Product Description

A dramatization of the hamburg germany phase of the beatles early history. Studio: Uni Dist Corp. (mca) Release Date: 01/25/2005 Starring: Sheryl Lee Chris Oneill Run time: 101 minutes Rating: R Director: Iain Softley

Product Details

• Amazon Sales Rank: #26958 in DVD
• Brand: DUPREY,MARCELLE
• Released on: 2005-01-25
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Special Edition, Subtitled, Widescreen, Digital Video Transfer, Surround Sound, Restored, NTSC
• Original language: English, French, German
• Subtitled in: English, French, Spanish
• Dubbed in: French
• Number of discs: 1
• Running time: 100 minutes

Amazon.com
Ian Hart's second performance as John Lennon (the first was the little-seen The Hours and Times) commands attention in this marvelous musical bio of the Beatles in Hamburg directly before their stardom. The focus is on the "5th Beatle," Stuart Sutcliffe (Stephen Dorff), a bluesy bass guitar player who finds Germany has more interesting things (art and a woman) than music. The woman, Astrid (Sheryl Lee), chronicles the early years of the Beatles, and she falls in love with Stuart, a move that would influence many aspects of the Fab Four. Nearly overpowering the film is Hart in a great, energized performance of an artist on fire. The music was adapted for the movie, rediscovering the raw sound and ballistic energy in the back street clubs. These scenes of rock and genius intermixed with a nervy lead singer evoke similarities to Kurt Cobain and Nirvana. Directed by Iain Softley. --Doug Thomas

From The New Yorker
Iain Softley's movie tells the story of Stuart Sutcliffe (Stephen Dorff), who was John Lennon's best friend at the Liverpool College of Art and, for a short time, the bass player of the Beatles. The picture doesn't quite succeed in turning this obscure sideman into a pop-culture myth in his own right. In the period that the screenplay covers-roughly, from August, 1960, when the group played its first night-club gig in Hamburg, to April, 1962, when Sutcliffe dies of a brain hemorrhage-the Beatles were unambiguously John Lennon's band. And, despite all Softley's efforts to deflect our attention to the tragic ironies of Stuart's brief career, Lennon (Ian Hart) dominates the movie, too. When the picture concentrates on Lennon's edgy wit and on the fierce, joyful music that his band is making, it's terriffc. But when it focusses on its nominal hero and his love affair with a worldly German bohemian (played by Sheryl Lee) it seems very ordinary. The script is by Softley, Michael Thomas, and Stephen Ward. The Beatles' music is re-created by a wonderful group of alternative-rock all-stars assembled by Don Was, including Thurston Moore, Mike Mills, Dave Grohl, and Greg Dulli. -Terrence Rafferty
Copyright © 2006 The New Yorker

Customer Reviews

Fab, mostly
Universal released the title in summer 2003 and returns with a "collector's edition" at the same price. The main upgrades are Dolby 5.1 audio and an audio interview with Astrid Kirchherr, the German photographer who took the Beatles' first publicity shots. The anamorphic widescreen images (1.85:1) seem about the same as on the 2003 disc, good but sometimes grainy. Other extras, duped from the old DVD, include a director's commentary, a pair of deleted scenes and various interviews that tend to repeat material. Packaging is a lot classier than on the old DVD.

"Backbeat" takes the time to let its bogus Beatles perform entire numbers, mostly soul covers. The real music came from a "grunge" supergroup put together for the film by producer Don Was. The new 5.1 audio sounds sensational, with a vibrant and musical surround stage.

Director Iain Softley ("K-PAX") tells how he spent six years researching and writing the project, inspired by stylish photos he saw of Kirchherr and her lover Stu Sutcliffe, the Beatles' first bass player. The "Backbeat" script was based on her recollections; it focuses on the couple and jealous guy John Lennon.

This might not be a Beatles film, but there's an undeniable thrill when, late in the story, the Paul McCartney character switches to his trademark German bass and the fabled front three wails on "Please Mr. Postman." The film's downer ending gets drowned out by the joys of "Twist and Shout" and the promise of Beatlemania.

A raw look at the "fab 5"
Before The Beatles changed the world of music, they were a scruffy rock 'n' roll five piece. Lennon and McCartney were already writing music together but Lennon spent much of his time hanging with fellow artist Stu Sutcliffe. Lennon talked his pal into spending the money from the sale of a painting into buying a bass guitar and suddenly "The Silver Beatles" had a new bassist--albeit one that couldn't play any instrument but that soon changed.

This terrific film chronicles the early days of the band in Hamburg before they broke it big and the strong friendship of Lennon and Sutcliffe. Ian Hart virtually steals the film from Stephen Dorf (who's also quite good)capturing Lennon's swagger and sarcastic wit in full stride. Directly Ian Softley focuses more on the duo of Lennon and Sutcliffe than the rest of the band chronicling their friendship. Sutcliffe never lived to see Lennon and the rest of the band achieve their dreams of going to the top and conquer the world. It's a fascinating glimpse into the past and it's clear that Softley did quite a bit of research to make this marvelous film. Hart had played Lennon once before in "The House and Times" a film that portrayed a supposed homosexual fling between Lennon and the band's manager Brian Epstein.

Most of the performances capture the essence of the The Beatles even if they don't always look exactly like the people their playing. The duo Hart and Gary Bakewell at least resemble Lennon and McCartney. While Softley claims he was trying to capture the raw sound of the band in the beginning (which I'm sure he does), my only complaint is that the singers don't sound all that much like Lennon or McCartney. Still, the supporting musicians drawn from members of REM, Afgan Wigs, Nirvana and other groups do create quite a sound.

The big difference between this and the bare bones release of a couple of years ago are all the extras: We get Ian Softley's "Sundance Channel Interview"; an interview of Softley and Hart discussing the making of the film; an audio interview with Astrid Kirchherr (with old photos of her, Stu and others along with footage from the film to illustrate what she's saying); two deleted scenes; footage of "the band" of actors rehearshing; audition video shot for the movie; behind-the-scenes photos and an audio commentary from the director. Univeral has done an exceptional job in remastering the video and audio.

It's a terrific package. I'm glad that this drama has finally made it to DVD in such a deluxe presentation. Take a trip into the past and rediscover what made The Beatles so special to begin with in "Backbeat".

SIMPLY A GREAT MOVIE
I got a kick out of the current "Spotlight" review of this DVD, the one referring to a portrayal of an unrequited "homosexual" love affair between Stuart Sutcliffe and John Lennon. People see what they want to see, I guess, but I didn't see that at all in this wonderful movie. Sure, the John Lennon and Stuart Sutcliffe characters experience a deep felt "love" for each other, but love in a non-sexual sense. A man can feel intense love for another man (or a woman for another woman, a mother and daughter for instance)and it doesn't have to be (nor is it usually) sexual. Maybe it takes a quite a few years to realize it, but sexual love is really the weakest kind of love out there. Sexual love often boils down to nothing more than lust, and the friendship between John Lennon and Stuart Sutcliffe that is portrayed in BACKBEAT is in a world apart from than that.

As most everyone has said, the movie is a absolute delight. The performances are all strong and the cinematography just right. It's one of those films you can watch over and over again, and see something different each time. Most highly recommended, especially to fans of early Beatle music.