Track Listing

Disc 1:

1. Sweet Home Chicago
2. Milkcow's Calf Blues
3. Terraplane Blues
4. If I Had Possession Over Judgement Day
5. Stop Breakin' Down Blues
6. Little Queen of Spades
7. Traveling Riverside Blues
8. Me and the Devil Blues
9. From Four Until Late
10. Kind Hearted Woman Blues
11. Rambling on My Mind

Disc 2:

1. Kindhearted Woman Blues [DVD]
2. Kind Hearted Woman Blues [DVD]
3. They're Red Hot [DVD]
4. Hell Hound on My Trail [DVD]
5. Sweet Home Chicago [DVD]
6. When You Got a Good Friend [DVD]
7. Milkcow's Calf Blues [DVD]
8. If I Had Possession Over Judgement Day [DVD]
9. Terraplane Blues [DVD]
10. Hell Hound on My Trail [DVD]
11. Me and the Devil Blues [DVD]
12. From Four Until Late [DVD]
13. Love in Vain [DVD]
14. Rambling on My Mind [DVD]
15. Stones in My Passway [DVD]
16. Love in Vain [DVD]
17. Little Queen of Spades [DVD][*]
18. Traveling Riverside Blues [DVD][*]

Product Details

• Amazon Sales Rank: #18095 in Music
• Brand: Clapton,Eric
• Released on: 2004-12-07
• Number of discs: 2
• Format: Enhanced
• Dimensions: .38 pounds

Album Description
Live, intimate, and raw, Sessions For Robert J is the essential audio/video companion to Eric Clapton's 2004 gold, Top 10 Me And Mr. Johnson, tribute to blues legend Robert Johnson. Filmed during tour rehearsals in London and Dallas plus a Los Angeles hotel room and the Dallas warehouse where Johnson made some of his final recordings, Sessions for Robert J finds Clapton performing all Robert Johnson songs with his touring band, acoustically with Doyle Bramhall II and solo-as well as discussing Johnson and his influence. A performance/documentary DVD with 14 tracks (from which the 11 CD selections are taken), Sessions for Robert J is blues heaven.

Amazon.com
Early in this visual postscript to Clapton's Me and Mr. Johnson album, bassist Nathan East says "some stuff sounds better than the record." Actually, nearly all of it does--thanks to a few more months of digesting the material--as the camera follows the guitar legend and his band through warm-spirited rehearsals (including an incendiary "Kindhearted Woman Blues") for their 2004 tour. Clapton and guitarist Doyle Bramhall II are also captured at the Dallas hotel where Robert Johnson recorded in 1937. There they play acoustic duet versions of Johnson's "Hellhound on My Trail," "Me and the Devil Blues," "Love in Vain," and others that ring with passion and virtuosity as Bramhall's slide accents the clean, beautifully articulated lines of Clapton's six-sting interpretations and unrestrained singing. Clapton also plays a few solo numbers and expounds on his love for Johnson's music and the Delta bluesman's technique. But he speaks most eloquently through his playing, which says volumes about his affection for and deep commitment to this music. The CD features 11 songs from the DVD. --Ted Drozdowski

Customer Reviews

Eric finally nails it on "Sessions for Robert J" - BUY IT!
Eric had released "Me and Mr. Johnson" only six months ago. It was o.k., but I didn't see anything particularly compelling about it. Some songs were good, a continuation of the Blues material he released on "Behind the Cradle" a few years ago, only this time the focus was exclusively on Robert Johnson material, but a few were lackluster walk-throughs. In addition, the performances were entirely electric, full band efforts which is partly why I was disappointed. I felt that Eric was too comfortable hiding behind a full band set-up. For anyone who has really "gotten it" in terms of what Robert Johnson was all about, acoustic seems the way to go - you want to get to the heart of it all - you just can't hide if it's only you and the guitar. Peter Green made the same misstep a few years ago with his own Robert Johnson compilation. It too was primarily a full band set up. What you really hoped for was a stripped down session with just one guy and his guitar and some real soul - something that Robert Johnson was able to pull off in the 1930's, but something that wealthy white rockers nurtured on stadium rock don't seem to be comfortable with. Robert, after all, performed face-to-face with small house party audiences - obviously he had to bare it all night after night... Eric and Peter had gotten too comfortable with huge stadiums. Still... you have this hope that guys as talented as Peter Green and Eric Clapton have it in them somewhere and you just need to get them to take the chance. Is it possible?

This latest release by Clapton ("Sessions for Robert J.") continues to be exclusively about Robert Johnson songs. Yes, many of the songs are duplicated on the two CD releases ("Me and Mr. Johnson" and "Sessions for Robert J"), but each performance is different on the respective albums. In fact, "Sessions for Robert J." actually contains two different versions of "Hell Hound on my Trail" and "Love in Vain" (yet a third version of "Love in Vain" was originally released on "Me and Mister Johnson" so that there are now three completely different versions available).

O.K. so how is the new "Sessions for Robert J."?

In a word - "STUNNING!"

This is all that I could hope for and more since it is all on DVD in 5.1 Surround Sound. I rank this album as being quite a bit better than "From the Cradle". Watching Eric actually perform these songs on the TV screen is a revelation. And yes, some of it is just Eric and his guitar! But perhaps the best is the session where Eric plays with just one other guitar player - Doyle. It is truly entertaining to watch these guys stay in step with each other on these technically difficult songs - I have learned to play some of these songs in slide guitar and these are tough enough to just play solo!

