Product Description

From acclaimed director Claude Chabrol (La Cérémonie, Merci Pour Le Chocolat) comes the compelling true story of working-class housewife Marie (Isabelle Huppert- The Piano Player, 8 Women), who performs illegal abortions in France during World War II, evading the Nazis, and betraying those she loves. Brought to life by Chabrol on actual locations, The Story of Women is an honest, original, and utterly absorbing film, which won Isabelle Huppert Best Actress at the Venice Film Festival.

Product Details

• Amazon Sales Rank: #83829 in DVD
• Brand: Image Entertainment
• Released on: 2004-07-27
• Rating: Unrated
• Aspect ratio: 1.66:1
• Formats: Anamorphic, Color, DVD, Subtitled, NTSC
• Original language: French
• Subtitled in: English
• Number of discs: 1
• Running time: 108 minutes

Amazon.com
Marie Latour (Isabelle Huppert) wants to be a singer, but she is a woman struggling against poverty in war-torn France, with two children to feed and a husband away fighting. When a neighbor becomes pregnant, Marie performs an abortion and is rewarded for her services with a Victrola. It's a small step from the Victrola to an income, and Marie finds that she likes to live comfortably and feed her children well. Her husband Paul (Francois Cluzet) returns and attempts to coerce her into being the type of wife he imagines he wants, but Marie insists on running things her way, and her husband is relegated to the role he imagined for her. She finds contentment in her power (merely the power to be herself and pursue her desires), but things are terribly out of balance in the world she was born into and eventually revenge is exacted. Claude Chabrol (Madame Bovary) has created a remarkably complex and poignant film about a very complex subject: the true story of the last woman to be executed in France by guillotine. An important film to see. --James McGrath

Customer Reviews

Goes to places that Vera Drake leaves untouched
Claude Chabrol's Une Affaire de Femmes/Story of Women, based on a real-life miscarriage of justice, is a surprisingly even-handed film that steps aside from cheap emotionalism to present the good, the bad and the ugly sides of its abortionist protagonist without resorting to easy judgements a la Mike Leigh and Vera Drake. It's not a cry for or against abortion, merely offering the facts to the viewer to make up their own mind. Huppert's character is amoral in the purest sense of the word: she's not a crusader but a capitalist, doing favors and letting out her spare room to whores not out of principles but because she can make a good living out of it. More than that, she enjoys the role reversal and power it gives her as she becomes the breadwinner, keeping her husband (Francois Cluzet excellent in what could have been a nothing role) out of the way and out of her bed while she openly pursues other men. Only once does she stop to consider the moral consequences, but the moment quickly passes and it's back to business as usual. One side-effect of this is that the film never moves you, rather it engages you, but it manages to do so on many different levels.

It's not really a film about abortion but about sexual inequality and the corrupt patriarchical 'morality' of the Vichy government and the way they visited their own sins upon the population in the name of redeeming the nation's surrender through eliminating 'moral weakness.' But in this case it manages to deal with multiple themes and a more convincing look at human nature - Marie is no idealised heroine, but that still doesn't justify her fate. The fact that Chabrol is surprisingly even handed and refuses to take moral sides only strengthens the film - this is a filmmaker on top of his game and with enough confidence in the material not to feel the need to make special pleading. There are weaknesses to the film, but they pale compared to its strengths, not least his unfussy and visually economic portrait of an occupied nation in denial of both its defeat and its own hypocrisy and weakness. As the film makes chillingly clear, the defeat gave the French the perfect opportunity to take revenge upon themselves.

The Region 1 NTSC DVD includes a good selection of extras - scene-specific commentary by interviews with producer Marin Karmitz and Francis Szpiner and the original French theatrical trailer.

Abortion in Nazi-occupied France
Claude Chabrol's stark and unsentimental masterpiece about the last woman to be executed in France--she was guillotined for performing abortions in Nazi-occupied France during World War II--forces us to see a side of war not often depicted. What does a woman with two little children do when her country is occupied by the brute forces of the enemy? How is she to find enough to eat, to buy the increasingly scarce and costly necessities of life? How is she to find joy in life? Women often turn to prostitution during such times, but Maire Latout does not. Instead she aborts the foetuses of the prostitutes and of other women impregnated, often by the Nazis. In a sense this is her "resistence." However she prospers and takes up with a Nazi collaborator. In the process she reduces her husband to frustration and humiliation.

Isabelle Huppert as Marie Latout is mesmerizing in a role that allows her talent full latitude. She is clear-headed and sly as a business woman, warm and ordinary as a mother, cold and brutal as a wife, childish and careless as an adulteress, resourceful and fearless as an abortionist, and unrepentant as she awaits the executioner (foreshadowed, by the way, by her son, who wants to be an executioner when he grows up). Francois Cluzet plays her husband Paul, and he is also very good, especially at rousing our pity. Chabrol makes it clear that both Marie and Paul are victims, not only of war, but of their divergent natures. Paul wants the love of Marie, but she wants only a man that represents success and power, a man who is clean-shaven, not the menial worker that he is. Marie Trintignant is interesting and convincing as a prostitute who becomes Marie Latout's friend and business associate.

While abortion is indeed "Une affaire de femmes" this film is about much more than that. No doubt the title is there to emphasize Charbrol's point that men really do not (did not then, and do not now) really understand abortion and why it is sometimes a horrible and abject necessity. When Marie is taken to Paris for a show trial she exclaims to a woman in jail with her, referring to the court that will pass judgment on her, "It's all men...how could men understand?" We can see that men really can't, and that precisely is what this movie is all about: showing us just how horrible pregnancy can be under the circumstances of enemy occupation.

A secondary story here, not quite a subplot, is Paul's story. What does a man do when he and his children are dependent on a woman who doesn't love him, a woman who rejects him and even goes so far as to arrange for the cleaning woman to sleep with him? It is not only Marie who humiliates him, but it is the defeat of his country, the easy surrender to the Nazis that has so reduced him. This is made clear in a scene late in the film between two lawyers who voice their shame as Frenchmen in a time of defeat.

What Paul does is not pretty (and I won't reveal it here), but so great is the provocation that one understands his behavior and can forgive him.

Disturbing
I wasn't sure what "Story of Women" was going to be about. It interested me to know that it takes place in occupied France during WWII. A woman whose husband has been absent due to service for a period of time finds herself struggling to care for her two kids. Her struggle is presented subtlely and impressively. Once that stage is set, she helps a girl friend abort her pregancy and gets something of value in return. For a life in which there are no luxuries, she suddenly finds herself with a very nice gift for her help. This leads to more opportunities in her new found "trade" and a better lifestyle. In the midst of all this hubby shows up. The relationship between her and her spouse was the aspect of the film that dug the deepest. We are left to guess at their relationship before their absence and reunion. It must not have been much. The absence of love or even concern for each other further established the state of mind of this woman. She has our sympathy even though everything she does challenges our sense of morals (at least for many I assume it would). This works well as the movie nears its' climax. In the end we sense her as I presume the director would want us to; a victim of everyone including herself. That is what I took from "Story of Women". I was left pondering what to make of this person after seeing her through so many different shades of gray. The director, Claude Chabrol, deserves a lot of credit for walking a tightrope of judgement in which he balances back and forth between good and evil, victim and perpetrator. Indeed, our "heroine" is like just about everyone in the film; imperfect. The empathy that emerges from "Story of Women" is not an empathy or anger or injustice; it's an empathy of sadness and disappointment. In seeing how others go wrong, there is instruction on how the rest of us can steer in a different direction. That is the main reason I would recommend this movie to others.