Product Description

They double-crossed Walker took his $93000 cut of the heist and left him for dead but they didn't finish the job. Big mistake. He - someday somehow - is going to finish them. Lee Marvin is in full antihero mode as remorseless Walker talking the talk and walking the walk in John Boorman's (Deliverance) edgy neo-noir classic filled with imaginative New Wave style blunt dialogue and Walker's relentless quest that one by one smashes into the corporate pecking order of a crime group called the Organization. Angie Dickinson plays the accomplice who uses her seductive wiles to ensnare one of Walker's prey. "I want my 93 grand" Walker growls at him. Throughout the payoff to that demand is action that "hits like a fat slug from the .38 Lee Marvin uses as an extension of his fist" (Newsweek).Running Time: 92 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569674141

Product Details

• Amazon Sales Rank: #1155 in DVD
• Brand: Warner Brothers
• Released on: 2005-07-05
• Rating: Unrated
• Aspect ratio: 2.35:1
• Formats: Color, Closed-captioned, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish, French
• Dubbed in: French
• Number of discs: 1
• Dimensions: 1.00 pounds
• Running time: 92 minutes

Features

• They double-crossed Walker, took his $93,000 cut of the heist and left him for dead, but they didn't finish the job. Big mistake. He - someday, somehow - is going to finish them.Lee Marvin is in full antihero mode as remorseless Walker, talking the talk and walking the walk in John Boorman's (Deliverance) edgy neo-noiric filled with imaginative New Wave style, blunt dialogue and Walker's relentles

Amazon.com
Walker (Lee Marvin) strides through Los Angeles with the steel-eyed stare of a stone-cold killer, or perhaps a ghost. Betrayed by his wife and best friend, who gun him down point-blank and leave him for dead after a successful heist, Walker blasts his way up the criminal food chain in a quest for revenge. Did he survive the shooting or return from the grave, or is it all a dying dream? The question is left in the air in John Boorman's modern film noir, a brutal revenge thriller based on Richard Stark's novel The Hunter (remade by Brian Helgeland as Payback), set in the impersonal concrete and steel canyons of Los Angeles and eerily empty cells of Alcatraz. Walker kills without remorse, guided by shadowy "informant" Keenan Wynn, whose own agenda is carefully concealed, and assisted by Angie Dickinson, as he desperately searches for someone, anyone, who can just give him his money. But if Walker is an extreme incarnation of the revenge-driven noir antihero, the modern syndicate has been transformed into a world of paper jungles and corporate businessmen, an alienating concept to the two-fisted, gun-wielding gangster. Boorman creates a hard, austere look for the film and fragments the story with flashes of painful memory, grafting the New Wave onto old genres with confidence and style. Haunting and brutal, Point Blank remains one of the most distinctive crime thrillers ever made. --Sean Axmaker

Customer Reviews

Classic noir thriller finally available on DVD
Leave it to John Boorman to combine the stylized storytelling of French New Wave with American film noir in "Point Blank". This fascinating, challenging movie was made in 1967 when the film world was in the embrace of experimental film. Although it's quite different from "Blow Up", the storytelling style is just as stylized and unique. Lee Marvin plays Walker a criminal cheated out of $93,000 from a robbery of a mob like syndicate on Alcatraz by his best friend Reese(John Vernon). Participating in the heist/murder is Walker's young wife who has been having an affair with Reese. After getting the money, Reese shoots his friend, takes his wife and leaves him for dead on Alcatraz.

With the help of a mysterious benefactor (Keenan Wynn), Walker tracks down Reese exacting revenge in pursuit for what he's owed. When his wife commits suicide, Walker seeks out her sister Chris (Angie Dickinson)in hope of luring Reese out of hiding. From there this convoluted mystery spins more threads than director John Boorman knows what to do with but, surprisingly, he keeps the story from getting too tangled up.

Boorman and director Steven Soderbergh ("Ocean's 11", "Solaris", "Sex Lies and Videotape")provide a fascinating commentary track on the making of the movie. Boorman recalls that originally Lee Marvin wanted Peggy Lee for the role that Dickinson plays. While he went with Boorman's decision of Dickinson he wasn't very nice to his co-star which worked particularly during the scene where Dickinson starts hitting Marvin. Dickinson hit Marvin so hard he had bruises the next day but the actor stoically took the hits and the camera kept rolling. Boorman also discusses the stylized approach he uses in shooting the film including a sequence in Walker's deceased wife's apartment that where the body disappears in an almost dream like sequence, the furniture disappears and Marvin's clothes change. The studio was so concerned when it saw the first cut of this sequence it hired a psychologist to come talk to the director.

