Product Description

John Clasky (Adam Sandler) is a devoted dad whose skills as a chef have afforded his family (T=E9a Leoni, Cloris Leachman) a very upscale life, including a summer home in Malibu and a breathtaking new housekeeper, Flor (Paz Vega), who has recently immigrated to L.A. from Mexico, and is trying to find a better life for her remarkable daughter, Cristina (Shelbie Bruce), who is rapidly embracing the American way of life. When Flor and Cristina move in with the Claskys for the summer, Flor has to fight for her daughter's soul as she discovers that life in a new country is perilous...especially when you're being embraced by an affluent, eccentric American family.

Product Details

• Amazon Sales Rank: #10168 in DVD
• Brand: Sony
• Released on: 2005-04-05
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English, Spanish
• Subtitled in: English, French
• Dubbed in: French
• Number of discs: 1
• Dimensions: .25 pounds
• Running time: 131 minutes

Amazon.com
Anyone familiar with writer/director James L. Brooks (Broadcast News, As Good As It Gets) knows the man has a real feel for interesting women and a disarming way with a one-liner. The main women in Spanglish are Deborah Clasky (Téa Leoni), a moneyed SoCal mom, and non-English speaking Flor Moreno (Paz Vega), the beautiful Latina whom Deborah hires as a housekeeper. The one-liners, some of them amusing, are everywhere. Brooks provides an intriguing set-up for the two women to butt heads--Deborah's pudgy daughter Bernice (Sarah Steele) needs the affection at which Flor excels, while Flor's clever, bi-lingual daughter Cristina (Shelbie Bruce) is enamored of the financial advantages Deborah can provide--then proceeds to make Deborah so hatefully ignorant you can't imagine why her neuroses are the main thrust of the film. And Deborah's celebrated chef husband John (Adam Sandler, way over his head) is such a perfect parent he doesn't seem human--what happened to the Brooks who had Terms of Endearment mom Debra Winger turn to her scowling little boy and grunt "Don't make me hit you in the street"? Cloris Leachman has a nifty supporting role as Deborah's boozy, ex-jazz singer mother, but it's only one offbeat chord in an earnest film that hits all the wrong notes. --Steve Wiecking

From The New Yorker
James L. Brooks's ambitious new comedy chokes on an excess of sincerity and guilt. Flor (Paz Vega), a lustrously beautiful Mexican woman, crosses the border with her perfect daughter, Cristina (Shelbie Bruce), and takes a job in a prosperous Los Angeles household headed by John Clasky (Adam Sandler), allegedly the hottest chef in town, and his wife, Deborah (Téa Leoni), an out-of-work designer in a state of thrashing hysteria. Brooks tries to satirize Deborah as a hapless narcissist who means well but gets everything wrong, but from the first scene Leoni hyperventilates so violently that her performance has nowhere to go; she can only repeat herself until she spirals down into exhaustion and tears. Sandler's chef is meant to be a good daddy and a nice fellow, but Sandler gives a slack, sexless, and meandering performance. The movie feels like an expression of white shame: the Claskys come off as generous but undisciplined and careless, whereas the working-class Flor, obsessed with protecting her daughter from corruption and from Anglo culture, is entirely moral and dignified. There are a few funny scenes, but most of the movie is excruciating. With Cloris Leachman, in good form, as Deborah's hard-drinking and hardheaded mother. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

A Mismarketed and Mislabeled Film That is Surprisingly Good
When movie trailers come out months before the release of a film and movie billboards crowd the malls and other places trying to convince the public of what to expect (read 'how can we guarantee making the most money from the biggest crowd?'), it is difficult to get motivated to step over the hype and decide for yourself the merits and message of a little movie.

SPANGLISH used slapstick approach, beginning with focus on Adam Sandler of the superfluff/toilet mouth 'comedy' genre, to publicize this little story into a COMEDY. That was enough to keep this viewer out of the theater. But seeing James L. Brooks current opus at home without all the hoopla of the theater crowd resulted in a pleasant discovery: this is a well-written little drama, peppered with some comedy, that addresses a lot of issues about parenting, cross-ethnicity, living your dream vs skimming off the top, having loyalty to the inner self, the desperate need for communication in today's loud world, alcoholism, etc. Not the stuff for slapstick, nor is it treated that way.