About half of the songs are with a full band and I have to say (regardless of what I said above) that these are great! Yes, acoustic versions would be nice (and you can choose between electric and acoustic for "Hell Hound on My Trail"), but the full band approach on "Sessions for Robert J." does not disappoint at all! Eric pulls it off and really throws his heart into the performances - no "walk through" performances here! I think this is where "Sessions" outperforms the earlier "Me and Mister Johnson". I felt the energy on "Sessions" whereas "Me and Mister Johnson" seems more workman like. And I would hazard a guess to say that perhaps Eric felt the same way. After all, you have to wonder why he chose to release a second Robert Johnson album (with a huge duplication of song titles) inside of six months if he was really happy with the first effort? Well, whatever the reason, "I'm So Glad" he did! By the way, bluesman Skip James wrote that particular song, not Robert...

My favorite songs on "Sessions":

Terraplane Blues - Eric and Doyle run through this song like a sharp knife through watermelon - they absolutely nail it! I would have paid the 20 bucks just to have this one song! Historical note: this song was actually performed by Eric in the same Dallas Texas hotel third floor where Johnson originally recorded it in the 1930's! In any case, Eric's vocal is simply amazing! Wow! I have a live version of Eric doing this same song solo in 1994 (a very rare performance - I'm not aware that he ever did it again in concert during that tour) - it was one of my all time favorites and now I have the same song in much better fidelity and an even better performance! Yes, there IS a God in heaven - thank you, thank you, thank you!!!

"Rambling on my Mind" & "Stones In My Passway" - Eric performing acoustic solo. These are basically the way I always thought it should be done, one man with one guitar - Peter Green please take note!

"Milk Cow Blues", "Traveling Riverside Blues" & "If I had Possession Over Judgment Day" - Eric with the full band. These rock! Very intense and meant to be played loud. Sounds great on 5.1 DTS.

By the way, my least favorite song is "They're Red Hot" - an atypical song in the Johnson cannon, but I do like Eric's version better than Robert Johnson's original! And it is growing on me - it's just that it's too "happy" for a blues album!

Having said all this, I realize that listening to the original 1930's Robert Johnson songs on scratchy old 78s is an acquired taste for some, but this is probably because few people today are willing to listen to low-fidelity recordings. Please note that the latest releases of the original "King of The Delta Blues" (volume 1 and volume 2) have been remastered (yes, I know - how many times do they need to endlessly remaster this stuff?) and this time on some tracks the vocals and bass have a clarity and presence that far exceeds both the two Columbia box set releases and even the Gold disc. A lot of the hardness in Robert's voice remains on a few tracks, but often it has been toned down a bit in the latest transfers and the bass is much higher in the mix - overall, I think it just sounds better now even if the hiss and ticks and pops are now actually more pronounced - less digital noise reduction seems to result in better fidelity here. In any case, try these most recent remasters if you had a problem with the sound quality of the sterilizing noise reduction used on the Columbia box set (which was re-remastered a second time around 1996 when the smaller box was issued - stay away from the original long box issued in 1991 which now has the worst sound available). I have learned to play several Robert Johnson songs on slide guitar and through that experience found genius not just in his execution, which of course is perfect, but also in Robert's arrangements. The simple truth is that Robert Johnson with his limited resources (poor Black man in the 1930's in the deep South) was perhaps an even a more naturally gifted musician than Eric Clapton - if that is even possible! This assessment is reinforced by Eric himself in the section in the DVD where he discusses how hard it is for him to sing in a different tempo than the guitar as Robert often effortlessly does. So take it from there...

By the way, if you go directly to the various sessions in the DVD you will miss the mini-interviews with Eric. You have to click on "play all" to get the entire presentation. I had been just clicking on the individual sessions thereby missing the interviews until I found them accidentally.

Please note that the companion CD is missing something like half of the performances included in the DVD! My solution was to make my own compilation direct from the DVD with ALL the songs - it will fit nicely on one 80 minute CD-R.

Bottom line, Eric finally does justice to his blues influences (this is even better than "From the Cradle") and created yet another classic in the process.

The latest in a long line of extraordinary efforts...
Clapton has emerged, particularly since McCartney's CONCERT FOR NY, and the TRIBUTE TO GEORGE as a statesman of incomparable dignity, sublime in both the finesse and creativity that he brings to efforts whose subjects he deeply respects. It is no less the case with his most recent releases, be the homages to B B King, George, his own tours, an incredible guitar festival, and now Robert Johnson. The CD is excellent - some additional material and different takes on the ME AND MR JOHNSON release, an extraordinary document in its own right.
But what takes this to an entirely different level is the DVD. A mix of recording sessions in interesting locations (Clapton's English countryside, Johnson's former recording studio) and Clapton's reflections on his approach to Johnson and his myth, most of which Eric is keen to debunk, having been the victim of enough myths to rewrite Homer himself.
And it is just this effort of his to get to the music as he feels it and not take any of the side show for more than that that gets inside of you. You are not going to hear Robert Johnson completely re-worked. You're going to hear his tunes really honsetly delivered. There is a sublime beauty to that that just takes you to that very special place where MUSIC leans over and brings you into its confidence. And that seems to be the point for Clapton: to get inside that confidence in order to honour a man whose dedication and discipline inspired a poor English kid years ago to reach down deep.
And on both the CD and the DVD, the music is without peer. As I say, Clapton at this point in his career has acheived a level of dignity that is to be admired.

An excellent interpretation of Robert Johnson's music
Having listened to Clapton for more than 30 years, I can see how he had matured in his interpretation of blues and particularly Robert Johnson's music.

I enjoyed on this CD and DVD Clapton's arrangements of his songs and surprised in the variety that Johnson built into his music.

Clapton keeps the songs true to the original yet adds life of his own to them and brings them out of the 30's into our era.

I appreciate too, him keeping the original lyrics, especially on Sweet Home Chicago and Johnson's peculiar geographic connection.

The more I have seen Clapton in the last few years, I think he has really come to be comfortable in his music and playing to a legendary level. This is a very good set to own.