Featuring a stunning transfer from Warner Home Video and a nearly perfect brand new print of the film, "Point Blank" looks sharp with vivid colors. The mono soundtrack with some of its unusual sound effects (the sound of Walker's feet providing a percussive element to one sequence in particularly)also sounds remarkably clear. There's also a two part promo featurette "The Rock" which focuses on the shooting of the movie on Alcatraz (it was the first movie shot there since the prison closed in 1963 and had been turned into a state park). Using San Francisco, Santa Monica and Los Angeles as a backdrop, the film features stunning cinematography. If Don Siegel had watched the French New Wave prior to making some of his noir laced thrillers, this is what it might have looked like.

Remade with Mel Gibson as a more traditional looking thriller called "Payback", "Point Blank" features Marvin in one of his most stoic, powerful and grim performances. His character of Walker leaves a trail of dead bodies without remorse or regret in pursuit of what is rightfully his. Unlike a lot of films that incorporated the surreal touch of the French New Wave (such as Truffaut's "Shoot the Piano Player" or any of Goddard's films), "Point Blank" has aged remarkably well with Boorman's stylized use of sets, camera set ups, flasbacks, etc. suggesting what's really going on inside of Walker's head. There's also a suggestion that maybe Walker didn't survive (particularly during the last sequence)and that "Point Blank" represents the dying delusion of a man thirsting for revenge. A marvelous film filled with many, many levels, this classic thriller does not have a straight forward narrative so if you're expecting a realistic film noir or story, you should look elsewhere.

A hard-edged story of betrayal and revenge with a superb DVD transfer!
This review is for the Warner Brothers DVD released in 2005.

`Point Blank' starts out in an abandoned Alcatraz Prison circa 1967 where Walker (Lee Marvin), his wife, and Mal Reese (John Vernon - probably best remembered as Dean Wormer in `Animal House') rob an apparently illegal money payoff. Once the money is counted, Reese shoots Walker in a prison cell leaving him for dead and takes Walker's $93,000. Walker recovers from the shooting and with the help of a stranger named Yost (Keenan Wynn), Walker finds out that Reese and Walker's wife ran off to Los Angeles and Reese is now a big player in a major crime syndicate. This sets up the rest of the movie where Walker hunts down Reese but also wants all of this $93,000 back.

The movie is clearly dark in mood and substance, even though it was filmed in vibrant color. Angie Dickenson plays the role of Walker's sister-in-law Chris, who helps him find Reese. The chemistry between Chris and Walker seems overtly empty and melancholy. An animated Carroll O'Conner (best known for playing Archie Bunker in 'All in the Family') brings a lot of energy to the last segment of the movie. The film has an unmistakably late `60's look with fast and chaotic flashbacks and over-accentuated sound effects - such as loud, reverberating footsteps when an intensely focused Lee Marvin is hunting down Reese. This movie is more sexual and violent than noir films of the `40's and `50's, but is still restrained by today's standards. The film's biggest asset is how Lee Marvin confronts and handles his adversaries - each situation is original and effective, but not over the top. The plot as a whole has very few major surprises, although there is one minor twist in the end. Overall, it's an extremely good movie, but not a great one, but I still strongly recommend it.

As for the DVD, the transfer is superb. The picture quality is free of even the tiniest of flaws and the color is bright and vivid and the sharpness is terrific for a film this old. The audio is also excellent. There is option real-time commentary by director John Boorman and filmmaker Steven Soderbergh, plus two short features, both made when the film was being shot in the late `60's entitled the Rock Part I &II. These two documentaries deal with the filming of the scenes on Alcatraz that were used in `Point Blank'. Part II also contains a short interview with a former prisoner who did time on "The Rock"..


Movie: B+

DVD Quality: A+

Top notch revenge movie plus
Mr Marvin is at his best in this noirish movie. He has the best walk, the biggest gun, and a mind as sharp as a cut-throat razor.He's out for revenge because he's been betrayed by his BEST FRIEND and HIS WIFE. LOOK OUT! But there is much to admire and enjoy in all the bit parts, and especially the recurring images of glass, and cleanliness in this all too alien urban landscape. The one act of human tenderness by our anti-hero is committed in an apartment which has been completely trashed. An interesting document of the sixties as well as an entertaining film.