The Pajama Game
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Average customer review:Product Description
No Description Available
No Track Information Available
Media Type: DVD
Artist: DAY/RAITT/FOY JR./SHAW/HANEY
Title: PAJAMA GAME
Street Release Date: 04/26/2005
Genre: WESTERNS
Product Details
- Amazon Sales Rank: #1978 in DVD
- Brand: Warner Brothers
- Released on: 2005-04-26
- Rating: NR (Not Rated)
- Aspect ratio: 1.33:1
- Formats: Closed-captioned, Color, DVD, NTSC
- Original language: English
- Subtitled in: English, French
- Number of discs: 1
- Dimensions: 1.00 pounds
- Running time: 102 minutes
Features
- Labor and management at the Sleeptite Pajama Factory aren't getting much sleep lately: a proposed 7-1/2-cent hourly wage increase is the reason and a job action just may be the result. But not to worry: negotiating strategies here involve snappy stars, terrific tunes and dynamic dances, all part of one of the most infectiously joyful stage/screen musicals ever.Doris Day and a Broadway-seasoned sup
Editorial Reviews
Amazon.com essential video
This 1957 version of the Tony-winning Pajama Game is one of the finest film adaptations of a hit Broadway musical. The story is simple enough: Babe Williams, the head of a pajama company's grievance committee, falls for an exec--the new superintendent--Sid Sorokin (John Raitt). Doris Day, as Babe, has never been so efficiently cute. Raitt starred in the Broadway version, as did much of the film's cast (Day replaced original stage star Janis Paige). The Pajama Game is filled with recognizable, classic songs, done so well and danced so athletically that this musical can engage an action-film fan. Bob Fosse's trademark choreography shines.
Check out two numbers danced by the late, underused, and underrated Carol Haney, who performs amazing feats for "Steam Heat" and "Hernando's Hideaway." Both Day and Raitt deliver lovely renditions of "Hey There." They're also supported by a great cast that includes, in addition to Haney, a slyly coy Reta Shaw and a dynamic Eddie Foy Jr. --N.F. Mendoza
Customer Reviews
THE COLOR IS SPECTACULAR!!!
I can't understand why this DVD doesn't rate a total 5 stars here! It's one of the best DVDs I have because it looks absolutely dazzling, the songs are great, the plot is silly - but so what?, the love story is great, the chemistry between John Raitt and Doris Day is out of this world, the "extra" on the DVD is superb (an outtake from the film of Doris singing a song that was dropped from the film!)...I can't get enough of this DVD! It should win awards for picture quality! If I wanted to sell someone on DVDs in general, I'd pick this DVD as evidence of their superiority over videos. And whatta FUN film!!
Local 343 Amalgamated Shirt & Pajama
Labor relations in a pajama factory. This is the world into which songwriters Adler and Ross managed to weave a string of Broadway standards ("Hey There", "Hernando's Hideaway") in the musical "The Pajama Game".
In 1955 it opened on Broadway with legendary director George Abbot at the helm and newcomer Bob Fosse making his debut as choreographer. John Raitt (the original Billy Bigalow in "Carousel"), Eddie Foy Jr., and Retta Shaw all earned praise for their work and Carol Haney delivered a career-making performance in a supporting role. (A week after the show opened, Carol Haney was ill so her understudy, chorus girl Shirley McLaine, went on in the part with no rehearsal. She was a great success, especially to film producer Hal Ashby who was in the audience to see Haney. He brought McLaine to Hollywood to star in his upcoming Hitchcock film, which started Shirley's career.)
In 1957 Warner Brothers brought the entire cast and production team from New York to do the film version. All, that is, but one. Janice Paige was replaced by Doris Day as Babe Williams, the feisty union garment worker opposite John Raitt's suave role as Pajama Factory manager, Sid Sorokin.
Doris Day comes across with a bit more grit in both her acting and her voice than many may be expecting. But she makes a great Babe - whether belting "I'm Not At All in Love" or cooing the romantic ballad "Hey There". John Raitt is equally adept as Sid and does so well with his tough guy good looks, that you wonder why Hollywood failed to cast him in any of his previous stage hits. But it's that full baritone voice that knocks you over. A voice of such lush timbre that contemporaries like Frank Sinatra and Gordon McRae pale in comparison.
Carol Haney is a hoot as the zany (and at one point hilariously drunk) bookkeeper, Gladys. And Eddy Foy Jr, a veteran vaudeville clown shows off as her insanely jealous boyfriend. (Ever hear of Eddie Foy and the Seven Little Foy's? That's where Eddie Jr. got his start with his father and siblings.) The script also allows small chorus parts like Barbara Nichols as the dopey blond Poopsie, Thelma Pelish as the zaftig Mae, and Jack Straw as the nebbish Prez to shine in their roles and even gives them some of the best lines. (Mae: I like a man with spunk. Poopsie: You like a man, period!)
Broadway's George Abbot teamed with Stanley Donen ("Singing in the Rain") as director. But the other breakout talent here was Bob Fosse ("Cabaret" and "All That Jazz"), doing his first (credited) choreography for film. He stages the star turns (Day's "Not at All in Love" and Raitt's "Small Talk", for example) like a pro. But he shines in the chorus numbers. Once a Year Day" explodes in athletic dances reminiscent of Michael Kidd ("Seven Brides for Seven Brothers" and "Hello Dolly"). And the mysterious "Hernando's Hideaway" is done in total darkness with the singers lit only when they strike a match.
But the number that shows us what Fosse would become is undeniably "Steam Heat". What would normally have been a throw-away number (a little amateur entertainment for a union rally) is infused with the slinky, inverted style that would become his trademark. No one had ever seen anything like it in 1957, and it "stops the show", so to speak, were that possible in film.
For all the music and comic shenanigans, the film never looses the flavor of working class people in a small factory town. "Pajama Game" may not top its contemporaries like "Gigi" and "Singing in the Rain" - but it's not trying to. It's just a slice of middle America filled with some fine song and dance numbers and some of the top Broadway stars of the day.
Terrific Musical!
"The Pajama Game" is a terrific musical and I'm sorry more people don't know about it. The movie was so successfully "opened up" from its Broadway origins that it's hard to believe it actually once was a stage play. Credit Midwestern location shooting, fluid direction and camera work, and Bob Fosse's incredible choreography. His "Once a Year Day" production number is a standout, as he gets the cast to dance on a lumpy grass hillside doing steps that would be difficult for most troupes to perform on the flat wooden boards of 42nd Street.
The central conflict in the work is between "Babe" the union representative (Doris Day) and the new superintendant (John Raitt, Bonnie's father, a well-known Broadway actor at this time but almost unknown to film). Secondary leads/comic relief are provided by Eddie Foy Jr. and the incomparable Carol Haney (who was also a marvelous specialty dancer and died tragically young in the Sixties). Best-known hits from the show are probably "Hey There," and "Hernando's Hideway," which is performed almost entirely by matchlight--or at least that's the illusion it gives.
Studio-wise, this Warner Bros. confection is truly the kind of flick they don't make anymore, yet somehow "The Pajama Game," despite its struggle over a seven-and-a-half-cent raise, remains fresh to me. Possibly that's because the show is so exuberant and the tunes so universal in popularity ("Hernando's Hideaway," for example, is a tango), that this movie is much more watchable than more "sophisticated" films from the late 1950s. For D.Day fans, this is a must, as it is for lovers of musicals; I think people who like good movies in general will probably be pleased if they take a chance on this sterling production.




