Unchained/Son of the South: Plus
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Average customer review:Track Listing
- I'm Gonna Hurt Her On The Radio
- Angels In Red
- He Has To Pay (For What I Get For Free)
- Ain't Worth The Powder
- Would They Love Me Down In Shreveport
- Unchained Melody
- Snowblind Friend
- Southern Man
- Even After Forever
- The Fiery Death Of Willie Bodine
- Love Is A Never Ending War
- Storms Never Last (Willie Nelson, Waylon Jennings & Jessi Colter)
- Gemini Girl
- To Help You Love Again
- Cold Turkey
- A Country Boy (Who Rolled The Rock Away)
- Couldn't Do Nothin' Right (Karen Brooks)
- I've Already Cheated On You (Willie Nelson)
- I Hate Love (Willie Nelson & Waylon Jennings)
- Son Of The South (Dickey Betts)
- Shrimp Boat Annie
- Ride 'Em Cowboy
- Yesterday's Wine
- Keep Those Big Wheels Hummin'
- Memphis In My Blood
Product Details
- Amazon Sales Rank: #194401 in Music
- Released on: 2005-09-19
- Number of discs: 1
- Format: Import
- Dimensions: .23 pounds
Editorial Reviews
Album Description
Another ferocious, 25-track David Allan Coe twofer from Bear Family, with unissued bonus tracks and duets with Willie Nelson, Waylon Jennings, Jessi Colter and Dickey Betts! 1985 and 1986 Columbia releases (Unchained is right)! UNCHAINED/SON OF THE SOUTH not only includes some of David Allan's best songs, but also incredible duets with Waylon Jennings and his wife, Jessi Colter, as well as Willie Nelson, and Waylon and Willie together. In addition, there's even a duet with the Allman Brothers' guitarist, Dickey Betts. Last year, the renegade outlaw turned 65! But he's still on the road, still making impassioned music, and still turning heads. We're proud to be the only company offering a full documentation of his best recordings.
Customer Reviews
Just What I Always Expect From DAC but Even Better
This is, without a doubt, one of the best David Allan Coe albums I've ever heard. I always expect great stuff from this guy, but Unchained/Son of the South really stands out. There is not one bad song on this album. A true gem.
not bad, could be better
some of the songs seem to be mired in the eighties feel, but the other tunes clearly geared torwards the southern rock feel hit the mark.




