Product Description

All aboard for a spinning marriage-go-round! Cary Grant, the screen's ideal combination of romantic hunk and comedy buffoon, plays flabbergasted Nick. Radiant Irene Dunne, Grant's The Awful Truth and Penny Serenade co-star, plays the returned wife who cagily sets out to reclaim her former life. And Randolph Scott and Gail Patrick add to the marital mixup as Nick goes from having one wife to two to none to one. The right one. What romantic comedy has joined together let no one put asunder. Of all the giddy screwball comedies ever made, this remains an enduring favorite.

Product Details

• Amazon Sales Rank: #577 in DVD
• Brand: Warner Brothers
• Released on: 2004-06-01
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Closed-captioned, Black & White, DVD, Subtitled, NTSC
• Original language: English
• Subtitled in: English, Spanish, French
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 88 minutes

Amazon.com
That delightful couple from The Awful Truth, Cary Grant and Irene Dunne, revisit the world of marital confusion. Presuming his wife to be dead, Grant remarries--on the same day that his bedraggled spouse (that's Dunne) returns. Seems she's been stranded on a desert island for seven years (with strapping hunk Randolph Scott, too). The moment Cary spots his resurrected wife, as an elevator door slides shut, is one of the many funny gags in this comedy, and the final sequence is memorably wacky. Awful Truth director Leo McCarey prepared the film, but it was directed by author Garson Kanin. The two stars are so adept at farce, and so effortless in conveying their characters' mutual affection, that the movie triumphs over the whopper of a plot device. It was supposed to be remade as the ill-fated Marilyn Monroe film Something's Got to Give, and ended up Move Over, Darling with Doris Day. --Robert Horton

Customer Reviews

Funny Farce...
This one has been a fave of mine since I was a kid and I had been anxiously waiting it to be released on DVD, and in black & white (no "coloring", thanks).

Although it is not the masterpiece that "The Awful Truth" is (starring both Grant & Dunne too), it's anyway an engaging, tongue-in-cheek, romantic comedy, thanks to Cary Grant's and Irene Dunne's wonderful chemistry (They also were good at drama, check the great "Penny Serenade").

Dunne plays the long lost (7 years) wife of Cary Grant, who after years of searching her in the realms of Asiatic continent & islands, has decided to re-marry...to give his two a children a brand-new mother.

I have to state that the quality of the transfer is much better than the Columbia DVD (of extremely "uneven-quality") edition of "The Awful Truth", and you know that Columbia-Sony Editions are more expensive than these Warner editions; and above all, lately the Columbia-Sony Classic releases don't bring bonuses, beside from trailers. Warner releases do come with some delightful bonuses; in this case a Robert Benchkey short & The 1950 Radio Production of the film.

Fine support from Gail Patrick, who specialized in playing "unpleasant" women or plain "bitchy" types, and Randolph Scott, who displays his full athletic prowess & charm in this movie (Grant & Scott were pals in real life).

A Leo McCarey production directed by gifted Garson Kanin.

Remade as "Move Over Darling" (1963) with Doris Day and James Garner, and previously it was intended to be a Marilyn Monroe vehicle: "Something's Gotta Give" (1962) (a unfinished film... really, a barely "begun" film), with her in Dunne's role, Dean Martin in Grant's role and Cyd Charisse in Gail Patrick's...what could have been of that?

Amusing Farce.
Here is another fun DVD for fans of classic romantic comedies. I found it to be consistently amusing, although it is not in the same class as "Bringing Up Baby" or "The Philadelphia Story".

After seven years of grieving over the apparent loss of his wife in a shipwreck, Nick ( Cary Grant ) marries another woman, Bianca, ( Gail Patrick ), only to discover on his honeymoon that wife # 1--Ellen ( Irene Dunne ) is back, very much alive and kicking. Naturally, Ellen wants to pick up where she left off with her husband, as well as a young son and daughter. Nick is "dazed and confused"--as only Cary Grant can be--and makes the situation much worse through his reluctance to break the news to Bianca. At the same time, Nick discovers that his "first wife" spent the better part of the seven years on an island, alone with another man--a hunky, athletic guy named Burkett ( Randolph Scott ). How will this hilarious mess turn out ? Get the disc and see.

We have another superb comedic perfomance from Cary Grant. Irene Dunne is fine as Ellen, "returned from the dead" and determined, by any means, to win her husband back. Gail Patrick's performance is a nice contrast to her sudden "competition"--icy, haughty and seriously "not amused" !
Randolph Scott--usually quite stoic in his many westerns--seems to be having a ball here. In support, special kudos to scene-stealing Donald MacBride as the hotel clerk, who has to book separate suites for each of Cary's "women"--his incredulous face is priceless.

The DVD is black and white, and shows a fair bit of wear in places--not enough to spoil your fun though. Keep in mind, the film was made in 1940. The disc also includes a trailer for the film, a radio program with Ms. Dunne, and a funny short film starring humourist Robert Benchley on the perils of showing "Home Movies" to your "lucky" friends ! On the whole, a very nice package.

