Track Listing

Disc 1:

1. Mojo Pin
2. Grace
3. Last Goodbye
4. Lilac Wine
5. So Real
6. Hallelujah
7. Lover, You Should've Come Over
8. Corpus Christi Carol
9. Eternal Life
10. Dream Brother

Disc 2:

1. Forget Her
2. Lost Highway
3. Alligator Wine
4. Mama, You Been On My Mind
5. Parchman Farm Blues/ Preachin' Blues
6. The Other Woman
7. Kanga-Roo
8. I Want Someone Badly
9. Eternal Life- Road Version
10. Kick Out The Jams- Live
11. Dream Brother- Nag Champa Mix

Disc 3:

1. Grace- Live
2. Last Goodbye- Live
3. So Real- Live
4. Eternal Life- Live
5. Forget Her- Live

Product Details

• Amazon Sales Rank: #2746 in Music
• Brand: Sony
• Released on: 2004-08-24
• Number of discs: 3
• Formats: Extra tracks, Original recording remastered, Special Edition
• Dimensions: .45 pounds

Amazon.com
Here's what they say about Jeff Buckley: "He died too young." Here's why they say it: Grace is simply one of the most amazing things you can do with your ears and a little digitally-encoded disc. He inherited the voice of his father, the legendary Tim Buckley--seven octaves, each of them only just enough to cram his big feverish dreams into--but his music was all his own. Think Van Morrison's Astral Weeks on drugs--but then drugs could give some kind of comfort, and there's no comfort in Grace; just constant flux between crippling despair and an almost violent joy. When "Last Goodbye" unfolds its third different bridge of Bollywood strings and Buckley's ecstatic scatting, it's hard to believe an ordinary human could have had a hand in something so extraordinary. Ten years on from its original release, this repackaged "Legacy Edition" 3-disc CD and DVD set really does his legend proud. --Caitlin Moran

Customer Reviews

Definitely Worth Getting for Original Grace Owners, But...
One Small Problem...

The first time I popped in the Legacy Version, I noticed something- "Hallelujah" didn't give me the same spine-tingling sensation that the version on Grace did. The reason? Simply put, the version of "Hallelujah" on the original Grace album had a much better balance, level wise, between Jeff's vocals and guitar playing. If you do a side-by-side comparison, you will find that Jeff's vocals are too harsh and forward on the remastered version of Hallelujah, when compared to the version found on the original Grace CD.

However, all the other tracks on this reissue actually sound BETTER than their previous incarnations.

There's more impact on the drums, deeper bass, more detailed instruments and better separation (listen to the strings on "Last Goodbye"), and Jeff's vocals (his greatest strength) are clearer and higher up in the mix.

The unreleased song, "Forget Her," is definitely the highlight of the second disc. The remainder of the second disc proves to be an interesting listen that demonstrates the versatility of Jeff Buckley as an artist.

The Bonus DVD showcases the music videos, which range from average-well done, and a 25 minute documentary that features interviews with Jeff, Steve Berkowitz, and "behind the scenes" footage. Buckley makes some interesting quotes about the impact of music on his life, that will undoubtedly find their way on an Internet fan site some day. A welcome addition.

My other suggestion for Columbia would have been to include more information in the included booklet- perhaps more commentary on the Grace album as was done with the tracks on the second disc.

Overall, well worth the purchase for Jeff Buckley fans, and any music lover looking to be challenged and inspired. Just remember to extract track 7 ("Hallelujah") onto your hard drive before you give away or sell your original copy of Grace.


UPDATE:

This is in response to S. Johnson's "are you people HIGH?" review. Buddy, I read the same article by Rip Rowan a long time ago so please don't try passing off his arguments as your own (including his examples comparing Rush CDs over the past few decades). Next time quote your source.

Now if you don't feel that the remaster & remix job is any better, all power to you. I actually agree with Rip Rowan's remarks on how music today is geared towards radio-friendly compressed loudness. In fact I think everyone should give the article a good read (just google it).

However, when in comes down to it, I trust my ears over anything else. I've purchased many "24 bit digitally remastered" over the years and end up returning about half of them because they just don't sound as good as the original CD master. I'm anal about music to the point where I'll do A/B tests between remasters and original masters using anything from Alessandro and Beyerdynamic headphones to an Eastern Electric Minimax Tube CDP to a regular car stereo system as a point of reference- before I make a decision on which version to keep. I don't analyze soundwaves for compression or normalization or loudness- I trust whatever sounds better to my ears.

If you prefer something different, that's perfectly fine with me. But if you want to act like a condescending audio-snob and insult everyone who prefers the overall sound of this remaster, that's another story...

Grace: Legacy Edition
So, ten years later, we have a spruced up re-release of what some people would call one of the greatest albums of the 90's (I would be one of those people). Most reading this have probably already heard Grace and have a copy of it. So the real question is, is it worth getting the Legacy Edition?

The First Disc:
What can I say that hasn't already been said? It's magical. I couldn't tell any difference between this remaster and the original.

The Second Disc:
The second disc starts of with "Forget Her", an oft-bootlegged tune that was cut from Grace in favor of "So Real". "Forget Her" is gorgeous, although I understand the personal decision Jeff made not to release it. What follows is a slew of rare tracks - some can be found on EPs, promo CD's (and one from the First Love, Last Rites soundtrack), but some are completely new. Amazon's track listing is incorrect, by the way - the second track is an alternate take of "Dream Brother" - it's between "Forget Her" and "Lost Highway", for a total of 12 tracks.

