Track Listing

1. Let's Never Stop Falling in Love
2. Anna (El Negro Zumbon)
3. Hang on Little Tomato
4. Gardens of Sampson & Beasley
5. Veronique
6. Dansez-Vous
7. Lilly
8. Autrefois
9. U Plavu Zoru
10. Clementine
11. Una Notte a Napoli
12. Kikuchiyo to Mohshimasu
13. Aspettami
14. Song of the Black Swan

Product Details

• Amazon Sales Rank: #1515 in Music
• Released on: 2004-10-19
• Number of discs: 1
• Dimensions: .19 pounds

Album Description
Somewhere between a 1930s Cuban dance orchestra, a classical chamber music ensemble, a Brazilian marching street band and Japanese film noir is the 12-piece Pink Martini.

Part language lesson, part Hollywood musical, the Portland, Oregon-based "little orchestra" was originally created in 1994 by Harvard-graduate Thomas M. Lauderdale to play at political fundraisers for progressive causes such as public broadcasting, clean water, libraries, civil rights and affordable housing. In the years following, Pink Martini has gone on to perform its multilingual repertoire on concert stages, in smoky clubs and with symphony orchestras throughout Europe, Greece, Turkey, Taiwan, Lebanon and the U.S.

Hang On Little Tomato, Pink Martini’s much-anticipated second album, features a collection of original songs written by the band and its extended family as well as a few undiscovered gems reinterpreted in high style. Drawing on themes articulated on Sympathique, Hang On Little Tomato is the result of the group’s diverse collaborations and inspirations. From an advertisement for Hunt’s Ketchup in a 1964 issue of Life magazine to a dance sequence in the 1950 Italian film Anna, Hang On Little Tomato includes songs in French, Italian, Japanese, Croatian, Spanish and English. "Una Notte a Napoli," for example, was written with Alba Clemente – an Italian stage and television star in the 1970s – and DJ Johnny Dynell of the legendary New York-based nightclub Jackie 60. In a reworking of the Japanese song "Kikuchiyo To Mohshimasu," Pink Martini collaborated with Hiroshi Wada, the slide guitarist whose group originally recorded and released the song in 40 years ago.

Originally released in 1997, Sympathique met with rave reviews worldwide, finding a place within the hearts of many and selling well over a half million copies. Building its legacy through unstoppable word of mouth, select high profile symphony dates, prominent placement in film and television and fashionable private appearances, Pink Martini has returned with their highly-anticipated follow up. Hang On Little Tomato is every bit the new album Pink Martini fans have been longing for. Lush string arrangements, soaring vocals and cosmopolitan rhythms unfurl from the brilliant international hemisphere that is Pink Martini.

Amazon.com
Pink Martini should be known as the little orchestra that walks a fine line in its music. The Portland, Oregon, outfit is deeply influenced by Latin music, jazz, cabaret, cinema scores, and a smattering of other styles. But rather than simply aping legendary artists in their prime--and fooling only a few dim bulbs in the process--band shakes things up by writing its own material, or at least creating tasteful new arrangements that fit within the band’s unique post-lounge framework. The band keeps the playful musical vibe on Hang On Little Tomato, but jettisons what kitsch factor it had, choosing to focus wholly on original material or stuff that isn’t recognizable to the average music fan. It’s been a seven-year wait for fans since the band’s fun debut, Sympathique, and while the blush is now off the rose, the band’s creative ambitions and talent are never better displayed than here on their second effort. – Tad Hendrickson

W
"Everyone's hankering for Pink Martini. Not the drink, the band...they really have a groove."

Customer Reviews

A wonderful second album!
After nearly a year of waiting I was so pleased to hear that the new album was finally going to be released. And now that it is here, I am pleased to say that it is absolutely excellent! Pianist and musical director Thomas Lauderdale was inspired to finish the CD while going through a difficult emotional period, and it clearly shows --such beautiful works as this can only come from deep suffering. Every song is as pitch-perfect as on the first album. The styles are even more diverse, the languages more exotic, and the tunes just as lively, heart-wrenching, and wonderful to listen to. I'm not sure why they brought down the tempo of Dansez-Vous from how it is normally performed in concert, but still, it is fantastic. Fans of Pink Martini, or fans-to-be, you will NOT be disappointed!

Deeper, More Satisfying, Great
I loved Sympathique (and awaited this new release along with everyone else) and couldn't wait for this new CD to come out. It was well worth the wait. China Forbes sounds better than ever - she's clearly been doing her vocal exercises! - and Robert Taylor is a welcome new addition with his evocative lead vocals (and trumpet musings) in Veronique. The range of the album's songs is greater - from the joy of the opening track to the depths of the beautiful cello solo that opens U Palvu zoru.

LOVE PINK MARTINI; THEIR NAME HAS A "BLING RING" ...
I'm much better at book reviews than I am at music. Being a grandmother and (I confess) a great-grandmother, I didn't expect any of today's music to move me ... or even impress me.

BUT ... this album did it! I can't say--as one reviewer said-- that every song is pitch-perfect (my hearing isn't that good anymore), but I CAN say that I liked what I heard.

I have never had a martini in my long life, but I'm even sold on the name of these talented musicians. It has a "Bling Ring" to it!