Bottom line--a witty script and a solid cast will give you a very pleasant hour and a half's entertainment. Good fun for fans of old-fashioned comedy.

"I bet you say that to all your wives."
Some may be surprised at my reviewing a film like this, as the movies I usually review tend to fall into the science fiction and horror genres, but I do enjoy all kinds of films, especially romantic comedies from Hollywood's golden age. There's something about films from 30's and 40's that I don't often see in movies today, and I would define it as class. Characters in these old films often exuded a suave, sophisticated demeanor you rarely see in contemporary releases...maybe it had something to do with the now defunct studio system in those days, one that always tried to promote it's contract actors in the best possible light, cultivating and protecting them like the valuable commodities they were, elevating their status to a level usually reserved for royalty. Nowadays, every wart, blemish, and pimple, metaphorically speaking, is exposed (remember not so long ago when Hugh Grant got caught in that tryst with that rather seedy street walker? Fifty years ago the general public would have never heard about it), revealing the stars of today are a lot like us, except for the fame and fortune...but I digress...My Favorite Wife (1940), directed by Garson Kanin (They Knew What They Wanted), reunites the stars of the earlier film, The Awful Truth (1937), Cary Grant (Arsenic and Old Lace, Notorious), and Irene Dunne (Show Boat). Also appearing is Randolph Scott (Rebecca of Sunnybrook Farm), Gail Patrick (My Man Godfrey), and character actors Donald MacBride (The Thin Man Goes Home) and Granville Bates (Of Mice and Men).

The film opens with Nick Arden (Grant) appearing in court, attempting to have his wife, Ellen (Dunne) who's been missing for the past seven years, declared legally dead, so that he may remarry. Seems Ellen signed on an expedition as a photographer, and the ship she was traveling on was lost at sea. Well, the very day Nick convinces the court to declare her dead and marries his new wife (Patrick), a very alive Ellen reappears determined to regain her old life back (she was stranded on a island, but was able to flag down an errant ship) and Nick now must face the fact that he's an unintentional bigamist. It's obvious Nick's still in love with Ellen, but just can't seem to muster the nerve to tell his new bride that his old wife has come back. And then there's also a bit of an obstacle in that of the very handsome Stephen Burkett (Scott), also a member of the ill-fated expedition, and the man Ellen shared her island with the past seven years, and, as you may have already guessed, has the hots for Ellen...oh dear, what a mess...

Let's face it, you really can't go wrong with a Cary Grant comedy, and My Favorite Wife is no exception. The main brunt of the comedy comes from Grant's character's unease at breaking the news to his bride (she seems the high maintenance type, the kind men would normally acquiesce to rather than deal with the inevitable confrontation) about the return of his once thought deceased wife, with whom he's still deeply in love with...Grant plays the role of the seemingly normal man, who knows what he wants, but just not how to go about getting it, thrust into a downward spiral of confusion and comedic perplexity trying to adjust to an outlandishly complex situation that only gets worse as he attempts to pull himself out. The very attractive Dunne also plays her role very well as the genial, confident woman determined to pick up where she left off, believing in her heart the complexities of the situation will resolve themselves in her favor, but feeling the growing uncertainty that her husband will find the resolve to do what she knows he feels in his heart to be right. The scene where she finally brings herself to reveal her identity to her young children (she was gone for seven years, so they were too young to remember her) is very sweet, but deftly avoids the schmaltz one would see in a lesser film. These two, talented actors really work well together, giving the impression of a perfect pairing whether on or off the screen, and showing a level of familiarity that obviously comes from prior, on screen couplings. Other performances worth mentioning are that of Donald MacBride as the somewhat accommodating but soon morally flustered hotel clerk (Ellen shows up just prior to Nick and his new bride checking in for their honeymoon), and curmudgeonly Granville Bates as the flummoxed judge trying to sort the whole mess out. I guess the only problem I have with the film, an issued shared by at least a few other people, is it just feels a bit light. The actors flesh their characters out as much as the screenplay allows, and do it well, but the underlying material seemed a bit skimpy. A perfect example is Randolph Scott's character...he seemed more of just a hollow plot device rather than an integral part of the story, and his impact is felt so little that when not on screen, he's pretty much forgotten. I can't help but wonder how audiences received the material within the film, specifically the whole `bigamy' angle, if there was some level of concern from a moral standpoint. I thought the story handled it in an unlikely manner, but certainly possible one.

The black and white, full screen, original aspect ratio picture (1.37:1) looks really sharp, despite a few, very minor flaws. The audio is also very clear, and comes through well. Provided are some interesting special features including a Screen Director's Playhouse radio production featuring Grant and Dunne, a theatrical trailer for the film, and an entertaining comic short titled Home Movies featuring popular (at the time, at least) journalist/humorist/comedian Robert Benchley. All in all, I wouldn't necessarily consider this to be one of Grant's best films, but it's still pretty darn good and definitely worth seeing.

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