Product Description

Police detective Joe Leland (Frank Sinatra) investigates the murder of a homosexual man. While investigating, he discovers links to official corruption in New York City in this drama that delves into a world of sex and drugs. Based on the Roderick Thorpe novel.

Product Details

• Amazon Sales Rank: #199243 in DVD
• Format: NTSC
• Original language: English
• Running time: 114 minutes

Amazon.com
Frank Sinatra's 1968 film The Detective was a serious attempt at a social statement sandwiched between the chairman's two lighthearted detective films Tony Rome and Lady in Cement. Directed by Gordon Douglas (who also directed the Tony Rome films), the plot centers around Detective Joe Leland (Sinatra) and his investigation of the murder of a prominent businessman's gay son. The film was notable at the time for openly depicting the gay community; however, it still falls back on the same tired stereotypes. Rounding out the cast is Lee Remick as Sinatra's nympho-wife, Robert Duvall as a violent homophobic cop, and Jack "the Klugster" Klugman as Sinatra's only honest ally on the force. Off screen, the film was notable for causing the irreparable rift between Sinatra and then-bride Mia Farrow, when she opted to star in Rosemary's Baby instead of this film. Obviously a wise choice, but The Detective is still a solid effort, with a great Jerry Goldsmith score and solid performances from all involved. Interestingly, this film could be considered the unofficial prequel to Die Hard. Both films were based on the same series of detective novels by Roderick Thorpe. --Kristian St. Clair

Customer Reviews

SINATRA'S BEST 1960's DRAMA
Stark and brutal for its' time, THE DETECTIVE, was Frank Sinatra's best drama of the 1960's(THE MANCHURIAN CANDIDATE belongs to Laurence Harvey and Angela Lansbury). This is a story of tortured people keenly told focucusing on wwo main plots: a homosexual murder and the connected subplot involving an urban housing scandal. Both are well woven into a gritty storyline that is stronger that the written work of Roderick Thorp. The most effective visuals: ugly police tactics that lead to the execution of a wrongfully convicted petty criminal, convincingly played by Tony Musante, in one of his first screen roles and the stench of 1960's NYPD corruption. Sinatra is outstanding in the lead role, showing a realm of extreme emotions: dogged, rigged, self righteous, guilt ridden, defeated. Credible support comes from William Windom, Jack Klugman , Robert Duvall as a racist, homophobic cop and Ralph Meeker as a snivler, to whom Sinatra gives a beat down.

Interesting Primarily As A Portrait Of 1960s Homophobia
Based on the 1966 novel by Roderick Thorp, THE DETECTIVE was among the highest grossing films of both 1968 and one of the most popular of Frank Sinatra's film career. At the time it was considered remarkably honest in its portrait of a no-nonsense cop who finds himself trapped between a series of compromises and his own sense of integrity. Today, however, it chiefly notable for its unintentional window onto 1960s homophobia.

Joe Leland (Frank Sinatra) is a third generation New York City police officer who begins the film with two victories: in his private life, he has wooed and won a remarkably beautiful wife, Karen (Lee Remick); in his professional life, he is assigned to a particularly notorious murder case that he quickly solves and which results in a major promotion. But both explode in his face in particularly unsavory ways. Although flawless on the surface, Karen is a distinctly disturbed woman who shatters their marriage through a series of compulsive affairs. And although it seems solved, the case on which Joe's promotion rests may not be nearly as simple as every one thought at the time.

The case involves the brutal murder of a gay man who is found with his head battered in and sexually mutilated--a circumstance that leads Joe and his co-workers to prowl 'known homosexual hangouts' such as gyms and the waterfront. In the process, the film creates a portrait of the gay community that says considerably less about the gay community than the way in which heterosexual America thought of it at the time. The gay men themselves are improbable, being pulled out of group gropes from the back of cargo trucks, flexing muscles in tawny-colored gyms, frequenting bars notable for satin and velvet, and lounging about in silk robes. They come in two basic varities, victim and predator. They are weak and are routinely brutalized by both each other and the police, the latter of which positively delight in knocking them around.

This is not particularly unusual for films of the 1960s and the 1970s; it is much the same portrait presented by such diverse films as ADVISE AND CONSENT and CRUISING. What is unusual is Joe's attitude toward them: unlike his co-workers, he dislikes seeing them mistreated and prefers to see them (and indeed all other suspects) accorded a certain basic respect as human beings. It was a very, very bold stance for a film to take at the time. Even so, it does not counterbalance the portrait itself, which is intrinsically demeaning, or the story, which ultimately pivots on a version of "gay panic"--a heterosexual myth used here with a slight spin.

The chief grace of the film is the performances of Sinatra and Remick. Today Sinatra is best recalled as a singer, but he had some significant acting chops, and he proves more than able to over the shortcomings of the script. Lee Remick, a much-admired actress, is flawlessly cast as the perfidious wife Karen, a woman who superficial qualities conceal an unraveling personality. The supporting cast, which features Jacqueline Bissett, Jack Klugman, and Robert Duvall, is also quite fine. But the script is weak, the story choppy, the film is a shade too glossy for its subject--and its incredibly niave portrait of gay men tends to overpower everything.

All films must be considered in the context of their eras, but even so a good film can transcend its era. THE DETECTIVE doesn't manage to do that: sometimes ridiculous to the point of being amusing, sometimes so grotesque that it becomes a bit embarassing. All the same, it remains interesting primarily because it offers a window on what mainstream Americans of the 1960s thought homosexuals were like. The DVD offers the film in original widescreen format; the transfer, however, is merely acceptable. Recommended primarily to Sinatra fans and film historians interested in Hollywood's frequently off-the-wall portray of gay men.

GFT, Amazon Reviewer

"Tough, "Gritty" "Retro" and "Square!"
Someone wandering into a showing of "The Detective" in 1968, after a movie absence of say a year or so, might well have not beleived what they were seeing or hearing.

The film broke a certain amount of new ground at the time as it depicted somewhat graphically the mutilation murder of a homosexual.....one of Sinatra's first lines of dialouge as New York detective Joe Leland is "penis cut off....fingers shredded....."

Despite the first time utterances of screen obscenities and its dabbling in the worlds of homosexuality and nyphomania, the "Detective" felt somewhat square and retro even at the time of its initial release--could be all those New York cops in snap brim hats running around calling homosexuals "fags" and the Jerry Goldmsith score with that lonely trumpet right out of 40's film-noir--one has to remember this was also the film era of "Easy Rider" and "The Graduate"

Screenwriter Abby Mann puts so many liberal platitudes in Sinatra's mouth, there are times in the film when he sounds more like a crusading social worker than a tough cop--"there are things to fight for, and I can't fight for them while I'm here.."

In any case "The Detective" provided Sinatra with one of his better roles in the 60's although that trademark fedora made him look older than his 52 years at the time, and the supporting cast (especially Lee Remick as Leland's nymphomaniac wife) is fine.



It might also be worth noting that "The Detective" played a part in the breakup of Sinatra's marriage to Mia Farrow.

Farrow was originally scheduled to play the part of Norma Mc Iver but scheduling problems with "Rosemary's Baby" led to the role going to the beautiful Jacqueline Bissett (sporting a Mia-type short hairdo)and to Mia being served with separation papers on the "Rosemary" set.

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There are no special features to speak of on the new Fox DVD except for some trailers for "Tony Rome" and "Lady In Cement,"
the lightweight prviate eye films Frank made before and after shooting "The Detective"