponry, armor, and tactics (the famed Greek Hoplite phalanx), combined with the narrow pass that favored defense, enabled the Greeks to repel several frontal Persian assaults with tremendous loss. It appeared that the Greeks would be able to hold Thermopylae for a considerable time-until a traitor showed the Persians a goat path through the adjoining mountains which they could use to turn the Greek position. Once this was accomplished, the Greeks were doomed. Leonidas sent most of the Allied contingent to safety, and made plans for his last stand. He along with his entire bodyguard and about 1,700 allied Greek troops were slaughtered to the last man. Even though the Battle of Thermopylae was a Greek defeat, it punctured the myth of Persian invincibility, and served as a powerful inspiration in the future defense of Greece. A simultaneous naval engagement at nearby Artemisium produced similar results: the Persian fleet suffered serious loss due to storm damage and effective Greek action.

Eventually, the Greek navy all but destroyed the Persian fleet near the island of Salamis (near Athens). In 479, an Allied Greek army annihilated the last remnants of the vast Persian land host at Plataea (the greater proportion having crossed back to Asia with Xerxes after the loss of their supporting navy at Salamis), forcing the enemy from Europe for good.

The film adheres pretty closely to this narrative-with some 'Hollywood'. The love story is pure fiction (surprised?); there is some evidence that a Greek contingent may have attacked the Persian camp (possibly an attempt at killing Xerxes, thus circumventing the whole Persian expedition). The Greek army was larger than portrayed in the film-but I'm sure this was due to budgetary constraints. Mardonius, Hydarnes, and the Immortals-10,000 strong-really did exist (Mardonius commanded the Persian forces at the battle of Plataea, and was killed there). Themistocles (played in the film by Ralph Richardson) was the driving force behind the creation of the Athenian navy-and commanded the Greek fleet in the crucial action at Salamis. Unfortunately, the major role he played in the victory over Persia is largely absent in this film.

The actual Sparta was a far cry from the liberal land portrayed in the film; weak or sickly Spartan children were thrown from a cliff at birth, or left to die from exposure. Sparta was a harsh oligarchy, a military society where males were trained to be soldiers from birth. The entire population of Messenia, a nearby city-state, was enslaved so the Spartans could devote their all to military training. Sparta greatly feared a revolt of these 'helots', and many historians quote this as a main reason the whole of the Spartan army was reluctant to leave the homeland when their assistance was requested.

In spite of these inaccuracies, this is indeed a great film to watch-and no one can dispute just what the stand of Leonidas and his 300 mean to democracy in the modern world. See it-you won't be disappointed.

Go Stranger and tell the Spartans: faithful, here we fell
The narrow pass of Thermopalyae is long gone, with centuries of sendiment building a large plain. The location of the statue of King Leonidas of Sparta set up along the highway does provide a sense of how narrow the geography was in 480 B.C. when a small force of Spartans and other Greek warriors held up the advance of King Xerxes and his Persian army (the parallels to the Alamo are palatable). When I visited Greece last week I was glad we were able to stop at the monument for a few minutes, not so much because of what I had read in the history books about the Battle of Thermopalyae but because of the 1962 film "The 300 Spartans."

Granted the acting in this film from director Rudolph Maté is wooden, on a par with the Trojan Horse and the ships that turned out to the wooden walls of Athens that defeated Xerxes at Salamis. But there is still something substantial to the battle sequences, as when Xerxes sends his Immortals against the Spartans and when the Spartans make a final valiant charge to kill the Persian monarch. The basic political history of the times is covered in the film; Greece was debating whether or not to send soldiers that far north to stop the invaders and the Spartans decided not to send troops until a religious festival was over. Consequently, King Leonidas (Richard Eagan) left with his personal bodyguard of 300 soldiers. There is a trivial romantic subplot involving a young Spartan soldier and the girl he tried to leave behind, as well as an exiled Spartan King, Demaratus (Ivan Triesault) who tries to educate Xerxes (David Farrar) about the worth of these 300 soldiers. In the end, the Spartans are betrayed by a Greek traitor who tells the Persians of a pass through the mountains where they can attack from the rear. Leonidas learns of the treachery in time to evacuate the rest of the Greek army, but the Spartans will never retreat.

This was one of the last films directed by Maté, a respected cinematographer ("Pride of the Yankees," "Lady From Shanghai") who directed movies as different as "D.O.A." and "When Worlds Collide." The battle sequences are the best part of "The 300 Spartans," making excellent cinematic use of the contrast between the Spartans in their gold armor and red cloaks versus the black draped Persians with their wicker armor. Eagan does not do much with the role of Leonidas, but he certainly gives the character the requisite sense of honor and nobility. But perhaps the most memorable part of this film, which is one of the most cherished from my youth, is the marching music of the Spartans written by Manos Hadjidakis. Clearly I am not alone in that regard. "The 300 Spartans" is not a great film, but it has its moments and the tale is worth the telling. Recently Frank Miller ("Batman: The Dark Night") did his own graphic novel version of this story, which may well inspire Hollywood to remake this film. It is certainly a tale worth telling again.

300 Spartans revisited
I first saw this film when I was 12 or 13. At that age I thought it was an action movie and I took it solely for that - it was good with large battle scenes, sword clanging against shield, etc. However, it is a little deeper than that. The film tells the story of King Leonidas of Sparta who took a small cohort of Spartan soldiers to stand at Thermopylae against a huge Persian army. Most of the rest of the Greek city-states declined to send troops because the pass was so far from their territory. Leonidas realized that the pass was the best place to meet the Persians as the narrow space would allow a small force to block a tremendously larger force. The Spartans marched hard to get to the pass before the Persians and then fought like demons when the Persians arrived - actually driving them back and temporarily routing them with some well-planned tactics and ferocious sword play. After several days their position is betrayed and their meager allies killed or put to flight. The Spartans are then surrounded. Their sacred customs do not permit surrender or retreat so they make a suicidal charge at the Persian king. Leonidas falls and the Persians then massacre the remaining Spartans who refuse to give up his body.
Richard Egan is suitably noble and brave as Leonidas. It is obvious that he fears nothing as he wades into battle with spear,sword and shield. One comment is that Leonidas is like his name - that is, like a lion, and he is. The supporting cast is also quite good, including Sir Ralph Richardson as Themistocles (a crafty Athenian politician and statesman) and Diane Baker in an early role. The film is in technicolor or some similar process so the color of the Spartan's cloaks is a brilliant red and there are a lot of other bright colors, perhaps a little bit much considering the gore. What is perhaps most impressive and memorable is the music playing in the background as the Spartans march - it is haunting. As Leonidas says - no army in the world marches faster. The Spartans march for several days with almost no rest and the music slows to mirror their exhaustion - the men look haggard, dirty and unshaven - yet they continue to march. These marching scenes may be the best in the film showing the desperate race to reach Thermopylae before the Persians. At the end of the film there is a flashback to the Spartans marching with the music in the background. A narrator explains that the Greeks went on to defeat the Persians in large part because the Spartans delayed them long enough for an organized defense to be planned - also, perhaps because all of Greece was awed by the remarkable courage and nobility of a small band who sacrifice their lives for their country.
The film has definite defects and the end result could have been better. However, it is still quite good and I find that I like it even better now. While the film takes a few liberties with history, the basic story line is accurate - small group of Spartans under Leonidas hold off huge Persian army at Thermopylae and go down fighting. I have seen the film rated as only one star - I don't know who did this rating but it is off the mark badly - it is easily rates four stars and just missed five.