John Clasky (Adam Sandler in a straight role that allows him to show substance over pratt falls) is a successful chef who is able to support his family with a home in Beverly Hills and a summer home at the beach (obviously Malibu). His wife Deborah (Tea Leoni in a wildly dysfunctional mother role which she handles well), in desperation for breathing room to pursue her lackluster life, hires a non-English speaking Latina maid Flor (Paz Vega) who has immigrated to the US with her young daughter Cristina (Shelbie Bruce, a amazingly bilingual young actress) to make a life for herself after her husband has left her. Deborah's daughter Bernice (Sarah Steele) is overweight and the victim of her mother's misconstrued attempts to correct her problem at the expense of acknowledging Bernice's self worth.

Though busy with his successful restaurant, John finds time to be a loving father, a husband who is as supportive of his wild wife as is possible, and who gradually finds in the new Flor a gentle, honest, compassionate/passionate human being that seems to be a soul mate. Things progress quickly: Flor learns English via language tapes on TV, Cristina moves in with the family when the move to Malibu occurs, Deborah dotes on the bright, attractive Cristina while ignoring her own daughter, Flor tends to the emotions of Bernice, and finally a marital crisis occurs which places into focus the idiosyncrasies of all members of the extended household (including Deborah's alcoholic mother - Cloris Leachman, as brilliant as ever).

The manner in which Brooks brings this chaos to closure does not sell out the way most stories do: there are no pat answers here but altered individual perceptions are suggested and we are given the opportunity to resolve them as we wish. Is this a comedy? No, though there are many cleverly funny lines and situations. This is a pertinent drama, unfortunately mislabeled in name and in media approach. For this reviewer this is a tender film about family needs and personal goals. The cast is excellent, each member taking risks that prove to be successful. Give it a try! Grady Harp, April 05

My Big Fat Hispanic Wedding? Not quite, but still fun
I don't particularly love Adam Sandler's comedies. Fortunately, "Spanglish" is not one of them! It's more of a James L. Brooks movie. Once again, he writes, directs and produces, as he did with the classic "Terms of Endearment" back in 1983, and more recently, with "As Good as It Gets".

Sandler plays John Clasky, a renowned chef who is in the prime of his professional career. He's the classic "good guy", who loves his family and keeps a great balance between the time he devotes to work and the time with his kids. Plus he loves his insecure wife Deborah, played by Tea Leoni (Deep Impact, The Family Man), one wacky lady who has put her career on hold to raise her family.

Complementing the cast is Paz Vega, who broke into international stardom playing Lucia in "Sex and Lucia". She plays Flor (with rolled "R" at the end), a protective Mexican mom who wants to stay as close as possible to her native Mexican values, even while living in the heart of L.A., cleaning and cooking for the Clasky family.

While the plot does lead into some predictable events (don't mean to spoil the story for you), this is not your "typical" Adam Sandler movie. As a matter of fact, some of the most hilarious moments are not courtesy of the legend from "The Wedding Singer" and Saturday Night Live, but rather the result of the head-on encounter of two cultures, where no side can speak the other's language or easily understand each other's motivations.

With a balance between humor and drama that is preserved throughout most of the plot, the movie stands a good chance of being almost as popular as "My Big Fat Greek Wedding" was a back in 2002.

Wonderful Performances With Great Depth By All!
Everyone in this movie gives an amazingly moving performance. Not only is it Adam Sandler's best performance(because he is not trying to be a fool!), but also Tea Leoni's. She shows herself to be a fine comedic actress with amazingly perfect timing. Also remarkable is Paz Vega, especially when you consider that she learned English in the movie along with the character she plays(life imitating art!). Even the children were perfectly convivncing. I hope you get a chance to see the deleted scenes, many of which should have been left in! Some of them are very funny, and some very touching. A simple way to state the lesson that this story eloquently expresses, is the difficulty people in families have in communicating with each other, whether they speak the same language or not. This is an excellent example of how it is possible for a perfect movie to come out of the great Hollywood machine! All fans of the independent style film will love this movie and it is a great family film, as well.