Stuff like "Alligator Wine" makes you smile, when you hear Jeff laughing and fooling around in the studio. There is a version of "Alligator Wine" that Jeff did on WMFU that's floating around somewhere, and which I like more...on this he forgets the words and starts ad-libbing, and I don't think the drum beat really adds anything.

This disc will probably get JB completists like me riled up after they hunted down stuff like Peyote Radio Theatre, or the First Love, Last Rites soundtrack, but there is still plenty of stuff they didn't put on here. There's his awesome collaboration with the Jazz Passengers (actually I'm surprised they didn't put "Jolly Street" on here) and his work with Chris Dowd.

In what is sure to disappoint many fans who read the Columbia press release, "Strawberry Street" is NOT on here. I don't know what happened. You can find a bootleg taken from his Babylon Dungeon demos if you look hard enough, but it would have been nice to hear a high-quality version of it.

The DVD:
The DVD has the original music videos for "Grace", "Last Goodbye", and "So Real". They are all pristine and much better than anything you could download. They also included a "video" for "Eternal Life", but it's just the road version of the song poorly synced to low-quality footage of his performance in Chicago (which can be found on the Live in Chicago DVD). There's also a video for (an edited down) "Forget Her", which has some random Jeff footage - some has been in the many documentaries about him, most of it new.

Also on the DVD is "The Making of Grace". When it started I was disappointed, because the first few minutes are just the Grace EPK (which is also on the Live in Chicago DVD). But then! New interviews with Steve Berkowitz, Andy Wallace, and the bandmembers (you finally get to hear Mick talk!). Also some new footage of Jeff in the studio, Jeff live, and Jeff talking about the record. Good stuff. It's about 25 minutes long.


The Verdict:
If you're a fan of Jeff, this is a must-buy. Even if you've gotten all of the released rare tracks, downloaded the music videos (which haven't been *officially* available until now), and have the Live in Chicago DVD, the *totally new* recordings and the new footage in "The Making of Grace" make it worth the price of admission. If you haven't seeked out those rare-but-released recordings, then this is a no-brainer - it will all be new to you.

Although the new stuff/old stuff ratio isn't as great as the Legacy Edition of Live at Sin-e (which I'd highly recommend as well), it's still solid and still worth getting. Hopefully in a few years we can look forward to a Legacy Edition of Sketches for My Sweetheart the Drunk, but until then I'll keep my fingers crossed.

Another release for completists to moan about...
I must admit, I was waiting a while for this reissue to come out, and ever since the first time I read the press release I've been excited about it. Did it deliver, now that I have it in my hand?
Yes. Even though I've scraped my way into owning nearly everything I can (within fiscal limits) that has been put out about Jeff, and the fact that I already had versions of many of these songs did not taint the fact that I was no longer stuck with versions that were in 128 kbps or less with everything above 12khz garbled horribly, but could now listen to Jeff in crystal clear 44100 kbps and enjoy every nuance that the recordings have to offer. Sure, some of the tracks have been included on other releases such as the Grace EPs box, but only three of them, one of which (Lost Highway) is now in better context with its pared-down brethren, were available before, and the chance to own the previously unreleased cuts along with the DVD make the release worth it.
Everyone has made a big to-do about the fact that "Forget Her" was included on the second disc, but what I think are the real worthwhile cuts on the extra material are the Shudder to Think collaboration (which even though it was done extraneously to the sessions for Grace is still a great song that highlights the ever-floating contextual relevance of Jeff's voice against different stylistic backgrounds), and the unaccompanied covers of Nina Simone's "The Other Woman" and Bob Dylan's "Mama, You've Been on my Mind." If for no other reason, these last two covers are worth their salt because of Jeff's interpretation of the songs, which although they don't deviate very drastically from the originals still breathe with the importance of being songs that are important to Jeff, songs that he decided to do off the cuff because he knew them that well, the kind of songs that we don't see on other releases because they were the type of songs that he played for himself. That's what makes the included solo outtakes worth it--Jeff is playing to hear himself play (painfully though hilariously obvious on "Alligator Wine"). A studio is a damned intimidating place to be; you are there strictly because you will create something before you walk out of it. So the fact that in the face of this expectation, even though not holding to the main focus, Jeff softly reads through something like the Nina Simone song, makes the recording worth a listen.
Simply stated, having all the videos on one DVD is great... Now if only the BBC documentary could be packaged by itself for commercial release...
In short, if you like Jeff, this is worth it. For all the controversy surrounding Mary Guibert's handling of his estate, the decisions to license songs to places, etc., this package is definitely worth putting your reservations aside (if you have any) and purchasing.
I've never figured out why there seems to be such a collective thirst for Jeff's material; maybe because there is actually a tangible point where his archives are exhausted? Maybe simply due to the fact that he's deceased? Whatever the case may be, I also look for the answers. In every chord change, in every song that he played in multiple guitar tunings, in every melody, there is this surge... and I think that the reason people have invested their time into fully digesting what Buckley had to offer is because his music is driven purely by emotion, and that's what makes it so striking. It is the fact that there is nothing under the surface with his music that draws us to it again and again. There is nothing under the surface because it's all there out in the open, different parts beauty, anger, melancholy, and joy, all there for people to have. He never said that he wanted people to take anything specific from his music, merely whatever they wanted. This release offers you ample opportunity for that. Enjoy it. You'll be glad.