Product Description

"Eloquent, sensitive, poignant" (The New York Times), this romantic and heartbreaking film has an "absorbing power" (Los Angeles Times). Legendary OscarÂ(r) winner* Ingrid Bergman (Casablanca), in her first English-speaking role, and Leslie Howard (Gone With the Wind) star in this "well-acted, expertly written" (Motion Picture Herald) tale that proves that music is indeed the food of love. Renowned violinist Holger Brandt (Howard) is delighted to be back with his family after a long tour. But when he meets his daughter's piano teacher, Anita (Bergman), and hears her play, he is captivated. Despite the devastating toll on his family, Holger and Anita begin a musical partnership that quickly becomes a passionate romance. But are they meant to live in harmony forever or is this merely an intermezzo? *1956: Actress, Anastasia, 1944: Actress, Gaslight; 1974: Supporting Actress, Murder on the Orient Express

Product Details

• Amazon Sales Rank: #20591 in DVD
• Brand: TWENTIETH CENTURY FOX HOME ENT
• Released on: 2004-10-19
• Rating: NR (Not Rated)
• Aspect ratio: 1.33:1
• Formats: Black & White, Closed-captioned, DVD, Full Screen, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish, French
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 70 minutes

Amazon.com
Ingrid Bergman made her radiant Hollywood debut in this David O. Selznick-produced remake of a 1936 Swedish film, in which she played the same role, a gifted piano teacher. Leslie Howard costars as the brilliant violinist whose world tours often take him from the flow of life within his own family. Married to a fine woman (Edna Best) and blessed with two wonderful children, Howard's character only begins to realize that so much is passing by him when he falls for his concert pianist (Bergman). During a Riviera holiday, the two illicit lovers bask in passion while privately agonizing over the collapse of their separate destinies. Can two people find happiness built on the unhappiness of others? That's the question asked by the sage friend (Cecil Kellaway) whom they both share. In the same year Selznick cast Howard in Gone with the Wind, the sophisticated actor did a fine, sympathetic job penetrating the lost and tormented heart of his character in Intermezzo. But it is Bergman--the very picture of spring and a magnificent avatar of the perpetual conflict between mind and heart--who ultimately gives this film its soul. The Selznick machine, with its top-drawer production values and the dreamy gloss of its human stories, makes this film a more poignant experience than the average weepie. --Tom Keogh

Customer Reviews

A Soap Well Done
Ingrid Bergman and Leslie Howard have made their careers playing exactly the kind of star-crossed lovers who find each other as in INTERMEZZO. Howard had just finished filming GONE WITH THE WIND when director Gregory Ratoff tapped him to play Holger Brandt, a concert violinist who seems to have it all: a loving wife (well played by Edna Best), two happy children, and a successful career touring the opera circuit. Yet, behind the surface happiness, Holger sends out subtle signals that all is not well both in his life and in his marriage. His touring takes him away from home for long stretches. His wife and daughter miss him, and his growing absences begin to nettle all concerned. He seems to be a man ready for a too-soon mid life crisis. Enter Anita (Ingrid Bergman) as a piano teacher for his daughter. Anita is far more than just a child's tutor; she is a gifted concert pianist in her own right. It does not take long for sparks to fly between them, as each soon has to face the unavoidable question that all adulterers cannot avoid: how can they build happiness on the unhappiness of others?

Ingrid Bergman had earlier played the same role in a Swedish version of the same film with an identical title. Since she did not know English, she had to learn her lines with the help of language tutors who wisely decided to leave untouched her lilting Swedish accent that had since become her trademark. Both Bergman and Howard bounce off each other in all the right ways and at just the right moments as their characters are basically deeply sensitive to the realization that their new-found love must collide painfully with the near-extinguished love of Howard and Best. Miss Best, who as Holger's infinitely understanding wife, is not pushed into the background by her far better known actor leads. In fact, she steals more than a few scenes with an acting style that emits a wealth of emotion with the merest of glances. Early in the affair between Holger and Anita, Mrs. Brandt sees Anita casually fondling Holger's violin case, and her stifled gasp tells the audience all it needs to know that she knows of the affair but chooses to give Holger a chance to sort out his feelings. INTERMEZZO is the rarest of soaps. You learn to care for the characters even as they tread down a path that a legion of other less able films headed. Good acting will usually do that.

The Days of Innocent Ingrid
This movie is a perfect example of Ingrid in her pre-hollywood innocent days. I love her Swedish movies because she's always the innocent little girl that everyone loves. She is a young piano podigy who supports herself by teaching piano lessons. She falls in love with her student's father who is a famous violin player. She runs away with him, but being sweet, moral Ingrid, leaves because she can't have an affair with a married man. She actually plays the piano in this movie, and quite beautifully. I've seen the English version as well and I prefer the Swedish one. A must-see for any Bergman fan.

POIGNANT, BITTERSWEET AND UTTERLY CHARMING
Intermezzo is the brilliant American adaptation of the Swedish film by the same name. Enamored by her on screen presence in that film, producer David O. Selznick imported Ingrid Bergman to Hollywood; a rare an ever-lasting find that audiences the world over should be eternally grateful for. As in the Swedish version, Bergman plays Anita Hoffman, a gifted piano teacher who comes in contact with violin virtuoso, Holger Brandt (Leslie Howard). Though Selznick wanted Howard in the film, Howard only agreed after Selznick acquiesced to giving him co-producer screen credit for his efforts. Brandt's world tours keep in away from his committed wife, Margit (Edna Best) and children. The realization that his own life is passing him by is spurred on when Brandt discovers that he is falling in love with Anita. A bittersweet Riviera tryst reforms the illicit lovers to their separate destinies. Selznick's impenetrable commitment to top of the line production values and his way of concocting dreamy gloss from human stories, make "Intermezzo" a viscerally moving poignant experience. Bring Kleenex.

MGM's DVD is rather impressive. The B&W picture exhibits a very nicely balanced gray scale with smooth, solid blacks and very clean whites. Age related artifacts are present throughout but do not distract. Some minor edge enhancement crops up but pixelization is kept to a minimum. Overall the picture will surely not disappoint. The audio is mono but more than adequate for a film of this vintage. There are no extras.