Product Description

From the director of Drugstore Cowboy and My Own Private Idaho comes a star-studded comedy based on the best-selling novel by Tom Robbins. The cowgirls on the Rubber Rose Ranch are staging a rebellion. Delores Del Ruby (Bracco) is leading the uproarious uprising, but it?s really Sissy Hankshaw (Thurman) who?s providing the spiritual leadership for this rag-tag bunch of female bandits. With her marvelous thumbs and her funky brand of femininity, she shatters all male chauvinist illusions and boldly goes where no woman has gone before.

Product Details

• Amazon Sales Rank: #34079 in DVD
• Brand: Warner Brothers
• Released on: 2004-11-02
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: AC-3, Closed-captioned, Color, Dolby, DVD, Subtitled, Widescreen, NTSC
• Original language: English, German
• Subtitled in: English, Spanish
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 96 minutes

Amazon.com
If someone ever put together a what-were-they-thinking top 10, Even Cowgirls Get the Blues would surely make the list. Based on Tom Robbins's '70s ode to freedom, whooping cranes, and ambisexuality, this Gus Van Sant film sat on the shelf for almost a year before its brief release. More of a curiosity than anything else, it tells the convoluted story of Sissy Hankshaw (Uma Thurman), the world's greatest hitchhiker by virtue of her mammoth, um, thumbs. She falls in with a lesbian collective at a dude ranch and, well, the rest is kind of a mess. Kind of? Let's say it's a monumental mess, one of those films that's like a 25-car pileup on the interstate that you have to stop and look at, just to figure out what people like Keanu Reeves, Roseanne, John Hurt, and Angie Dickinson are doing there. A great score by k.d. lang, by the way. --Marshall Fine

From The New Yorker
After "Drugstore Cowboy" and "My Own Private Idaho," a real disappointment from Gus Van Sant. His imagination still wanders off in amiable and perplexing directions, but the picture, adapted from Tom Robbins' novel, gives him nothing much to discover. Uma Thurman stars as Sissy, the hitcher with the phallic thumbs. She's been everywhere and done everything, but there's enough wide-eyed expectation in Thurman's gaze to promise further adventures. They never come: the plot gets stuck on a women's ranch called the Rubber Rose, and the film dissipates in a flurry of consciously struck poses and cameo roles. It's a road movie going round in circles, and it ends without warning, completely out of gas. The cool, swooning soundtrack by k.d. lang hints at the trip it might have been. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Too many saving graces
When people ask me to name my favourite novel "Even cowgirls get the Blues" always springs to mind. A film translation can never match the intimacy you feel reading the book, but it can bring those treasured characters and locations to life. This is where the film version really shines.

Gus Van Sant is my all time favourite director- his prevoius picture "My own private Idaho" broke my heart. It may have been over ambitious for him to bring this magical novel to the silver screen, but I find the fact that he did so, marvollously admirable. The storyline and ideals of this tale are truely unique and need to reach a wider audience.

Uma Thurman is perfectly cast as Sissy. She displays both innocence and enigma quite beautifully. Support is given by a whole host of interesting performers- John Hurt, Rain Phoenix, Crispin Glover, William Burroughs and many of the "Idaho" cast make breezy cameo's. Tom Robbins himself performs voice-over narration. Little known fact- River Phoenix (to whom the film is dedicated) makes his final screen appearence as a birdwatcher in the climatic scenes.

Read the book first- then give the film a chance!

A Mind-boggling Train Wreck
Uma Thurman has been in some hideously bad movies. The confusing mess that was THE AVENGERS comes to mind (despite being a studio film with Ralph Fiennes and Sean Connery!). There was that horrific Batman movie that killed the franchise until Christopher Nolan resurrected it for Warner Brothers. I haven't even bothered more recent bombs like MY SUPER EX-GIRLFRIEND (which I thought had a decent premise).

But it doesn't really matter what grotesque misstep Uma makes next because nothing can be as head-scratchingly terrible, as mind-numblingly stupid, as frighteningly vapid as EVEN COWGIRLS GET THE BLUES.

If you're seeing something else, you're just looking way too hard.

The acting is bad, the writing is nonsensical, the production is cheap (despite some excellent nature shots), scene after scene of Uma Thurman wearing ridiculous giant rubber thumbs makes you wonder just what kind of story could make this work. And that this ain't it.

One of the worst movies ever
Uma Thurman is not a very good actress. She's tall, & reasonably attractive, & sometimes blonde, but she was the poster-girl for the Uber-hip set in the late 80's/early 90's so for that set, she was a perfect choice as Sissy Hankshaw. Having read & loved this book, I knew she was not a good choice, and she was subsequently was named Worst Actress of 1993 for her terrible attempt to portray Cissy. Likewise, Rain aka Rain- bow aka Rain Phoenix was also miscast, as well as not being talented enough to pull off the role of Boss Cowgirl Bonanza Jellybean. She seemed to be attempting to read off a Teleprompter, or maybe she should have been. Did I detect her lips moving before she attempted to deliver her lines? The reason she was not named Worst Actress of 1993 was that to win that award, she had to be an actress, which she clearly is not. I've seen better acting on an X-rated channel. Angie Dickinson, that 60's-70's retread hearthrob of teenage males was nearly as bad as Phoenix & Thurman, but she had an excuse, she hadn't worked for many years, & was critically hungover. At least she seemed that way. That's the bad news. The good news is, the rest of the cast was a hoot! Batting leadoff, the always weird & wonderful Carol Kane & Buck Henry(why don't those two have children?? What a great idea), John Hurt in drag, Crispin Glover, Pat Morita(as Noryuki)as The Chink("Ha Ha Ho Ho and Hee Hee!!"), Sean Young looking so sexy I almost forgot about her psychotic meltdown over James Woods, Keanu Reeves was entirely adequate as Julian Gitchee, but any one of a number of Native American, Canadian, or Ecuadoran actors would have been a better choice, such as the lovely & talented Gary Farmer. Two other bones to pick: 1) Tom Robbins' favorite Native American tribe, is not pronounced See-Wash, but Sigh-wash and B) Why was the locale moved from the Dakotas to Deschutes County, Oregon? Stupid idea. I really loved Pat Morita & John Hurt, but their performances are not enough to tempt me to watch this terrible movie again. Like an earlier reviewer, anger is my strongest emotion at this attempt to adapt a really good book.